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to her . during the _raid, on fiu'don's erloo Bridge, and madly in love with ituations in which 6 love the boy and s in which he takes aristocrati¢ parents > ultimate in drama. , IJr.,. the youthful tion head, who has lly with "King. of t on the Western ses; and Rita Carâ€" ith the sensational Douglass and the and â€"Lloyd in the Ing houseand a ‘brilâ€" cognized composer and stars great opportuâ€" isplay of their talents. + _showing.of the Fox ely Mary Ann,". starâ€" vorite screen sweetâ€" Gaynor and Charles ‘oles. , which was adapted ngwill‘s play, tells the nd Tom Reed wrote Elon. , well known British Thirty thousand racâ€" _for their favorite. , hanging over the fuints a knowing alâ€" eye. Up in the ine heart palpitates 15â€"pound dynamo of : who is attempting ack from the gutter. s" is a refreshing reâ€" isophisticated, honest bert Rogell and Lew , who couldn‘t hide elves, movie fans‘! ‘" Doyle: riding, and lie Quillan. "Sleepy" y Gleason. Weber is little gal all aâ€"flutâ€" indstand is Marion re is "Sweepstakes," ceiting melodrama of be commended for k in direction and hoofs pound at the o‘s in front? Who‘s ds tuciatoatltates Je _ Sm " is a Charles R. on for RKO Pathe. of the love affair beâ€"* that will mean a 66 Team 39 | dy* \ _ Thrills of the racetrack, intimate details of the "inside" of the e::g % game, m..‘n>m “, ,‘ gambling methods are woven into an engrossing and sometimesâ€" spe¢â€" tacular background for "Sporting Blood," Metro â€" Goldwyn â€" Mayer‘s filmization of the Saturday Evening Post story, "Horseflesh," by Fredâ€" erick Hazlitt Brennan. & & _ _The central theme is a love. roâ€" mance, and the story follows the for: ~ ME AT ouher of a racehorse only Cinema Talk â€" . “Sporting _Bla)d” to show the conflicting human eleâ€" ments. The original story was adâ€" hered toâ€" in aâ€"clever manner, the picâ€" '6&?@"W‘“m that screen technique can give. ~ ~ _ Ana Claire, who plays the starring TTE CS T 0 SonmenÂ¥oeavetris role gives a performance that is fat and eat oleomargarine? 1 _-. nd. intellig@nt. _ She|_.___ _ _. . _ _. . , ' makes the most‘c theo Amigh spetsâ€"C Somebody robbed safeâ€"in a poâ€" * the picture without â€"overâ€"acting in| lice station at Cleveland: "NOW C909# q‘.'u‘m.t degree. She spea ks her| are talking about "fifi-tfi!i’uw lines naturally. Just as she was on watchman. ts f find We N PeeNV ENE CeC CA SEevtecpec Gable gives rpowe#nlpedomm Although murder is still his fro mfigfiur{};{ im;v;{f: theme, Veiller takes â€"advantage of tle!:ctms * ‘ the camera‘s scope to tackle his @4 o . problems in another way than he . Ernest Torrence gives a convint| giq in his stage plays. In fact, he ing character study as: P¢“€“°°- has conceived a plot so weird and owner of the racehorse fu‘m, 10'1 original, the story scarcefy can be Lew Cody, as Scalan, the gambling| compared with any others he has the “hecvy,” but makes him a most It was a 'happy choice by Metroâ€" engaging type of villain. _ Oh "Coldwynâ€"Mayer officialsâ€"thatâ€"placed Deckin‘s dipection is . artisti¢ 200| Barrymore in the magnificent char deft. Oth well cast. Authentic scenes filmed in Kenâ€" tucky, at the Lexington track and paddocks and on several famous horse farms in the blue grass disâ€" trict, give interesting touches. "Rebound" Is Good _ _____ > Story, Well Acted It is not often that we nNavt® .& chance of seging a picture that has every phase.. It usually happens that if the dialogue is good.,‘tho u}; k 00 t BBR 1121011 13 0A h. nc duss h iusnafebiihetlinarie on the actors are. good, the story ‘is poor. Here we have a â€" charming story with excellent dialogue thruâ€" onltk.tad actors who know how to ta g4 f "Rebound," RKO .ggihe"s picture Engrossing Film wh;) recently. leaped Ath his work in "The thruâ€"| dustries, how about w to| South who go cotton 1| stockings, and the â€" rring | Middle West who & "â€" «.\ fat and eat oleomar; the stage, Miss Claire is a finished ~â€"Anâ€"excellent supporting â€" cast| makes this film altogether anâ€" en joyable one. Robert Williams, a stage actor of importance, who apâ€" peared in the stage version. of ‘Reâ€" bound," makes a charming "Johnâ€" nie." Robert Ames does well as Bill. Myrna Loy, who is good to look at and a good actress besides, is splenâ€" did as Evie. Hedda Hopper, Hale Hamilton, Walter Walker, Louise Closser Hale and Leigh Allen all give admirable performances. Edward H. Griffith deserves credit for "Guilty Hands" Has _ . ‘ _ _ Cleverly Acted New _ At last we‘ve discovered what the talkies need. It is more pictures like "Guilty Hands," with .Lionel : Here is something wbsolutely dif= ferent, even for mystery plays, writâ€" ten especially for the screen by Bayâ€" has thrilled millions with such plays as "Thirteenth Chair" and "The Trial of. Mary Dugan."â€"<â€"â€"â€"= â€"â€" ‘l"vll M m Om 2‘ It was. a happy choice by Metroâ€" Coldwynâ€"Mayer officialsâ€"thatâ€" Barrymore in the magnificent charâ€"| cutor and criminal attorney who finds himself confronted with the necessity of committing a murder himself and trying to pass it off as a suicide. The climax of this baffâ€" ling plot comes with startling sudâ€" denness and amazing conception. We guarantee you won‘t guess it. â€"W. S. Van Dyke, resting on his "Trader Horn" laurels, stayed at home to direct the Veiller drama and has succeded in a remarkable way to add further weirdness and thrills to the plot in 'I'na screen treatment of the story. His camera angles and terrifying tempo make the action even more baffling and bloodâ€"curdling. e . ies Kay Francis and Madge Lvans play the leading feminine roles and the. splendid supporting . cast inâ€" trdsaâ€"Williamâ€" Bakewell, C. Auâ€" the brey Smith, Polly Mowbray. + $ i Speaking of supporting home } splendiddirection. of supporting home inâ€" ; about the girls in the o cotton picking in silk nd the farmers in the t who sell their butter oleomargarine * and Madge Evans Moran and Alan THE PRES8 Telephone 321 UnA 2 _â€"â€"â€"bâ€"â€"â€"â€"â€"_-â€"â€"â€"_â€"_â€"_ WEDNESDAY-THURSDAY-FR]DAY Continuous 2 to 11 _â€" 10 SUNDAYâ€"MONDAY The first 150 children attending Cc cLR 2FEBOUND THURSDA Yâ€"FRIDAY Bayard Veillér, noted author of "Thirtee Dnr?nn." and other fine mystery plays, thriller in "Guilty Hands." [You see the rerpath EDratrt ‘lark Gable â€" Ernest Torrence â€" Madg Lionel Barrymore Wm. Bakewell â€" BRIDGE irter REmE 1t3 E BE A PERFECT MURDER ? s BME ... ... dnctcadicat P rains sn uin e T is ending the matinee will be presented with bas ~ef â€"_Bunte er. Morris jmd;,.m C ondinhs m T~S;ngay continuous 2 to 11 TUESDAYâ€"WEDNESDAY ‘OLKA BROS. th";{ e\â€"e'r;v woman should see tss : / o Shce monyâ€"or bound by it!. . Fascinatingâ€" entertain m e n t Smart, sptrkhng cgngedgj â€" Kay Francis * Aubrey Smith with 3{?0’0 gsee the "perfe« + tense as> you wat pemmememammmeeeee ns 00 opm snn C YÂ¥ __ . OCTOBER â€"28â€"20â€"30 with aucns Sbyrcirmravens seatesvner amolhe ooo L eedbate nc t rrogm $ 35"':"{" + $ Donald Ogden Stewart A Charles R. Rogers Production ROBERT AMES mth Chair," "Trial of Mary has created a new W?‘ of : "perfect crime" comms m you watch the perfect a m the vnlav by xe Evans for Lake Forest Madge Evans Polly Moran NOVEMBER 5â€"6 NoOv ~1:2 halfâ€"pound NXov. 3â€"4 i ds M t at