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are part Var. as“ the the Mo- fea- bray wen her leet. she e in bett lita- were they role ihee ire," me" dies and and Ith- and re in F he Tir new _ Pox? a of hir Pon- are, W mny m- fist- tor " ght mn- ”Smart Money" is the result of the collaboration of Kubec Gleemon and John Bright who wrote “The sPublic Enemy," The huge mt beside the star mi Jiirrirarihqrmsru-a--htetuttHt- alyn Knapp, Noel Francis, Morgen ----irsrxr,-titktFPttreasirah-u"leit, Margaret Livingston, Clark _ Ihtr.. roughe, Billie House, Edwin Argue, Ralf Harolde, Boris Rum. Mae lied- ison, Walter Percival, Letty MeGrath, John Larkin, Polly Walters, Spencer Bell 3nd Allen Dale. ThurIdIY. Amt At, 19131 It‘hu o pfot that is tilrsd with the pulsing thrills of mo'dorn‘lifo; u love- tale that is inspiring; I color 1nd verve that in Nb fresh-and a group of “to" who know their set- imr. And in the hoceround of them, more obvious nttributef there ia, the name of its dinotor. Edmund Gould- Tritt; the amazing young nun who 1s netor, author, director and musics! comma)!!! made on indebible im.. press on the einisinktie ”one. "Ne Night Angel" {The Night Angel" is one af the most absorbing _ttf the eetnt antics. Nancy Csrrol V and Fredric March head the east of this production-and nowhere "could two more competent performers hove been broutht to the chief roles. Their work us (Tomm- tid teem ms well demonstrated in “laughter” and it is s happy circum- stance indeed that Psrsmonnt chose them for the lends in "The Night Angel.” Their- presence makes a splendid production more splendid; Jrhe lecnle of "The Night Angel” is Prague, glamorous continental city which rivals Paris for its night lite and gniety. Miss Germ! is.seen u the youthful dnncer and entertainer in "The Dmsk"--tut inn of question- able hottmstr--where customers ere "shaken down" for much more money than they ever intended to spend. March is the city prosecutor who re- solves to clean up this infamous re- sort. In doing so he incurs the en- mity of Alan Bale, husky bouncer of the place who is in love with Nancy. The girl at first hates March, but later finds she has fallen in love with him, ‘A series of gripping sitnntions and tense emotional etmitieU brings the story to n hapitertdirte.-------- ~ Robinson in Thrilling N 'Smart Money" "Smart Monsters of the Deep . and Fair Warning "Pair Warning” packs more thrills, more excitement. more suspense and more romnce than my picture in which O'Brien In: neatly ”pared. Included in the supporting eat no Mitchell Finn-is, George Brent, Nat Pendleton, Erwin Cbnnelly, John teh... am Winn-d Robertson and Alphon: or. The story, in in original form, was "The Untamed." one of Max Brand’s thrillers. and the adaptation for tho screen was made MEI-nest L. Pascal, who" le . mu'tho’ dialog. " Alfred B. Green has muted sn- other direetorU1 'muterpiece in Cinema Talk Money." Robert Mbntgomery Scores in "The Man in Possession Robert Montgomery turn: butler in "The Men in Po-ion.", I "t _ e In his new vehicle" the young at" nppeers u the hero of a delightful masquerade, impersonating on Eng- lish butler to accommodate a duh. young widow-in-distress. In Net, he goes I bit farther, ‘38 the story un- folds, also taking the plnee of her ab- sent lover. Sam Wood directed this hilarious' screen version of the B. M. Harwood stage hit and has endowed the pro- duction with a racy tempo that never relents from its original course or purpose for a single Meker. The dia- logue is smart did sophisticated and the fluidity of the action is swift and my, despite the somewhat cramped locale of the English cottage. Engaging Performance ' Montgomery is smilingly at ease in even the most disastrous moments of his masquerade and -offerg per- haps the most maxing performance of his young career. He is entirely personable and not at all incongruous in the farcical role. Charlotte Greenwood tops the sup- porting cast as the maid-of-all-work who becomes s tommfttee-oBone to wnteh the new butler’s antics with profound suspicion, which is more than 'tustiiled when she discovers his familiarity with the mistress’ bondoir. . Included in the tr.terliriir out are Irene Purnell., th, Aubrey Smith, Beryl Eater, Reginald Owen and Alan Mowbmy, all ideally east.. "Young Donovan’s Kid" _ Thrills Audiences Twin stun from two of the - amtst-aiibranbasiett--dbma-- screen combination "Young Donovon's Kid." They are Richer! Pix, ,1tt?qtrttr, tributed to "Cimnrrisii" the glimm- ous eharaetairuation of Yancey Cra- vat, and Jackie Cooper, remarkoble 17-year-old child octor who brought to life Percy Crosby’s lovable "Skip- py” in the feature piethe of the sane title. - Jukie Cooper is out as Midge Mur- ray; waif of the struts who in en- trusted to the an of Donovan, and who ultimately “silt: in $310th nation of the [ans-tor. The Net thnt Jacki. lucceufnlly steps from his light comedy "Skippy" character- ‘iution to the drama“: demands in "Young Donovan’s kid" is Mia Pictures’ adaptation of Rex Beach's novel, “Big Brother," a heart-interest story which ranks u pouibly the nu- thor’l greeted piece of writing. Dix is seen " Jim Donovan, New York punter of the preawnr period, when troot1etttring we: unknown. machine guns unhetrd of in (an; circles and chieftnins fought it out with steel ttsta Ind rugged nerve. "tor THE PRESS " Btttpittt----6lmittt THURSDAY AND FRIDAY-MU. & Eve. AUGUST 20-21 run-on "t SATURDAY-Matinee and Evening J AC " COOP. SatsatimtiMtarg9twt't, SUNDAY AND MONDAY-Mat. & Eve. _ AUGUST 23-24 YOU - N's Riiiiiiiiiii 'l,'llltottl D g " Ili).. 'iil5ig '_-a-ot-r-re---------, TUESDAY AND WEDNESDAY with T . Charlotte Greenwood lrehe Farce“ Ac. Aubrey Bmith THURSDAY AND FRIDAY SAkAtTIr MONEY BABGAIN “TIN“ DAILY AT 2:” -ANMrmt "e-av 25: ROBERT MONTGOMERY _ "tBet-I-PN-NI-l.-- THE” iii'ic,rLi5i' MAN. IN r! possmou ... BARGAIN HAHN“ DAILY AY.9tf3. -<Nndr-' "e-adrV BARGAIN HAHN" DAILY AY 2:00 --4NMmst "e--AV "e M--qhre---N-Plq.-aq---qqrqr--gqs-iaa' . hula; Oily -."Tmt NIGHT ANGEL" BOBBY JONES in “HOW I PLAY GOLF” m3} ”LIAM f'hllt o iiiiiiniiik ROBINSON EDWARD G. GEORGE O'BRREN AUGUST 25-26 with AUGUST 27-28 AUGUST 22 tEECYCTiCE?