THE DAILY BRITISH WHIG, RDAY, SEPTEMBER 206, 1913 rr! a eat No..5.--A Black Voile Drapery on No. 6.--View of Other Side of the Skirt Partly Veils the White Dress in No. 5. Lace. " Mots Copuright 1913 by Rentliuger J'hote Copyright, 1018 by Reutlingen Exclusive Copyrizht. 1918, Rxlugber Loprrizht TOT} New York Herald Company (New York silerald Company shantung, and has a chiffon yoke and still more by being rolled back into a guff undersieeves. Girdle and corsage front| A frill of white caseades about the . Te {are outlined with a delicate embroidery. | pointed décolleté. Photo Copy right E1013 Thy" Rentlinger |It is one. of those dresses where a| er 8 me Farina ttonriiahq biG [stylish effect is arfivel at without re- - i ~ } 4 ¥ New »York c Hemldg Company {sorting to extremes. On the same dis No. 4.--The Skirt Portion of the Blouse Coal Is 3 X : p | creetly extreme lines is the tailored suit Very Full. {of heavy moire, which stays in as a fash-| Although perhaps 'he Ines tunle hds of Maison Jeany. |ionable fabric and is a close rival of (he 'ePdency to age its wearer, ft has" cot hoto~Uopy right, 1913, by Reutlinger, pensating merits which recommend it Exclusive Copyright. 1913, New York Herald ¢anpany No. 2.--Front View of No. 1, Maison Rivain. i DRAPED LACE TUNICS. *® {Ottoman weave silks for the afternoon | type of tailored suits. The vest is of | green Ottoman silk and it is crossed by a | picot edged \gash | The skirt pleats are diagonal, made so by the shaping of the material to the fig jure and giving a slightly canght up look at the back. Such a suit is ideal for either a stout or a slim figure, but it women of middle ace and even youhgy women who have a tendency to Wtoutnébel For the close fitting pointéd tunfe black lace cut with the upper part in - form of a coat tends to make the t look slim in a manner that many, find eminently desirable as years fast upon them lace employed 1s Chant! ind when one knows how to drape a A very ultra-fashionable dress is Piet: tically nothing can be more elegant Ui) ured hete, and is the very latest draping | X The skirt is fulled into the wrist | | and then hitched up very | t the robe pulls in about the feet and . | The fav needs skilful tailoring n front so here is a lot of material bunched in front kirt. Over the Llack taffeta of robe is made are No. 1.--Made of Plain and Bro- caded Crepe. Maison Rivain. Mote Copyright 1913 Ly Reutlinger Fxelusive Copyright. 1913, New York ,Hermld Company Not Only Is the Skirt Gathered, but It Is Also Hitched Up in Front. "oto Copyright, 1913. by Reutlinger Fxclusive Copytight, 1913, New York Herald Company Mo. 3--View of NB. 4 Without Coat. Maison Jenny. I'hoto Copyright, TUI3, by Reatlinger * ExeMisive Copyright, 1913. New. York: Herald Compsny HERE is a really charm-| rvative glimpses, at that--some of | while a side view may be ugly, or, even .|a pretty contrast with the soft ig Hil ing origindlity shout the! 14d more daring ones, as well as those the ankles are shaped well, above or be-| shade of the gown, and the collar at 1b Perhaps | that are hopelessly ugly and suggestive. low leaves much to be desired. So by | back, o* black satin, gives still .nother| it is because the artists of | not only have called forth printed pro-|{imishing the petticoat with a deep flat color contrast. ; | Paris have at last beel|geqts; but have even felt the menacing flounce of lace or chiffon there is a much| Two views of another elaborate ova g allowed to take a hand in| gogtures of the arms of the law, Besides | more coquettish result than with the bare | pictured here in Numbers 5.and 6, are hd ® their designing, for there this, the petticoatless woman, often' glagh | especially good sAasipies ot the new eo is much sat smacks of the artistic about', ughtless, and who, as usual, each Sum-| The lapped slash is another way of get- | tours and accentuate u . Joape w ay % them, There is no longer the painful at-|500 gagson forgets about the diaphanous| ting away from criticism. The skirt wa garments hang on the igure. he go tempt to flatten out every one of nature 8 ,uglity of summer raivent, his made her torial is lapped over in the same fashion [itself is of while. silk voile and lace joned cupyes.nor to compress the waist line i010 nny) appeafance this year. Gowns be-| gg a double breasted coat, and, while the over a foundation of black charmeuse. dg circumference; 'everything 15, re dlaphanousghan ever, the result! material is left unstitched, as in an ordi- black voile drapery partly veils the lace ts somtarr codes et g much as nature intended It!p.. peén a little wore startling than nary slashed gown, it is lapped over solflouncés in the skirt. The sash, however, ithe ry. nothing doweinn The Favorite Type of Skirt for Autumn Cloth Dresses Maison Bernard, Photo Copy r 1013 by RewtNngep Fxelasive | yright, 113; New York Herald Compauy @raperies. The one abnormal de! goeen thus arrayed were forced to beat a show the ankle Immodestly, yet it gives|that the waist line becomes a very creat! 3 4 ' i Fon {than a drapery whieh 16 bd artistie , and lightly covered with ef-| cu) and several women whe sallied far that it cannot be separated epough tolties in the ultra-fashionable manner wo; Apery eh seeks td 54 yo. « sir t the whole thing is in the pecul- | ' . BU ny y land falls lamertably jn the attempt. magn. of draping gowns, for ttle ' ule left about the feet. Conse + hasty retreat. plenty of space to allow for a long step. Such misadventures, however, have noth. This type of slash is well illustrated in ing to do "with the really well dressed a Paris gown pictured here in two views, uncertainty and is different from different | points of view. Bh In Nombers 3 and 4 an early autums| The Diagonal Skirt Pleats Are for Fitting PAPER LAMP SHADES. ~ = _-- va the free and 'easy movemant in) woman, Cgbpe petticoats are especially No. 1 and No. 2. It is of the new tilleu! | model is presented with snd without the Rather Than Drapery. Four erépe paper napkins, with. latge is impeded. For this reason al... to wear under filmy frocks. made on' green shade and is made up in two mate-{coat. The gown is of navy blue cripe ce : . J offsetting In one corner of eael, mikh aad | skirt was introduced in the be lines conforming to the outside dress and! rials, plain aud broeaded satin, The |Chine, the skirt has ay odd Puffed back | Dlaison Paquin-Bertholie, { tive tamb dvade' Cut' the poidRert: i ¢ ginning of this style apd later the draper. od up so.that there '- Hl room inal' plain skirt is made of wide bresdibs of jand the lace covered girdle describes an| : ta right, 1913, by Beutlinger that ea ke a tah end. This ieg were arranged to create a slash hi ons, and yet the ankies, veiled by the satin draped in this new fashion and |upper eurved edge 1! 13 £ . # t shapes originally York Herald Canpany | line by it1:Ag the (lower frgh ' , : i" t 4 wr : . the Rapkin ar t to tail dowd iB § But the slash which allowed the skirt! he pep lace edging, show through the the"brocaded upper part is also swat wer tie cor 2 te cor slightly 478 lines to. conform to the figure, while giv-! slash discreetly aud with a charm that about the § cross, fc lowiug t - Jin : f Lite ®ith red erbgh Ing plefity of room. has met with active the 'untelled abkles do not have. For it with the pi > { at f r 4 ver nad soil ctiticidm. There are slashes and slashes, [is unfortunately true that few wome: can be used IR tHE and while the demure oues give only occa: possess good ankigs from all points slonal glimpses of the aukles--aud very | view. They way look well from the frou, some ba . s bbons whicl ve tender the décolleté, and ase brought back t "it preter Lo8S