The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

WH-.ITBY F'REE PRESSTurdyMrch 23e 1972, page3 on teftijrej guide Young Becomes OId on. Jaina Ingenue to Grandma ln the Whi teoaks of Jaîna (Sundays at 9 p. m. in colour) Alayne is portrayed by Maureen O'Brien, an Ottawa-based actress in her twenties. So far 1In t he serte s, she has onl1y been seen ln the ol d ph ase of the role, as Renny's wife'in the 1970's, when Alayne is ln her 70's (bottom right). Begin- n ing with Episode 9, the young actress will1 also a pp e ar as the young Alayne, whom Eden brings home from New York as his bride (photo at left). Responsible for her metamorphosis from her own age to an elderly lady is CEÎC make-up artist Pa-- tricia l-arshawý-, pictured (top right) with Miss O' Brien on the Jaîna set. SCENE: Six a. m. on a cold Monday morning in F e br ua ry, la 5ubterranean make-up room in the 1 ab yrinth under the studio set for the Whiteoaks of Jaina, the CBC-TV.colour drama series based on the nove Is of Mazo de la Roche. CAST: The series' chief make-up artist Patricia Harshaw and M a ureen 0'Brien, the fragi le-lookiflg blond act- t r ess w ho plays AlaYne. ACTION: The artist is tracing 1lines on the actress's face, using a colour 1liner. Twentyi sh actress plays seventyish Alayne 1An Ottawa-based actress in ber twent ies, Maur- een O'Brien hasbeen seen so far in the series as l0id Alaynel, seventyish wife of the elderly Renny, (Paul H a r d i n g) in t h e contemporarY scenes. In E pi s ode 9, for telecast on Sunday, April1 2nd at 9 p. m., she w il1 make a second debut in the young a sp e ct of t he r ole--as AIlayne, young bride of E d en W hit e oak (pl ayed by James Hurdl e), who brings her home to Jaîna from New York. Age LUnes The aging process, telescoped into a matter of hou r s , is explained by Patricia Harshaw as she draws a kind of road map on Maureen's face: "We 1 m ne fi1r st , drawing in the age 1lines around the m ou t h, eyes and so on. Then weappl y the l atex (liquid rubber solution). Itis dîfficult to lune over latex, but later, when it dries, wve eMphasize the lines by touching up vvith a fine lead pencil.* .11 The latex referred to is a milky substance in a bottle. Nowbegins the most painstaking process of the entire make-up. Latex & Stretching One smaîl area at a time, the artist applies the latex to the face, using a sponge to pat it on, and stretchingeachpatch of skin as she makes the ap- plication. Then, pickingup a hair blower with ber free hand, she.trains it on the Iatexed patch, keep- in g the skin stretched until it dries, having first been dusted with a thin film of powder. Wrinkling Once it is powdered and dried, the area of skin isreleased, and itsnaps back into place, creating a patch of fine wrinkles. Each part of the face to Continued on Page 4 Sales 72 CAMPIER ON DISPLAY SericeOWASCO VOLKSWAGEN LTD. WHITBV - OSHAWA Body Shop1425 DUNDAS STREET EAST WH ITBY ONTARIO T'EL. 668-9383 - 4.