Laughs continue to mount when Mute goes into her sister’s been†parlor. . The“ “new: on drawn to- ttether in a compact story of hie episodes between two interesting rtttttte tt.ttTher_Anit.t Page gown: t.!eraAyiii'tvTitir'atsrdG' MW“- sll,ttL,.e'gttmurh Collier. It. .---aevs- The fun sum the minute Marie climbs thou-d n Pullman out with her mail-carrier husband, Lucien Little- field; her daughter. Ania Pntre, and per twp mllchlevous sons. Billy Nay- A comedy of errors in a beauty shop, "Redueintt," permits Marie Dressler and Polly Moran to have us much fun grim the ovttoreitthrarune as they did with Wall Street in "'Gatatthtdehort." "Reduehyr" ttnth, “Pulling “my,†wealthy beauty parlor owner, invita hit her sister. Mario. to bring her whole funny for a New York visit. lor and Jay Ward, the Iniurrtideia mascot of the American Legion Parts, Convention. . March is Been as Tony Cavendish, therhsndseme son of the family. who has deserted the stage temporarily for the Klieg lights of Hollywood where he has become the great" and lordly lover of the screen. Miss Claire is his sister-Aha 1esiditurmtmnntie and dramatic actress of the New York and outland stages. Miss Brian is her daughter, raised in the tradition of this family’s Thespian history, but not'yet launched into a career. Miss Crosman is the mother of Miss Claire and March-the trrandis dame. of the Cavendish clan, whose loyalty to her family's name for stage exploits is more dear to her than anything else in the world. The manner in which this group of players portrays the lives of these be.. lievable personage: is g tonic for the, heart. "The Royal Family of Broad- way" is rich in eomedy,, romance1 pathos and drama. ' "Reducing" at the 'tniiHitiiiu1'Piiiiitrr" .- _. _-e of Broadway" at Deerpath Sunday What in most certainly the clever- est display of brilliant nistine that film audiences have been privileged to see in many months iron parade at the Math -theotrm-whert-"qhe Royal Family of Broadway" opens Sunday, April 26. ' “The Royal Family of Brpadwnar," is based on the famous play, "The Royal Funny" by George & Kaufman and Edna Ferber. It depicts the home life'of a {ending funny of American stage performers. But it is not the impressive quality of the original playwriting alone which makes this play c wonderful movie, Host. lit _tlttcattlertsiidusttri, humid this production are‘fonnd in the stirring craftsmanship of Fredric March, Ins Claire, Henrietta Croe- msn and Mary Brt%r-tu, presentable a quartet of sterling actors as one could wish for, - Thur-day. April a, 1931 Cinema Talk , Deerpath Theatre Edmund Lowe and Jeanette Hac- Donald take the lends, with Una Her- Kei, J. M. Kerricun, and Roland Young ENE: "eti.tCmp1tt.tsg.r2lypC.t.lat,,lg, Two Features: “My Past†"Don't Bet on Women" Wiar"iktit'isird""ittta "thfiuiii "T" tt HomAMd. . F _ . ,1; His first wife did him a favor by teaching him that "All women are bad." Prom then on herh'ked women. They amused him. He treated them 1thtdlr--tmt never tseriously-and they loved him for it. Then one day a beauti--. But why take the kick out of the grendeet. most sophisticated, subtle “new tee this seuon? . . . it opens hm. It’s I good bet that you’ll get I huge kick out of "Don't Bet On Women." William Farnum’s performance as Joe Morgan is a triumphant charac- terization of heart-stirring father love. His scenes with six year old Patty Lyn are gems of exquisite sym- pathy and tenderness. His transition from the happy, ttood-tttttttred miller to, the besotted drnnkard, end his speeteuVrmrrtettytipp through the' love of a littlejchild is a dramatic achievement whiéh adds new laurel: to Mr. Putnam’s brilliant career as one of the really great artists of stage and screen. His smashing furht with Tom. Santschi makes a thrilling climax. p' Marlene Dietrich, the adorable one o.,tltemtrttonoms...tNitutoplr for love and pleasure. She otttirnntes her role in "Moeoeeo." Emit Jannings talking in English . . . powerful . . . profoundly sympathetic as a man en- slaved by love. -. -A-msmrtgttomtt - story "V of Ttret flay? that is sacred - and profane - and happy - and mad jealousy. The Story of a Great Father Love A heart-gripping example of such love is magttitteently po'rtrsyed ‘ln the ell-talking picture "Ten Nights-in a Bar-Room," starring William Enr- num. This modernscreen version of the immortal stage favorite tells the dramatic story of Joe Morgan. Fol- 1owintCthe “curse of the Morgans†down to the last bitter fu1t11hiient, he sinks into _ttttt, ebyemsl, depths of drunken degradation c- losing all sense of shame and humiliation. Be- treying those nearest and dearest to him, he is deaf to every appeal save one - that of his little dinghter, Mary, who very nearly gives her life that her father might be awakened to manhood again. V Truly I new nchievement for the hiking screen. . _Nother love! has always played a. Jttgttutgttad.gLdmtitsaarttL.liggtmtttm.. But not as frequently is the love of a father found in fietion or'upon- the, screen. , - . 'mre Blue Angel" THE Mad, merry. modern! M gun-dq- made headlin- - tmt their private Eva and low. no any mulled to rout Amie-'- dartte u thee ARB with the not- Hchb otrt Emma!) when": T_UE§DAY, APRIL 28 SATURDAY, APRIL 25 APRIL 26-27 Sun. éontinuousâ€to ll THURSDAY - FRIDAY Matinee Only " 2:00 SUN. AND MON. man "l Ciii"ll)l! " tu-) u l RICHARD DIX A" " h' ad i, IRENEDUNNE . " 1 FA I . t 'a C', l I 1" i' igl8i. ~ 5 l ' l Ammo . ag'il', Q I , ' fi)ii"i'iiii,i1 . -«>\4 62 IE ' rd /if t (ji') ll i _ l my}. sin :22» g 'ATrgr" ,a’llflfngâ€"Piflfâ€"‘cmreg‘l amends '9tmitiiggLolaj, QDilliam Aiiiit (draw $osttrd 2ttliiiDUaNIG_ 5119;†no"; """"‘"" - WEDNESDAY - THURSDAY, APRIL 29-30 Laugh and Reduce! , .ANX'I'LJ’AGI . want um â€our†MORAN -thos screa / 'ii;'liT's'l'gr3h"fo, m" DRESSLER :vlmlLOYAL FAMILY P0LKA .30.. Edmund Lowe Jeanette MacDonald LYON (e,,rtPyrtht _ ',:',iii.,ltet,iij',ji'ii'Laitltv fitihis' A “mam gm tiii giidiit in}? Lem' DEN INA mac CLAIRE Ja. MARCH SATURDAY, APRIL 25 “Don’t Bet on Women†Evening Only 7:00 and 9:00 [Mll- also One Day Only _ A most Delightful 9'09"“ APRIL 23-24 “mm m FE kik Sign: