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w w w . o a kv ill eb ea ve r.c o m O A KV IL LE B EA V ER Fr id ay , N ov em be r 2 6, 2 01 0 3 4 327 Lakeshore Road East (Between Trafalgar & Allan) www.theboaroom.com 20% OFF ALL DENIM November 26 - 28 Rediscover your love for denim Oakville loves The Cr Kitchen Restaurants crs With the first anniversary of The Cr Kitchen Restaurants grand opening com- ing up, Ana and Eduardo Siles are cele- brating a successful first year of business, earning the 2010 Oakville Beaver Best New Business Diamond Readers Selection Award. The husband-wife duo achieved their small business dream after opening their cozy eatery on December 15, 2009. Since then, The Cr Kitchen Restaurant has become a hot spot for breakfast, lunch and early dinner in downtown Oakville. Offering a variety of crs that feature gourmet ingredients such as chorizo sausage and hearts of palms, The Cr Kitchen Restaurant is known for their made-to-order crs and fresh approach. Our crs are not pre-made, says Ana, who works behind the scenes, creat- ing the delicious concoctions. More work goes into them and everything is done from scratch. In addition to their Readers Selection Best New Business award, The Cr Kitchen Restaurant was also honoured with this years Diamond award for Best Breakfast and Platinum for Attentive Owners. Aside from savoury and sweet crs, The Cr Kitchen Restaurant offers homemade French onion soup, sand- wiches and gourmet French press coffee made from organic Peruvian beans. Gift cards are available in any denomi- nation as the perfect gift for someone spe- cial. With seating for 30 people, The Cr Kitchen Restaurant is the perfect destina- tion for your holiday get-together and is available for after-hours functions. The Cr Kitchen Restaurant is locat- ed at 88 Dunn Street and can be reached by phone at 905-849-4999. For more information and to discover the delicious crs menu, visit www.the- crepekitchen.ca. Voted Best Breakfast and Best New Business by the readers of The Oakville Beaver, The Cr Kitchen Restaurant offers over 15 varieties of made-to-order crs. Industrial Light and Magic (ILM) in California where he ended up going. While at ILM he worked on Jurassic Park. He also received an Academy Award nomination for his creation of the special effects in The Mask. He worked on blockbuster hits such as Terminator 2, Abyss and Spawn. During the presentation, he showed the students 20 years of his work and how he was able to create Robert Patrick into the liquid- metal antagonist in Terminator 2 using technology far inferior to that of today. Giving advice to students in traditional animation who want to get into computer animation, Williams told them to start using the computers. But he warned to never stop drawing. He also told animators to go out and learn to shoot with a camera because that will help them when working on film projects. He stressed for students to draw. One of the biggest problems today is that everybody thinks of Pixar or Dream Works. They forget the basics of animations which is steep in simplicity, he said. He told them to attend life-drawing class- es and to learn to draw scenes. Imagine your life drawings in a scene. Draw a sce- nario, he added. He was proud of his Canadian heritage, saying no other country produces so many animators that are working all over the world. Canadian animators are gypsies. Were all over the place, he said adding that the four animators on the Jurassic Park film were all Canadian. Adding further advice, he said animators need to do more than just draw. He said growing up he did impressions of his family members and continues to do impressions of others today. What was I doing? I was observing what my family was doing. I was watching stuff. I was doing impersonations. Thats what ani- mation is, its all about observation, he said. And animators have to be actors as well. Animators have to be good actors. You have to be good at miming. You have to be good at mimicking, moving. You got to move, feel the jive, baby. Williams is currently the co-owner of Hoytyboy Pictures, which produces com- mercials for companies such as Blockbuster, Capital One, Toyota and others. In 2006 he directed the Disney production of The Wild. KEEPING SPIRIT ALIVE: Glen and Lystra Hamilton perform during the Carol Ann Hamilton Junior Basketball Camp Fund annual fundraiser at Joshua Crossing Evangelical Missionary Church on Saturday, Nov. 20. Glen and Lystra Hamilton held the fundraiser in memory of their daughter Carol to assist less fortunate children in attending the camp. DANIEL HO / SPECIAL TO THE BEAVER Continued from page 33 Oscar nominated animator tells students to observe, impersonate Soulful music. . .