The Iiew Curves Are Often Accentuated by Trimming Details, Maisco Jenoy, EX months age a returning fash- ion expert brought over from Paris a supple tricot, corset on new lines. This corset Await the usual number of supporting whalebone, thus allowing the figure to lose the atift and trussed appearance it had | | ad = 4 FEE ] DAILY, 7 BRITISH TERN \ raig hi Packs and Curved fronts is Latest fashion From Paris § he "of de et SR. : a % Redline ee EL PEI had for several years and to relapse into & move natural pose. Hven the graceful curves of the figure, so long sternly held into a "straight front," were allowed by this changed corset shape to resume their Batural coutonrs to some extent. Now comes the mews from oversea tha! the corset of six months age has resolyed jteelf into an even mere extreme shape, straightening out the curves of the back end gocentuating the curves ine front. Imagine a corset, apparently of 'tradi tional shape, lacing down the/back' and fastening down the frent. y'Further'ex- amination reveals that this corset has been shaped an! sepported by whalebone to give ds perfectly steaiglit' babok! while there is 110 such restrietion in frent.¥:In other words, the [ack of boning im front to- gether with th» bias placing of the ma- teria! revonty the full contour-of netare's curves, At the back the jsupports are placed little mare than anjinch apart, tending tq repress the curves. This is just the reverse of the famous wgtraight' front" corset that appeared about fifteen years ago and with diffi- culty became the fashionable shape, gradnally flatteming out the feminine] curves till the figure took on a youthful slenderness that made all womankind bok the sme age--from the back. As for this revolution in corset lines, with the axceptiow of the fashion extrem- ists. it will probably, not be taken up in a great horry thls side of the water. Like the "straight front" of other days, it de- mands time to getithe average Womaa into that frame of mind where she is willing to. commence afl over ragain to acquire In Paris, where : she effect of a regres, Who often jlat fasbic vicaevation - becomes: popular in a mueh All Lines Conspire to Give the Figure a Thrown' Forward Look. Moto Copyright, 1013. by Reutlinger Faclusive Copyright. 1913. New York Herald Cowpsny @ - J Fl Air to the Model. Paoto Copyright, 1013, by Heatlinger 3 3 the unfigted look of e-ether model The skirt material, a blue shadow moire, 19! ove: her waist she looks like a reineas laid in loose pleats in front, and its very scion of one of the medinewal beauties/ample appearance is exaggerated by the ead enjoys the sensa 'on she creates, curious tuck placing at waist and knee. An apricot satin coatee, though of bloused fulness, is aleo pleated into the belt and dheld in by two bias fold straps of the ma- s terial, embroidered at the 'ends with tailored arrows and fastening with small oval buttons. Ieightening the unfitted Hook of the gown are the very long sleeves and the soft rolling collar. ! iy Pleats, Tucks and Fulness Give an Unfitted 3 r/ ao I owe ] - WHIG, THURSDAY, JULY 31, 1013. A Ad iy A Short Tasselled Sash €nd Freakishly Placed in Front ~ Maison Jenny. "bute Copyright, 1013, by Rewtlinger Exclusive Copyright, 1013, New York Hennld Company : Photo Copyright, 1918, by Reutlinger ixclusive Copyright, 1913, New York Herald Comp ny, : Under the Quaint Lines RR of the Suit the Natural | Curves of the Figure, Untrammelied by Cor sets, Are Frankly Dis- cernible. The Extreme Width Aoross the Centre Figure : Is Exaggerated by the Pose. I'hote Coprrighe, 1013, By Reaclioger Eatusive Copyright, 1012, New York Herald Company {de Chine printed 1th futurist flowers a short loop and a tasselled sash end are, iamusingly placed. 'caught up by two deep tucks that at the back to form drapesy folds. jerépe mounts in peints over thi® vaporous'® | corsage of wl ite crépe chiffon and Aléngon| For, 3 . - . 0dd Dangling Ornaments Are the Details of thoL.atest Styles, Thiw coal Jnitp "by Nautfiger Exclusive Copyright. 1048, New York Neral sagen I kirt is' 2 In' front the os uti Paris in afternoon costumes' that show & a sallor collar and sleeve edges are fin | ised with jbright waved lines of embroid: ery. ~The 'large crépe hat has moire bows. 4 Odd dangling ornamentspare one of the Igtest style details. A Paris model has a dhirt of {violet} silk crépen, gathered oa evenly inte the wast and i+ looped up on one side !sbout 'knee depth, exposing the ankles, aad caught with a heavy cord*with ornamental ends. Straw" ocsiored taffste makes a corsage 'that bas|eomething of the wadst, something of the jacket to ft Lapping at the filmy luce top, it dospimet | Beet at the waist, but is connected By @ {broad strap of ribbon caught by odd dan sling metal ornaments. The coat \rongs are decorated by long bands of 'Slack em breldery, finishing in lttle , metal}asvown. These little ornaments, : with. a nd{withoat the peadants, are placed oddly, on '\weplsts and skirts, sometimes catehing;up a dva~ pery, sometimes dangling -from'the beit. At the race meetsstheme now silbousttes [Ive been launched by the models foom {the dressmaking houses 'anfl'seme of the {more venturesome Parisians.» Af profile of a'pretty woman caught by the camars |is a good: exponent. of, this # dark blue charmeuse tight Witting en an overpuffed tumic of blueitulle. The | short bolere jacket covering 'amy trace of | a waist line 'is unfitted and short sleeved, | the top covered with dlingerie fichu.cotiar. | Another gown, one of the fnew "ruffled skirt dresses, was of black net over flesh pink satin 4rimmed with Chantilly dace. NOVEL MANTLE STYLES. [ New combinations are being lauoched im The! Treat deal of originality and skill in thelr {peculiar adaptations to modern social life with the return of the dress to after poon fashion, new styles of ontside gar lace ruffles, which replace elbow sleeves. The sash. of grees if satin, has no! MeD(s are required. In this model the re Yhot A rr top Ne one end tas *0it has been achieved in a.nstursi and' selled at its corners. shows above asd| artistic manner. The skirt aod mantle are below the beit in front. A small crin of the same macdrial, the 'fashisnable sailor hat Is wreathed with lilies of the shade of gray charmeuse. Though the valley and banded by white grosgrain rib-{ wrap is on the socalied butterfly ender, being ridin a | a £ ; bon. | reaching to just Yelow the waist only, be to the short Cutaway coat. It ls fitted/niry foil) 'of tulle about the crown is: conforimte & deep yoke headed by = band wilk black, there is but the siightest ag: ~The new curics are often decttuated cade of The Sagi % fhe skies drapes) by shoulder dart tucks eaught at'inter-|bangag with velvet ribbon that alse forms of finy platings outlined by corded piped mission of a waist line. Tbe centre of the DY the dress trimmings. ln a white Ee ofthe short mantle Dh abla; iid vals by tailored arrows, A striped under-ighe: sarin < Hyuacinthe and Wien ard edges. This trimming, which is seem ou figure, no longer composed of a slender POP sumner dress. the border of whitey AL vest of yellow, blue and ~=+on has & Naf posed ai one side of the brim. A la number of the mewest imported dresses, |waist aud: lips, is rather noticéable for Fatine stripes. topped off 1y Sitle flower 4 ai Ste is of. gn chiffon, with - sii row flyting of the stripe about its rever, Ail new styic lines couspire to give the decorates also the short jacket and thelits elaborateness and bulkiness--in thy pots of bright hued celoms, Bor pltendt weston ond of the chiffon. The edge, ~~ Housed Wind Belted into the figure a thrown forward look, and in a kimene elbow slecve that has a beautiful|case by an added satin tunic of box pleated between the deep fuck snd ot alge aris a sigrettes am placed fn the lames waist by * sash. A demure straw bonne: ! very lovely and extreme suit & black satin (fall of lace from the cuff. While there|satin that is even fulied a littie in front ~|form a curved decoration 4 little yh "has soft = A wide, skirt is caught up in the cesre, trunt ta is lovely vest of white satin embroidered 1a a midsummer model of white crepe shaped yoke en the blotned rags at i 4 ,| Under the quai-* lines of »rother suit the natural curves of the re, uniram- melled by corsets, are fr discernible. The skirt is made of a wide breadth of {eloth ~ -spped about the figure, crossing widely and drawn up in folds. disclosing: gy Ruffles Are a Featureof Some of the Midsummer Mooeis, Mais Redfern Copyright by' New York pitvwid