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5 THE COLBORNE EXPRESS, COLBORNE, ONT. THURSDAY, SEPT. 12, 1935 ^ ' ___ jhg&ketch Club ffi LESSON NO. 70 f Pictorial Space Cutting -- No. 2 In our study of last week's lesson, we taught the procedure of laying-out a landscape sketch. We gave a practical conception of Pictorial Space Cutting with "Unity and Variety". I would like to chat with you now for a short time on similar features. You will remember we •mentioned that you should now be able to have acquired that dexterity for workmanship that should enable you to easily place any object into your picture space as easily as a musician locates the notes on the key-board cf a piano. There are many different boundary lines you may use when making a ill or at rest; or the tree be cut down, then they seek the Horizontal-Line of rest. The Curved-Lines suggests gentle, mild, placid movement, while the Angular-Lines suggest rugged, tempestuous activity. The curved-line is found in the convex massas of cumulous clouds, in pleasant, gentle, rolling hills and valleys, in the swell of the sea and the movement of the surf; while the sharp, rugged, gular-lines are seen in mountain peaks, rough water, etc. From this we learn that a sunset or any subject which is to express rest is better when placed in horizontal frame lines, see Fig. 226 while the vertical frame lines ol Figs. 227, 228 and 229 should be Composi shapes may be, there must be some correspondence of the elements of the composition to the frame-lines. If the picture space is High and Narrow, you must of necessity use some Vertical Lines; if it is Long and Low, you must by the same token use some Horizontal Lines, etc. In other words the lines of your Composition must conform to the frame line. The different kinds of lines used in a Composition are the Horizontal, Vertical, Curved and Angular. The Horizontal-Line is indicative of rest, sleep, quiet and repose. We find the Horizontal-Line in still water, in the desert and in the low, long cloud strata in the evening. The Vertical-Line is indicative of life, growth, to rise, to soar, etc. When a man is well and active, or when a tree or plant is growing they assume this li.-.e; were the man used when life, strength and dignity are to be expressed. What is lacking in Fig. 230? There seems to be a scarcity of some kind of lines; certainly there are enough vertical lines but not enough horizontals. Therefore we have learned that all kinds of lines should be used in a composition; why? Because they give variety, and variety is essential in all compositions, but the dominating lines should conform to the irame lines. Ex. No. 68. Compose 5 or 6 landscapes different in composition to those illustrated in this lesson. feels their spiritual These lessons are free. We invite questions from our readers which will be answered without any charge. A small fee is charged for criticism on readers' sketches. Enclose a three I j~ cent (3c) stamped, addressed return ^ lt envelope for personal replies to: The | ' ,^ Art TJirector, "Our Sketch Club," Adelaide Street West, Toronto. TIMOTHY ( A CHRISTIAI ER IN TRAINING). _ 2 Timothy, Chapter 1. GOLDEN EXT. -- Gi diligence to present thyself appr( ed unto Go"d, a workman th, right the word of t Ming ...2 Tin 2:15. THE LESSON IN ITS SETTING TIME. -- The second Epistle to Timothy was the last letter that Paul wrote, probably 60 A.D. PLACE. -- Timothy, at this time, it is supposed, was in the city of Epliesus. "Paul, an apostle of Christ Jesus through the will of God" The second Epistle to Timothy is the last lett that Pan edge goes, and i he tenderest of I "To Timothy, whom St. Paul is in many ways his Epistles.* y beloved child': i, from God the our Lord." The mothy, the friend ; personal prefer-test (J. S. How- Paul's second ibout A.D. 51, when Pau ing through Asia Minor. "I thank God, whom 1 begin ing hou- nd day. 4 membering thy filled with joy." open upon him; as my rememftr: pplications, n ging to see thee, tears, that I may •he, lie cheerless id close ftnd' lies waking in thinking, alone th Luke, when the pale light shines again; he is continually tell-g the Lord about Timothy, atad* iking for mercy and cheer and the drying of a tear, that Paul may see again to the perfect joy of and yearning heart. With -that instinct of retrospect which is frequently so strong in dying men, he-back to his 'fathers' and with Thus, God. g of his 'fathers,' he e yet tenderer affection towards his 'dear child.' "Having been reminded of the un-ith that is in thee; which in thy grandmother Loi'% 1 thy mother Eunice; and, I am suaded, in thee also." Timothy, i the writer, has a family religion ily imply that Lois and Eunice become Christians, though it is i able. The language might have been used by St. Paul of religious Jew. esses, who had trained the youiif. Timothy in the Jewish -expectation* of a Messiah (cf. 3 : 15). "For which I put thee in rememb. erance." The older man felt himsell a protector; (he younger clung to hit suport. Paul realized that he had adopted this youth, become sponsor for him in the eyes of heaven. "That thou stir up the gift of God, whwich is in thee through the laying r hands." The ate Pre is this phrai 3o now remind brighter fl; 'and for this i you to kindle the gracious gift of God. "For God gave us not a spirit of Tearfulness; but of power and love and discipline." The noun here translated "tearfulness" is used only here, the verb in John 14 : 27; the adjective in Matt. 8 : 26; Mark 4 : 40; . 21 It the dra .-ing A Safe Slide back from something to which God has truly called us; the refusal, may be under the pretext of humility, to undertake a task or responsibility which is clearly our duty t0 ur take. . "Be not ashamed therefore of the testimony of our Lord." For, in behalf of, the Cross, the Cross of Christ recalling the very words of Christ, when he first declared 'the Cross,' 'whosoever shall be ashamed of me.' "Nor of me his prisoner." He is a prisoner; he is also 'in Christ' Eph. The expression also suggests the thought that his earthly impris-is ordered by the Lord, not by man. uffer hardship with the gos-•ding to the power of God." That is true nat in any natural fortitude, but draw on that divine .strength prhich has been given you. "Who saved us, and called us with holy calling." That is, he called us So holiness. "Not according to our works, but according to his own purpose and the e "Which Jesus befor before the He plac ages ot tir . 16 : 25. ) Tin now been manifested." ere translated manifest, i make visible, to make ius of Christ. coming out of ohn 7 ■: 4), of Ehrist manl-mself after his resurrection : 1), of Chrii-t manifesting 'himself at his first Advent (1 Tim. 3 : 16; Heb. 9 : 26; 1 John 3 : 2). "By the appearing of our Saviour Jesus Christ." This is a slightly different word from the preceding and from it comes our word epiphany. The pj'ii: rily, ming the second, Hangs By Necktie 2,000 Fe* Up bring light.' "Who abolished death." The word here translated abolished means "to render idle, inactive, inoperative, to deprive of strength," and is used in reference to death also in 1 Cor. : 26. "Christ abolished death by troducing us to spiritual life, so that physical death is no longer a but is henceforth 'but the gate of life imttnortal' (John 11 : 26). "And brought life and imn to light through the gospel." The gospel first gave to a future world clearness and distinctness, shape and ne; the gospel first made it a positive llistrict and region on which the spirit really reposes, and which itches out on the other side the re with the same solidity and ex-lion with which the present, world Gay Laura Wheeler Motifs Bring a Smile to Kitchen Tasks! SUNBONNET GIRL TOWELS PATTERN Sia1 Want seven happy little helpers in your home? Then embroider these Sunbonnet Girls--a different one for each day of the week---on your tea towels! Their charming figures, done in color, will not only brighten up your kitchen, but will help you smile your way through kitchen tasks. They're embroidered in the easiest kind of stitches--mo;tly outline, with here and there some French knots, lazy daisy and running stitch. They're fun to embroider-- and grand for gifts! Pattern 918 comes to you with a transfer pattern of seven motifs averaging 5.x 7% inches; illustrations cf all stitches needed; color suggestions and material requirements. Send 20 centij in stamps or coin (coin preferred) for this pattern to Wilson Publishing Co., 73 West Adelaide St., Toronto. Imperial Travellers