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WILMETTE LIFE Music News and Events Austral, Amadeus, Josephine Lydston-Seyl Mary Gardin Jllins In Musicale ·. True Artists, Open in Recital This Sunday Title Role Honor . .I ostphinc Lydston-Seyl , ·soprano. of '------------'· .Music Club Series . in Camille Opera \\"innetka, is tn give a costume recital I :\:-. ha:o. hrC"n previously announcr.tl. in tltr Chicago \Voman·~ club auclito\Jan· (~arden '"ill create the role of riunt Sunda,· afternoon. October 27. a ."Cat;lillc" in the opera of that name , to 3 :30 o'clock. Carmel Power s will he he presented hy the Chicag-o Civic the a~sisting artist. Opera company this season, included ' It was incorrect!\· statl'd in last with lwr in the cast heing Charles \\·eek's i~ s uc that th<.: recital \\'as tt) he Hackett and Chase Barome<.J. Edith Sunda ,., Octo her 20. The ~prngTam will he as it)llu\\' . . : ~.I a son will ha Yc the part of I ri . in Old l'rPnrh :\fa cagni's opera and Antonio Cor~is Lf·~ J:t·lll-~ ~tani<·rt·!'; .' ......... \\ '··c·kt'l' lill will sing the leading tenor role, with l'han~on dt· ~l < ll"it· _\ntqint--tt·· . .. ... . other illlportant assignments going tn ........ .. ........... ~~~Ton Jacob'-'on (~iacomo Hitl'ini and Virgilio Lazzari. r .·· Hoi a Fait I :,11 tl't· Tambour ..... .. . . . . . . . . . . . . . . . . . . . I l"'r··la t cit· ~e\'t·rac Ro::;a Rai:->a will ing the part oi Con. . . . . . . ..... ... . .. Ft·unlrain chita in the third novtlty of the r<..'ptr- 1 'anta\'al .Jo~t·Jihint · I ·. nl~tllll-~··rl toire, Antonio Cortis will he the Don .\ ra bl'~qUt· .............. I l(·bu~sy - Power ~fa teo and 11 aria Claess<.'n~ the inother l·:n Hateau . . . . . . . . . . . . lh·bus~y -Pu wt · r Of the four works which arc hrinl!' ".\Kitat11.. fr·)nt l'oli1 ·hnell c· . . . . . . . . . . . . . . . H.a rhmaninoff-Pro\\'··r revived thi season, "Don 'Quichittc" t'at·nH·I Pow··!' was la st sung during the 1913 - l~ s~a r t'J\I'tlnll son when the title role was taken . bv \ -,-tu·zia _ \lim - ~1 .. r11i11g in :->;tint ~rark':-; Squat't: Vanni-Marcoux, who has again · he('n . . . . . . . . . . . . . . . . . . . . :\"··\'ill Sprus~ entrusted with this important intcrpn· · f:ondolit--ri - 111 tho· c; ·. llllola · · · · · · · · · · tation. Singing with him this season . . . . . . . . . . . . . . . . . ..... X· ·\·in Spross will bc Hallie Stiles as La Belle Dul( ·.,llzront· .\nwr~n·- \'·· rwtian L.o\·,. Son~ . . . ~ ...... ·...... . . ... ~ :\" {' \· in Spros:; cinee and Desire Defrere as Sanchu. I :u11na Xottt·- -Fan·wt·ll ... X t--v in Spr··~s The cast for "Die Goetterdaemmcrung·· .Jost·phillt-- Lyd slilll-St·yl has bt·en announced to include Frida (lhlig-ato .\t'l '" lllJIHllilllt> nl by !.eider, Maria Olsze\\'ska, Theodore ~lax Thr·Jnflson, ('l'!li~t .. c 'at·nwl 1-'o\\'t·r Strack, Hichard Bonelli and Alexander I t<·,···i I D' .\ rmout· J t··Y~·r·i,· . . . . . .. ..... ·.. . I lt·hussy-l'ow· ·r Kipnis, with Egon Pnllak conductin~. . . ............ Poenit·" Claudia Muzio will sing- tht role of .':w·,,·,·g ia 11 I :al1a1f ( '<tl'lllt·l Po\\'t·l' Donna Leonora in " La F1)rza d.l'! Ik~ sunac!' uf .\ nothPr Dlly tino," Jaq gi,·en in Chicago during 1923- Xo ~lr ............. , .. Old Eng-lish 24 season. The cast for "11 Taborr,1," \\' itll t'ourth· c:ra1·· ·--.\ 1:avottt> ..... . 1 lid \\'oi·Id l>a!H'I'ti, :\lontag-U1· J'hilip s last sung here during- th(.' 1919-20 ~ca Itt t h1· t :ay Old··n Timt· - .\. l :igul' ..... . son, has not vet hecn announced. l ll·l \\"t,rld llalll't·~ . ~lontag"Ut · Pllilips Of the standard rcpntoire, .. Fa! - y,.u Hl'll\·r .\sl{ ~l· '- . \11 Iri s-h Son~· .. Lohr .Jn~·a-philll · L~· tl~ton-St·Yl . taff," "Cianni Schicclti," "Le Jongl·~ur l·:d·. u:lt'd :'\i··~-ll·l'g··r at tlu· pian·· de 1\otre Dame," "Louise." .. La Ciu conda," "Martha," "Tannhatl:-l'r." :1!ld "La Tra,·iata" n·turn aitn otH· 't·ar'., People's Symphony Gives ahsence, while "Tristan tlltd l ~n l .!v" has been abs·c nt for two year:-. · First Concert October 27 Marcel Dupre Overwhelmed by Demand for Recitals ~~a reel Dupre, who appear s in recital in Christ church, \Vinnetka, Monday l'vcning, ;\ovember 18. is in such demand throughout the country that mtmerous re(JUCsts for recitals ha,·c had to he rduscd during his previous tours. ln the course of .his last American tour, Dupre was broug-ht here, hy hi~ man agers, for a three months' stay and was obliged to prolong it for another three months . At · that time he gave one hundred and ten concerts, ,,·hich re cord has never been equalltd anywliere in the \\'(lrlcl for an organ tnur. Since then his managers have r<.'pt:att'dl.\· tried to bring hint over again for other tour~. hut Dupre's popttlarity in Europt· l1a:-. grown to !'oUCh an cxtt.. nt that during the past four years it has heen ahs'-1lutely impos!)iule for him to come tu America. Despite the efforts of '. he Bogue-Labergc Management to han· Dupre remain in America for scn:-al months, in order to fill all tiH.' dema·nds for recitals. the organist has heen able to secure a leave of. abst·ncc for only ~cn~n weeks-October 1 to .L\ovcmbcr 22. It is estimated that twent\' td thirt\' dates wilt have to be refused be ·rause of the limited time. Thl' Chicagu Peoph-'~ S!nphc1ny lr Paul \1 arinth J>aul:--t·n . cnndurttlr, is til present it:- tirst concert oi thl' currl'nt ~~·a:--on ~l!Jtcla\· aitcrn<J'In . ( ktPht·r !.7, at StnTth l·:;).!hth ~trt·et theater. Tht· hntlf is !. :~~ o'cltlrk. So ~ Jt,i:--t:- in thi s concnt "ill incl.uck Glady .:. Ha.\\·kins. pianist: ~dary \\' endling Titll', :-;oprano. and \1 iltun Prcn.::-. ,-i·'lini:-t. Thl' pr11gr :tnt has ht·t·tt attllullnrnl ct :. follows: c 1,·,.,-1 Ul'1· " T«IIIIha u:-c ·r " \\'ag:ll'l' t'ot~c· t·rlo for l'i :J no <lllll llrc-!Jt·!-'tra, :-.:o. 1 . I t:u·hntn nitlf·ff ~· ht·:--tra. \.i,·acc · Hhap~od .· · l·:~p ;t ll;t" 1 'h:tl·l·i··t "Jir<tno .\ria " \'oi l11 ""1'1'11·" from I 'a\·ah·ria ltu:-:tit"tll ·· .\la"t'ill!.;ti .\'ttdant1· .\ ll(·g- ro yi\·at·t· :· p · ·ni~h 'ttrtn·rto :->.nuphony No. :: "E1·oi<-a" 1 :,., .l h,,... n .\llt·gro eon brio :\Jan·h funt-llrt· ~l'!wrzo, "' ll('gTII \ i \':tl't> Finale Allt·gt·o molt .. Other concert clatr~ for the Pcopk\ Symphony have hn·n announced as follo\\'s: Nonmht·r 17. Decem her I 5. January 12. Ft'hruary J(,, ~f arch 1(), April 20. for \'iolin ~~~. 2, J> minor . \ 11t·Kl'O modera t· · Allt·gro molto J~TEIUI T~~IO~ ll'dH'~tr·n. and ( . Bruch Whitney Trio to Present Chamber Concert October 30 The \\'hitney Trio is to pre~ent a chamber mu!'.ic concert in Kimball hall, Chicago, \\'edm·!>!day evening, October 30, at 8:15 o'clock uncll'r direction of Bertha Ott, Inc. The trio is comprised of Noreen \Vhitney, Yiolinist; Grace \Vhitney, vi0lincello, and Robert · S. Whitney, pianist. This group has won great fa,·or through its radio program. given daily over one of Chicago's kading broadcasting stations. GIVE JOINT RECITAL .Margaret Conrad., dol inist, and Ruth .Tcgtnt<.'yer, pianist, are to present a joint recital in Kimhall hall, Chicago, Thursday evening, Ortobcr 31, at 8 :15 u'dock. Bertha Ott Inc., i . .; sponsonngthis appearance. PLAYS IN JOLIET ilan Lusk, north shore violinist, played a return engagement in Joliet. Ill., October 5, when he was presented in recital by the Catholic Women" league of that city. ~~ r By Rutheda L. Pretzel · Tllnc " ·as no excuse for boredom at 1he first of the concerts in the Arti st-· Recital serie~ last Monday evening at .\no; Trier High school. Madame Flurenrc ·Austral and John Amadeu s ga\T ~ uch a ,·aricd program, and expres:;e tt their nwu personalities in so . many \\'<l \ ' S that the cap acity audience \\'aS ke1it in a . tate of continual \YOnder and delight. Here \\Tre t\\'n artists who Inn> reaclwd peaks. Both possess an amaz- . ing command of technic, both haYe in :-truments of rare quality, and. both a:ti:-ts have something to say, an indi,·idual interpretation for every phra~e 1f lTen- Jnunher. That the audience :wnro,:ed of thelll "~as quite evident in thl' prp]ongrd applause, the good, sol i<! hand clapping- that speaks of goorl . :-olirl satisfaction. The artists inspi red tht· audience. and the audience inspired tht artists . . So e,·eryone \\·as happy . Voice of Rare Beauty .\I ada me :\ustral chose a prognm that showed off her glorious \'Oice in tH:a rly e,·ery phase of its beauty. There ,._·;;s the iull rich tone in "Leise, Leise." irom "Dr.r Frcischutz ;" the sing;ng tnnc in th<.· Schubert group; and th(.' dramatic. gorgeous, joyou s ring in Brunhilde's song irom "Die \Valkur l.'." :\ ncl v1·hether it \\'as German or French r1r l·: ng lis h. ~~ada me 's diction \\'a~ ahon· reproach. She was graciou:-- a:1d gcncrou::; \rith encores, and she :-;ang'· "·ithout any apparent feeling of effrlrt. Hn tone "'as always colored to t1 1 e tlll'aning oi tltC word. as only a tnt~.· artist with the inner fire can do. (Photo 11 ~· l····rna nd ct ·. 1 :n~·l f!··d \\"hether it \\·as the cn·~tal clear hear! .\lari1111 ~lcAiec. giitcd soprano ui tones or tht Yibrant lus-ciou sness of ~1n till· :\ml'rican Opera rumpall_\·, \\·as the lu\rer register, her Yoice was ahYa~ · ~ --o l1'i~t in a tlllbicak \\'e dm·sda_ , . pf golden. :\ nd she had a firm grip :-- quarely on the middle of the tone. :\n thi~ \\Tl'k lllarking thl' upcning oi the exceptional artist, enckm·ed. with a nnr thirt_\·- eighth :-ea~~~Jt it·r the \\'oma n' s n:lous instrument \\·hich she has u1Hkr club of \\ 'ilmeth·. ~he prr.;ented thl' complete control. ~lr. Amadeus sha,·ed i 11 · hnnnrs with 1f a dame Austral. ~lost of u~; ha\'e had few chances to hear fhe 1° <l\nng prngram: :->tar \'inf'inu . .Rom llute a.; a ~olo instrument. and. it \\a.s a IIi·· It"'"'· llit· l.tlit·, lilt · Tauht·.. j surprist' to find that a flut'e is as ··x.· · · ~<"humann pressive as a human voice. ~ir. Ama\\ -;·lrl··~~· ~·"pn-u·h Schumann I l 1r . I < eus p a~ ed a Bach sonata, part of a . \o\' ith Courtly ( :nt L'(· l'hillip~ ~fozart concerto, a Doppler Nocturne ~~ i~t ......... · <'yril Scott and Bridge's wMoto Perpetuo" and in <'yril Scott I all he thrilled his listeners by his 1 ell Tr~·:-<t I .itt~· Tr( ·(· .\ria, Don· ~cmo ( Lt· .':~tzzt· fli FiKarol markahlc command of t'he technic, his Mozart breath control, and the qualities of n· I tones. There was a delicacy in the .\rit>ttP ouhil··· ·· .\:u. l ·: · lJeh~~~~ I conception of the t)hrases a flexible ('J'<llll,. :->1111;.!' . .. (J!'\'ldUIIlllllOff . , ' ' Th· · f!i\·<tb L\1~> ... Edward :\Tourt:> melodtc hne, and a deep understat~d\' ing of 'vhat lies behind the writt\.n .\rl:t. ";tro· .\:om,. (ltig-oldtol . \'··rdi not.e. He be.nds ove~ his instrumen ------I<H'lllgly, coaxmg out 1ts sweetest rnus·ir, and he delighted the audience Ann~unte Concert Dates "ith the manner in which he alfinished-a flourish, a proud for the Civic Orchestra "'ays upward movement of the flute and :t l<our concerts are to he given hy the shining, gay last note. Both he and l'hicag-o Civic orchestra this season. ac- Madame Austral received artistic supcordiitg to information from the Chi- port from Nils Nelson at the piano. r:tgo Ci\'ic ~1 usic association, the sp·1tl~oring- organization. The concert datr's arc January 26. February 23, Marc!1 Knupfer School Begins 30, and :\tay 4. The final program ..,,.m Appreciation Classes he g-iYen in conjunction with the annual \\'alter Knupfer, director of the festi\·al nf the Civic Music association. Th<.' concerts are g-iven in Orchestra Knupfer Studios, School of Music. in the Fine Arts building, Chicago, and hall. "ith a branch in Wilmette, has reFrederick Stock is musical director and Eric De Lamart<.'r the conductor of sumed his musical interpretation and appreciation classes, which meet every the orchestra. \\' ednesc~ay afternoon, from 4 :30 to Artists in the civic orchestra arc re- 5 :30 at his private studio in the m:tin cruited each season hy leading sym- school. These classes are a feature of phonic organizations, including rhe -curriculum. of the ..K.nupfer school, Chicago Symphony orchestra, the l\lin- and furnish an occasion for advanced n<'apolis Symphony orchestra, the St. students to ap.p ear before their colLouis Symphony orchestra, and the leagues, previous to the public recital~ Portland !'1ymphony orchestra. gh·en during the season. me