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THE COLBORNE EXPRESS. COLBORNE ONT THURSDAY. APR.IS^WS Sketch Club ! LESSON NO. 49 Flowing Rhythmical Pattern Figs. 167 and 178 illustrate motifs suitable for all over patterns, these are very simple, effective and practi- In the last lesson we referred to Dominance of Display and Individuality. You can apply this same theory to your pattern designs. Unless your effort has the strength to command attention among your competitors' designs, you cannot get full appreciation for the value of your Now do not misunderstand. There are many variations of this theory. You might be selling beautiful rugs; •r some product where "atmosphere" and suggestions to please the senses, were quite as important as the of 5 x 7 inches. Do not attempt t< be too elaborate, but aim at the How ing character in your design, how ever simple it may be. EX. NO. 57 Make a few abstract shapes, something like A and B in Figu: 171 and 177. Take a piece of tr; ing paper, lay it over the shapes you make, and try different arrangements and combinations of them, arranging them within Vt inch squares. When you have some satisfactory groupings repeat them regularly both in borders and over a surface, making Rhythmical patterns of them, Make the surface patterns to cover not less than 5x7. Remember that you must arrange the shapes so that their different curves and lines har- mm ststSi merchandising hookup, but this can he done in a way to assist, rather than detract from the Dominance of Design. In short, no matter what your product or what your advertising mediums are, you must consider more than merely your product and your personal preferences. You must consider advertising competition of all kinds, that might appear competitively, if you are looking for the •th; r fellow--this fellow is not looking for you--the prospective buyer. Correct recognition of this element helps to make the difference between super results and just satisfactory EX. NO. 56 On paper ruled in % inch squares make some Rhythmical arrangements . of flowing pattern over a surface. Use straight lines, dots, small curves and scrolls, somewhat on the lines of figures 167-170. See that the lines of your design are flowing and connected in movement. Make three different arrangements. Choose one of them and -eever with it a surface EX. NO. 58 Look for some illustrations designs that are good examples Flowing Rhythm. Study them well and mark on them, in dotted lines, with red ink, the general flowing together of the lines and forms. Give at least three examples. Trim close and mount them neatly. If small, arrange them on one sheet, lettering a neat title below them. If too large to put together on a sheet 8% x 11, mount them separately. Th< make a cover for them by doubling a sheet the size of the sheet you mount them on. Letter a neat title on a small piece of note paper and attach it where it will look well, the outside of the cover sheet. "Questions will be answered . this department. Anyone wishing to receive a personal reply may have same if a 3c stamped, addressed envelope is enclosed with the request. The Art Director, Our Sketch Club, 73 Adelaide Street West,- To-ron%."f | CUNDAY--- OCHOC-I FSSnNI The Future Life. (Easter Lesion). --Luke 24: 1-12; John 14: 1-6. Golden Text.--I am the resurrection and the life: he that believeth on me, though he die, yet shall he live. John 11:25. fHE LESSON IN ITS SETTING Time and place.--The passage from Matthew is a part of the Olivet discourse delivered on the Tues-riay before Christ's crucifixion, April », A.D. 30. The two verses from Mark belong to the same day, but Were spoken in the city of Jerusalem, previous to the Olivet discourse; •flie passage from Luke records ♦venls which occurred at the sepulchre outside the city wall of Jerusalem, on Sunday, April 9, A.D. 30. The fourteenth chapter of John is a (part of the great farewell discourse »0f Jesus given on the evening before his crucifixion. The First Bristle of Paul to the Corinthians Was written A.D. 59 or A.D. 60. The First Kpistle to the Thcssalonians, .which was the first letter he wrote Of -which we have record, was written about six years previously. The Book of Revlation was written by $he Apostle John, toward the end •f the first century. "But on the first day of the Week." This particular phrase is ?evor used in the Bible until after Jurist's resurrection (Matt. 28:1; JMark 16:2, 9; John 20.-1, 19). Theiefter it is used twice, and, most •significantly, on both occasions is the reference to a day of worship ;<Acts 20:7; 1 Cor. 16:2), certainly our Sunday. "At early dawn." At the earliest morning twilight. "They came unto the tomb." Referring to those spoken of in 23:55 (also Mark 16:1). "Bringing the spices which they had prepared." The Greek word here translated 'spices' is the word aroma, the origin of the Eng- the found the stone rolled Tombs of Joseph were frequent-rock-hewn chambers corridor or vestibule, "And they entered in, and found not the body of the Lord Jesus." That it had disappeared, all, even the most prejudiced critics of the record, admit. "And it came to pass, while they were perplexed thereabout. They were utterly at a loss to account for and what might be the meaning of the empty tomb. "Behold, two men stood by them in dazzling apparel." The accounts of the vision of the "And as they were affrighted and bowed down their faces to the earth" They were aware of the presence of supernatural beings. "They said unto them, Why seek ye the living among the dead?" We may literally seek the Living among the dead if we seek Christ in a Christianity, so termed, which de-ies the Resurrection. "He is not here, but is risen." This is not the verdict of ome possibly deluded disciple, or dazed and bewildered follower, but of heaven itself. "Remember how he spake unto ye when he was yet in Galilee." (Matt. 17:22, 23). "Saying that the Son of man must be delivered up intothe hands of sinful men, and be crucified, and the third day rise again." This quotation would make the acceptance of the truth of the resurrection of Christ easier, a more reasonable matter, predicted indeed by the one "And they remembered his words." For words fall idly into the memory, to have their resurection when the Holy Spirit wakes them into their life for us. "And returned from the tomb, and told all these things to the eleven, and to the rest." The apparent contradiction in Mark 16:8 obviously means that they 'said not one word on the subject to any one' except the Apostles to whom they were expressly told to announce it (Matt. 28:7). "Now they were Mary Magdalene (Matt. 27: 56, 61; 28: 1; Mark 15:40, 47; 16:1,9; Luke 8:2; John 19:25; 20:11, 11-18). And Joanna." Rideau Hall's Next Occupnts | LAURA WHEELER FINDS THE I CROCHETED JACKET USEFUL AND SMART John Buchan, member of the British House of Commons for th» Scottish Universities, who has just been appointed Governor-General of Canada to succeed Earl Bessborough, is seen here with Mrs. Buchan as they arrived in New York last fall -when Mr. Buchan spoke at Columbia University and was given an honorary degree. They hav» four children. The wife of Chuza, the steward of Herod Antpas; mentioned only in Luke, here and 8:1-3. "And Mary the mother of James (Matt 27:56, 61; 28:1; Mark 15:40, 47; 16:1). And the other women with them." See Luke 8:2,3. "Told these things unto the apostles." Thus is much work of the greatest importance accomplished by those in the most obscure places of life, with the most meagre equipment. "And these words appeared in their sight as idle talk." Literally, 'nonsense". "And they dii ^ them." The imnerfecj fistent ihcredulit/yT "But Peter arose, and ran unto the tomb." For fuller details see John 20:2-9. "And stooping and looking in, he seeth the linen cloths by themselves." If the body had been stolen, the cloths would not have been left behind. "And he departed to his home, wondering at that which come to pass." The first preachers were men who were convinced in spite of themselves, and in spite of determined, obstinate unwillingness to believe'. "Let not your heart be troubled." How easily, how terribly can the human heart be troubled! "Believe in God." An imperative. "Believe also in me." 'Through Christ we e to know and believe in the God and Father of the Lord Jesus Christ. "In my Fathers house." Many 'ords naturally relate themselves to the idea of father, e.g., love, for, provide for, etc., and house or home is surely another one. "Are many mansions." The word, the Greek, means an abiding-place, a dwelling, an abode, and con-iquently a home or eternal permanence. "If it were not so, I would have told you." An appeal to their confidence in his absolute fairness, which they had ample time to be assured of in their years of fellowship with him. "For I go to prepare a place for you." He is our Fore-unner into heaven (Heb. 6:20). "And if I go and prepare a place for you, I come again." To what does this coming again refer? Certainly a return to earth from the place to which he was soon to go, his Father's house. "And will receive you unto myself; that where i, there ye may be also." Christ elf, without any veil, and with-any medium, without anything that in our present life interposes between him and us--that is the pro-foUndest desire of the soul. "And whither I go, ye know the 'ay." A difficult sentence. Prob-bly Westcott's interpretation is as iear the truth as any: However indistinct might be the conception which the disciples had of the goal to which the Lord was going, they could at least see the direction in which he went. Thomas saith unto him, Lord, we know not whither thou goest; how now we the way?" Thomas was ne of those men who always keep 'ell within the limits of their knowledge. Some would be silent; some ig to believe they knew what st said they knew; some doubtful, but afraid to confess it. It is ys well to have a Thomas, who for others bluntly what others would fain express." saith unto him, I am the way." This is one of the most inexhaustible sentences ever spoken by the Teacher come from God. The pronoun is emphatic; I and no other. 'And the truth." If we desire to know what God is in his essential attributes, we need but study Jesus Christ. Jesus Christ leaves us in no loubt as to whether God understands us, loves us, wills to save us U not. "And the life." Life in the 'ullest sense. "No one cometh unto Father; but by me." None but " IttH-m- to v m- AVer's the Father's fellowship row; and none are sons who do not, hrough ' faith and the regenerating Spirit (1:12,13), share the life of sonship in the only-begotten Son of God. ..... •1JH§1 Black velvet creates this dramatic hat for Virginia Bruce screen star. It features a shallow crown and a shirred brim which clips flatteringly over the eyes. Perfect for the informal theatre en semble. CROCHETED JACKET PATTERN 941 With lapels if yoi like mature of our s.yles to.iay, it r has adopted the string crochete< ;h Spring and Sumniei do it in a dark color to go witl 3se pastel ones for Summer anc . can, of course, be done in i instead" of string. The design is a plain and open stripe-very simple. The collar can be turned down to font little wonder that the well-dress jacket. Can't you see on how i it will be just the thing to wear? You your Spring dresses--in a light color fc for the dainty ones for evening wear, lightweight yar the stitches 'Of course, the ragla sleeve is just the thing thi Pattern 941 comes to you with detailed directions for making th< jacket shown; illustrations of it and of all stitches used; material require I Send 20 cents in stamps or coins (coins preferred) for this patten I to Needlecrft Department, Wilson Publishing Co., 73 Adelaide St., West Goering's Fiancee Plays Her Best Role Emmi Sonnemann, fiancee of General Hermann Goering, Prussian Premier, and one of Germany's foremost actresses, pictured reading letters of congratulation on her engagement in her dressing rocm in a Berlin theatre. Leaving For Europe Trouble Scene n-lo i Express, which travels in the direction of Paris. Closely guarded, he is world to photograph. This photo shows him leaving the Hotel de Paris left is Sir Basil's secretary. His valet is opening the door of the car an valet. In the foreground a hotel employe is "looking out" for photographers. Basil Zaharoff, financier and on." He left on the Riviera le of the hardest men in the Monte Carlo. At the extreme detective stands beside the