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at specialized) eens of of y ar u cs aad ne ate a ie aS ‘Do you compose swiftly fn a slow manner?” she was ask- She answered: “as a rule, ra- of|ther slowly.” The one exception was her work entitled hens jnf0f Destiny”, whicl rei the pilgrims who sie the Mayflower”. In order to write ne fa ” she jwhen I came to write the musi« lfor the libretto, I finished it in aed: weeks. Somet here I was ver, was a lovely en be os asked our land-lady it, since we were iad con sister, uldn't sell - a the! Dnrd wear they g8ee tatb ana od, |i to do Crea tution for her se ‘This took me a year or more reoalls, “‘and then j] h ig I've nev- m o in-}} year-| he a-woman sh an | is Federation Clubs; member of Goon President's Ad-| Board for the National Opera Club of Nee York; an as President of thi Society 0 at American. Women Composers, oh ase College awarded her rvice to patriotic edu- cation. The American Mother's Committee of the Golden Rule en all over National League of American snwones gaye her their most- ished - work - of - the - wal Emil Ludwig once wrote: “Ae tions belong in the museum off ginory: cha-acters, the sub- stance of aclion ene int eee approach the hea ‘of every individ ae any boii ‘ecied ES didn’t San ike it. gave it away 2 some ee tae ed by. One ‘al ye passed by tal I meat the sujet came up ca m: bak 7: Thappened ay ‘ap into an} that Her story vidi a rs us . nof an be! pass won without Misert eas weat" for according to ‘Before the gates of excellence sons have placed ‘sweat. ae is the the 9 and rot us proud: that from own Quinte district_ makes the hi her trumpets sound!