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its of " ily' {he se ler htl he rio of ce bly 'er .u w. " e stae because I ‘ 't5 ' __' . ‘4. ‘ MM2ET, . - T2 mu: .., " g3; a “a. Wane ti; wrwe; 'eMX» r n A rtsursdnr,hstr so. 1981 "iiiFgtTiiirirrL"ifii"""--"" - Led Landi To Stage Elissa Landi bpcune mustang be- cause she thinned for knowledge. Ti/iiiifigrvt Rmrr,""'"tmr"mRn8tmRr'N- T filming “Always Goodbye," her first Martin: Fox picture. “I wanted to study life and people. The success of her study is revealed in her two published novels. In them she given much. of the knowl- edge gleaned in intimate contact with humanity. In I paragraph from "The Helmeur'Lone other. novels, she hag her principal feminine character say: “In every sphere of work, if one wants to the above? meme menial servitude, to tny form of leadership, one must take the tastes ind inclinn- tions of one’s fellowmen into 1c- count. _ ' ' Cinema Talk Recalls His First are Mm tiindthr" éhief 'gtttrtttt8ttrr id “Always Goodbye.” Edmund Lowe exhaled a refréshing lungful of cigarette smoke. “They’ve written many a story about me since I came into the movies, but the best one. has never seen print." Lowe was resting on the Fox lot between "1cm: -r+ uh Econ? ANhih'w "Women of All Nations,” the Pox produption in which he wlt1 airtiin lie ausvaucSaramanuouit-Msttst-J)3sr= Laden who carries on as Sergeant Flags." Greta Nissan, Nordic blonde, an interviewer were in the group. “It wait " the Mean theatre in 1hueo," Lowe continued, 93nd I'm making my stage debut. "Mr character was a 'tramekeeper.' Mr business was to hide in . clump of bushes and uvedrop, on my cm- tloser-ttpri-tttttur-tPell' wife. I had one lihe to speak cud I and? if my mind thqt I was going to speak my one line with such fervor .that the ludience and critics would think " nobody in the etutbtrt me. “Bert Lytell had tio idea why hid deadly ,serious' scene With Evelyn was supposed to turn to me and ny. 'How did you happen to!» here? Lone before I was supposed be'on the sage l, hndpamd bushes and was lea-ins out at audience; They tittered. "The audience roared. I hid been there for half an hour. Then came my opportunity-any line. I poetured, waved my arms, made feces end then roared the line out end stalked grand- ly to the wings." McLeglen had forgotten himself completely in the interest ’of Ian‘s recital. Thinking himself still in elm-actor. that of the rough. hard boiled leatherneck Fla“. he blurted out, “What else could he expected from n max; like‘you?" ' We we pent wild, end Welsh new 'er hnterle, Wyn “.Seve 1Hee the men. he". let's. 89.3”. - Stage _ Appearance _ to the the "'mriTii"iFiiii'ii"gur'"a'e""'""""' Shows New Talents icture In era, and b'iii'lifi"di'i'iih'iri'i'ii f a“ "Tlie Lawyer's Secret” is enacted by an nil-am cut of hvorite motion Itiist.gr.3tIliphyIty1in, t14dftloo, marks poplar juvenile star, to dramatic roles. . T Clive Brook heads the east of well- known actors, with Rogers and Rich- ard Arlen carrying unusually force- ful roles. The feminine parts ore sustained by Fay Wray and Jean) Arthur, both of whom uve' tseen) well received by motion picture su- diences everywhere in leading roles. The supporting parts are tuled by such capable actors as Francis Me- J2.tyytlftAttt, dark and handsome bad.. man of isfi'figfiiifigfimfifiéfig by Wilbur Mack, ,Hsrold GoodWin und Sid Ssylor. Suylor was last seen as n wintering sailor with Ruth Chat- tartan in "unfaithful." _ . ahoo1tc,arrs assigned to- threat of "The Lawyer’s Secret” immediately Idllawfng his starring role with Tul-' lulah Bulkhead in "Tarniahed Lady.” In "The Lawyer's Secret,” u gripping story of plot and counter- plot, in which a lawyer’s gthics are assailed by human' duty, Brook, in 'ttstnrmtttrttrrNrmr,-Sr-tmnred-mHhe horns of, dilemm M.. which highly; is weighted against a man’s life. -, Fay me, whose ittdiserNstiopr force Brook to his fateful decision, steps TiiNiitCitft' oatitrfNRtttitht-tsferarisrr sonal tour of the United States Ind on European vacation. This Rogers however, is not the Rogers of the fanciful romantic stories, but u new, oeeomp1itshed actor. in a "heavy" role, whom directors ere hailing as a "ttnd." . t --ioumbarurtu-rou-in “Inn Lew: yer’e Secret" swirls the third drama of the picture. A: e sailor. accused of a crime of which he is innocent, Arlen has a role of deeply human emotions. ' ’Hie love for Jean odds incentive to his battle for life. It" is o role such as Arlen, recently garnering honors in Western melo- drama, but not hed in some time. Those who remember ”his poiznont sttameterieatiott in George Btuterttft'ty, Wit.” his truthfulportrlynl “of :beeve" in "The Virginian," will ( hove on idea of the verity with which (Arlen translntes this character. "Skd," Problem Drama, _ , Makes a Strong Bid For 1931 First Honors The first screening of "t%ed," Uni- versal’s problem drama, constitutes an unusually interesting event in Io.. cal theatrical circles. _ In a word, W: one of the but talking. picture- ever made and will make a stunt bid for Brat honors as . the outstanding picture of 1tt81., , .. l I" I" I “ILIQII, all: A3 - u , _ y ' Dream!) (ttttttt more: 88t FRIDAY, JULY 31 SATURDAY, AUG. 1 SUN Irh"riiiiif 'MONDXY TUJilfrDAYrWXrlhN, ESDAX filo neér know wiki' ii FaiiGiirii is tat ”Ethnic: “Ki-Wm ' kt Wo-en of All Nations THUkSDA,Y-trR1DAY “Women of all Nations” "llllihjasirttgltitatithrWou"et ‘QAQLAWKISS mg saw VICTOR MACLAGLEN EDMUND LOWE GRETA NISSEN . Sunday continuous 2 to " T. CLIVE BROOK "ir-a-utils, 'dt-l RICHARD ARLEN aa FAY WRAY and 7 H JEANARTHUR Pom-non. at7tmmourtt9atm -ers.'.% with with Evening Orly “KIWI-1' AUG. 4-5 AUG. 6-7 " mun-u "