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FURRIER MANUFACTURING Telephone Highland Park 351 Storage Charges Absolute Security $4.50 Expert Care ols ts aace nicsiel sn l c4 M3 / n T H E The rest of the first half of the show was made up of four different teams. First came Mystery Man Jim Ewell, accompanied by a lot of color and Arthur Gourley with a set of "The Revenge of Carfax," a radio drama, was "broadcast from the Burâ€" wellian Room on the thirtyâ€"second fAoor of Shields basement." Harley Dee was the announcer. The cast of this very original entertainment was made up of Jeannette Canright, Marâ€" garet Denzel, Bob Jerome, Sara Mcâ€" Clernan, "Chuck" Reichardt, and Jack Whales. <The very amusing part of sound effect specialist was taken by Kenneth Masonic. Act three was a beach scene with tappers and tumblers. The Metcalfâ€" Ericson tappers were Mary Belfield, Jean Ericson, Sylvia Kurtzon, Mary Lankford, Janet Leonard, Edith Metâ€" calf, June Stockwell, Marjorie Watâ€" son, Josephine Zook, and Al Meyer. The beach tumblers were Earl Bernâ€" ing, Bob Bieger, Carl Bonn, Mac Gardner, Rueben Hazelrigg, Bob Lesâ€" ter, Randall Roberts, and Mort Traub. Act five, featuring Sperandi Carani and his accordian, was in front of the curtain. He played "My Treasure" and "When Your Hair Has Turned to Silver." The Molly Sloanâ€"Mildred Slaughter eake walk act came next. For this act the first depth of the stage, decâ€" orated with a gigantic cake, was used. The second act was by Isabelle Burâ€" ris who whistled "Wabash Moon." The whistling act was in front of the curtain while the stage was being set was planned in this way, there were no pauses between acts,. While stage sets were â€"being changed, footlight acts were given to the audience. _ More commonly known as Mr. Kenâ€" dig‘s tappers, the "King‘s Horses," was made up of Sally Cook, Marâ€" garet Coxe, Janet â€"Gaidzik, Phydele Gourley, Myra Jane Hutton, Frances Odell!, Patty Odell, Robbie Lon Schneiâ€" der, and Dorothy Strenger. â€" lar t1 tains with tune. capacity, "Student Stunts" . was preâ€" sented last Friday evening. Tickets went on sale Wednesday morning and by noon every seat in the house had been sold. Possibiliâ€" ties of a second performance were considered, but it was found imposâ€" zible to arrange one. Advertising entertainments were put on in the local grammar schools during the first part of the week, but very few of the pupils were able to secure tickets. Le Baron‘s orchestra, composed of Frank Von Geyso, director and banjo player, Edgeley Todd, piano; Paul Dinkeloo and Orvo Helander, saxoâ€" phones and clarinets; George Meyer, trombone and trumpet; and Bob Wilâ€" liams, drums; played during the enâ€" tire program. "King‘s Horses" Start Show The orchestra struck up the popuâ€" Tickets morning & the house ties of a considered sible to ar FULL HOUSE SEES "STUDENT STUNTS" Actors In Deerfield‘s auditorium, filled to tune ne theâ€""P parted, « the first Drama in Radio Studio _ Display Plenty of Talent Throughout Entire Performance King‘s Horses,"â€"the â€"curâ€" and the show was on, t act named after the He was followed by Mr. Kendig‘s advanced tumblers who gave a wonâ€" derful exhibition bar work with silâ€" houette effects. The fellows who took part in the act were Robert Bieger, Charles Hazelrigg, Robert . Lester, Randall Roberts; and Morton Traub. Oswaldo Saielli then presented sevâ€" eral violin solo numbers, after which the curtain opened on the finale. Colorful Finale When the curtains parted on a stage flooded with blue light, Le Baron‘s orchestra, now on the stage, was playing a dreamy tune. ‘ The dreamy tune melted into the _ (Continued on page 24) â€" The old favorite, Sheik (Hotfoot) Worthington, sang and danced sevâ€" eral numbers. * "Dead Men Tell No Tales" and "Ebony‘s Exit" were two short marâ€" ionette plays given by Richard Rioux and Edmund Koebelin. * Strong competition was given the boy tumblers by the "Girls in Blue," Nellie â€"Calkins, Violet Malenius, Christine Hansen, Eva Miller, Marâ€" garet _ Mickelson, _ Ruth . Anderson, Mary Basso, Tink Johnston, Midge Mercer, and Jean Ingram. Joy. (Angel Child) Brownlee was next, singing the "Youngest in the Family." _ _ > Cet es + The "Three Bits of Agony," Bob Lester, Pliny Norcross, and Norman Porter, made the audience how!l with a serious case of amusement. "The Waltz You Saved For Me," was featured by "Margaret‘s Musiâ€" cales," composed of Mary Hoffman, Stewart Croke, Harold Root, Virginia Parenti, Ann Metcalf, Preston Root, Peggy Ezmiz, Grace Flint, Rita Hipsâ€" ley, and Edmund Koeblin. The chorus was sung by Verene Gunckel and Marie Lawther. Jim Butterworth, in a skillful ropâ€" ing act, followed the captivators. Then came a comic blood and thunder mystery, written by Bob Lester, callâ€" ed the "Plotter‘s Saturday Night." In the cast were Scotty Hobart, Marâ€" shall Joyce, Dorothy . Knackstadt, Ruth <~Lenfestey, Bob Lester, â€"Bud Long, Chuck Rogers, Frank Straight, and Emily Watson. â€" â€"â€"*"Pete and Reâ€"Pete," Big Hit â€" Ed (Pete) Steffen and Dubby (Reâ€" Pete) Peterson drew roars of laughâ€" ter from the audience byâ€"theirâ€"origâ€" inal interpretations of popular songs. _â€"Act nine was the Miller Worthing. ton and Harry Daugherty tap dance team. Their act was known as "Hay. foot, Strawfoot." Then came "Seein‘ Double," the Todd, Stryker double piano act which ended with the introâ€" ductions of the "Student Stunts" theme song, sung by Verene Gunckel and Marie Lawther. Twelve Acts in Second Half After a ten minute intermission, the "Campus Captivators" in their red and white oil cloth costumes capâ€" tured the audience. Peggy Colestock, Christine Hansen, Beverly Beyers, Marie Lawther, Ruth Anderson, Eva Miller, Jean Morton, Marjorie Inâ€" gram, Jane Tingwall, Evelyn Roskam, Gladys Foster, and Ann Keff were the captivators. trick teeth. This was followed by the Macariâ€"Pierantoni tumblers, a stunt that was staged under great difficulties because Marie Pierantoni sprained a muscle in one of her legs during the dress rehearsal. Forbidden by the doctor and nurse to use the leg, she balanced Mary Macari in al] of their poses with one leg as effec. Thursday, May 28, 1931