AER APRS AE THE (OTT . PAGE FOURTEEN TUESDAY, APRIL 22, 1919. Obtain Your Victor Records AT- Mahood Bros. VICTOR RECORDS represent a moment of inspired achievement in the life of some great artist. The skill, the art and the "agmosphere" of the Metropolitan Opera House, and the concert halls of the world are brought in your home. They are'no longer things to be enjoyed only at great intervals, on rare occasions--they are available at a moment's notice. 90c Victor Popular Song Records 90¢ H-Inch Size. with a Selection on Exch Side. 19470 y Belxiom Rone ello Central, Give Me No Man's La IS402--1'mi Sorry | Made You Cry ¥ Liu One Day In June 18458--For the Two of Un I ifate to Lose Yon INAS K-K-K-Katy (Stammering Song Ta Jeane Mile Hart with hee) ow I Hate to Ge OF Pronony t tf up in the Morning 17780-<Mother Machree Little Bit of Heaven 17048-Ske's the Daughter of Mother Machree My Mother's Rosary 17084Good sliye, Good Luck, God Bless You ? Sighing IS112--She Ix the Sunshine of Virginia Turn Back the Universe IS270-O0h! Johnny On! Johnny Recause You're Irish IK30Tedonn af Are Far Your Country and © 18300 That Girl of Mine 44 ouniey I the World Will ». * IR333O ver There * Malet of Me I May Be Goue Por a Long, Lon Time I8385--Giood-hye Hromdway, Hello iid Where Do We Go From Here? 18874--Somewhere in France Ih Daddy So Long Mother. 18390-1u San Domingo Some Sundny Morning 1S106--If | Knack the "L" of Kelly the Snd Lunpn Shore Oh! Shaw and Hart Edna Brown Henry Burr Campbell and Burr Wright and Dietrich Peerless Quartette Billy Murray Shannon Four Arthur Fields Arthur Fields Harrison Harrison HarriBon Harrison Narr Camphbell-Burr Macdonongh-Orpheus Qt Quartefite Quartette Weston "Weston Sterling Trio Harrison Quartette Shannon Four Quanteatte Quartette Hart Hart Quartette Jones-Murray Farrell and Chorus Farrell and Chorus 1811 Ireland Must he Heaven, for My Mother Came ._ from There Florin in Calling Mavourneen Comen Home e's Nobody Home Bunt Me 17882 There's a Long, Long 'Tratl For Better or For Worse 17000 Along the Rocky Rond to Dublin Molty Denr, It's You I'm After TBI Ot hepar Wedding of the Sunshine an 0 18045~Home, Sweet Home 4. he Roe My Old Kentue Home 120701--=Where Dues Daddy Go When He Goes Out? Wait Pil I'm ng Old as Father 17474--Silver Threads Among the Gold When Yon And I Were Young, Maggie 177505 -Little Ford Rambled Right Along Auntie Skinner's Chicken Dinner 17810--Wy Little Girl There's a Little White Churek in the Valley 18404--For Your Boy and My Boy When You Come Huck 18489 Baby's Prayer at Twilight On the Road to Home, Sweet Home 10:duch Size, with a Selection on Bach 10068--Unele Josh in a Chinese Laundry Uniele Josh' on a Bicycle 16100--Unele Josh's Huskin® Bee Dance Last Day of School at Phukin Centre 16103 nele Jouk's Troubles in a Hotel, Uncle Josh at the Cirews H225--Unele Josh's Trip to Boston : Unele Josh's Arrival in New York City 17820 War Talk at Punkin Centre Uncle Josh In n Barber Shop 17854--Enecle Josh Tuys an Automobile Village Goss Cohen on the Telephone Happy The Married 216003 tal hen at the Pay Station Cohen Exceeds the Speed Limit 210004--Lohen's Heernfting Speech Cohen Phones Hin Tallor 18501--Cohen Gets Marrbed Cohen on His Honeymoon 17221--Prencher and the Hear Rake dat Chicken Ple 1780Turkey In 4€ Straw Nigger Loves his Possum Dixon Amer Orpheus Quartette Victor Comic Records Charles Harrison Charles Harrison ie How I Wish I Could Sleeg Until My Daddy Henry Burr Charles Hart Reed-Harrison KHne-Baker ican Quartette Henry Burr Campbell-Bure Elsie Elsie Baker Baker Billy Williams Billy Williams Elsie Baker Charles Harrison Billy Murray Collins and Harlan Campbell-Burr Peerless Qt. Peerless Quartette and Quartette Henry Burr Percy Hemus 90¢ Side. Stewart Stewart Btewart Stewart Stewart Stewart Stewart Btewart Stewart Stewart Stewart Stewart and Harlan Gus Stone H. Green Gus Stone Gis Stone Gus Stone Gus Stone Monroe Silver Monroe Silver Aline Collins and Herlan Golden Collins and Harlan "Harry Lauder-- Victor Records 10 and 12-inch Size With only Ome Selection on Each Record lye Something in the Bottle for the Morning. o 10-ine » ae . 00001. Love un Lassfe, 10-inch . 01431" Nice fo Get up In the Moratug, 10-fheh | Breakfast In Hed on Sunday Morning, 12-inch- 7 T0008. =~Wedding of Sandy MeNab, 12-inch T0007 Wedding o Luuehie MeGeaw, 12-inch 70002~We Doch sn' Doris, 12-4nch ;., © 60106, Wee 00105 --~Ktonming in the Glosm 60002 Stop Your Tickling Joek, 10-inch Victor Sacred Songs & Hymn Reco 10-inch 'Size, with a Selection on Reh 16008--~RBeautital Isle of Somewhere Ulrisg Arvose B--Rock of Ages Lead Kindly Light The Palms Clty The Holy 4 Saviour, Pilot We Nearer My God 10 The 17564~One Sweetly Solemn Thought Crossing the Rar 10412--<Where In My Woy To-night? ere is a Fountala Filled With Blood 10532--=In the Sweet Bye and Bye ' 4 ty and Nine - re Hug of the Yenr' Lord Dismiss Us With Thy Blessing 10414=Tell Mother I'll be There Sometl We'll Understand = 167 Hay House "Mang the Heather, 10-inch $s aa ho 10dneh-,,. (000 0 0 90c Jarvis Side. Hayden Quartéette Telok ¥ Choir den Quartette Macdonough Maodonough Freemantel Hayden Quartette ker er Hayden Quariette Trinity Choir Hayden Quartette Freemantel Churdéh Bells Trinity Chimes Hayden Quartette Tri Trinity Oeir 90c, Victor Hawaiian Guitar Records 90¢ IS14T~0d Plantation Hawaiian Eehoes o IRIBT=Wain Lultiuli--sWare| "Kal Main o' kn Maoh > - 18380----Alobhn Lang Hawall, Pm Lonesome For % ou. ® > .90¢ Victor Piano Records I Ainival ou Venice 5 > 18308 Last aan of Summer . Hive ells of etany Soup to Nuts ¥ | 1T100~The Laxt dy \ Narelnwus 7 Foi £X Lua-Kailf Louise-Ferera Louige~Ferera Louise -Ferers Loulgse-Ferera with Athenian Band Qt 90c Himmelreich Himmelreich H ireich imme' + Himmelreich Vis t + Himmelreich Himmelreich 21601. Victor Patriotic Records 90c 10-inch Size, with a Selee > y inch election on Each Side Standard 0° the "yes 0 Mar Jarvis Jarvis Stuart Howell Wheeler Quartette Quartette 137 9--Somewhere In Fiance Dear Mother I Love You Canada T0874--We'll Never Let the OI Flag: Fall \ The Girl I Left Behind Me ; 17630--It's & Long Way to Tipperary Soldiers of the King F20000--Somewhese in France Dear Mother Canada, Our Canada 18222--Pack up Your Troubles Home Again 28020 Sunne x by the Sea Take Me Rack to Blighty 17999-The Maple Leaf Forever 0 Canada S Tota My Soldier Lad : When Your Boy Comes Back to You Alan arne 17606--Fiag That Never Comes Down Edward Hamilton British Troops Passing Through Boulogne (Descriptive) 90¢ Victor Dance Records 90c¢ . 10-inch Size, With a Selection of 13 16003--Kerry Mill's Barn Dance ou E ae orchestra Virginia Two-ste Pryor's Band 18310--For Me and My Gal (Fox Trot) Brown Bros ay Fox Trot Girl (Fox Trot) Smith's Orchestra 18870--0Over There (One Step) Victor Military Band Where Do We Go From Here? (One Step) Victor Military Band Payne Burr Hamillton-Chorus Quartette Turner Turner Victor Military Band Victor Military Band Alan Turner 1ST08Trinh Jign--Mediey (Violin) Irish Reela--Medley (Vielin) 15026 Missourt Waltz Florcine Waltz Veo Victor Military Band Victor Military' Band Reels and Jigs 21601 1--Medley of Horupipes (Viola - 3 oiedley of Jigs Violin , an) 16012--Médiey of Scoteh Jigs (Violin) aon ley of Reels (Violin) 2 SeHighland Fling Medley (Viel Reel Medley, Na, 2 (Violin) olin) Roy Roy Gagniler Gagnler Roy Roy 90c Victor Standard Song Records 90c 10-inch Size, with a Sel » 16190--Sing Me to Sleep Sigetion on Hael Sie Baker Oh Promise Me Ptasdon | 17284--The Rosary We iu Rar Al Eternity 3 Asleep in the Dee Weekes in the Cradle of the Deep 17475--Somewhere n Volece is Calling Malden in Grey ? 17872 Perfect Day My Alp Folk Claskey Impefial Quirtette Imperial Quartette 90c Victor Scotch Song, Reeords 10-Inch Size, With a Selec 4 te © 16033--Mary of Argyle ; ! on Rael Bige Jarvis Bay of Biscwy 10062--~Loch Lomond gE RE Scots, Whi Hae ] 18162--~Ye Banks and Heaes of Bonnie Doon Barr Rye 7 Burr Helena Baker fo Baker 90c Victor Irish Song Records 90¢ 10-inch Size, wit Se J 10139--Killarney hn Stiection on Ench op ETE Minstrel Boy McCool i 4 Kathleen Mavourneen ? enting in the Old Camp Grou 16440 Where the River Shannon rows Sweet Genevieve 10T41--My 'Wild Irish Rose In the Gorden of My Heart . 90c Victor Southern Song Records 90c¢ 10-tnek Size with a Selection on Each Si 18104--1ine Gwipne Back to Dixfe He unr tetio a Maryland Mareh = Instrumental i nas Retitueky Home Macdonough a me > : er 18331--0ld Binck Joe : Peerless Quartefte Harlan and Stanley Hayden Quartette Dunlap Comin' Thro the 16388 Annle Laurie Ben Rolt Turner "Hayden Qt. I Macdonough Wells and Hayden Quartette Tramp, Tramp, Tramp . ; 17805--In the Byeniung by the Moonlight Manna's fn the Cold, Cold Ground IRI9S--Carry Me Ruck to Old Virginny Orpheus Qt. Darling Nellie Gray : Peerless Quartette 90c. Victor Instrumental Records 90c Spring Song 1680008, Ivy Those Tears Love's Old Sweet Son " 16393014 Time Reel (Violin). Favorite bine EL atin) ix Bird ng) yout Fate Waits (Whistling ) 18500 Kiliarney Solin, Yello, ano) P n Mavourneen fallin, "Cello, Plano) 'MeKee Trio ISIM--<Battle of the Nations 3 Conway's Band Napoleon's Last Charge Conway's nd 17892My Bird of Pa ine Kawnlhan Walls ( 10-lneh Size, with a Selection on Each 16385--Chitmien of Normandy, Selection ... | 's Band Poet und Peasant Overture Pryor's Band 10029--Heartx and wers Orchestra Narcissus ryo's Band raal~davl) Chorus Victor Orchestra in the ' Pryor's Band 1 ETA y in the Straw (Banjo) 2 Ossman Lang Syne . 'Westminster Chimes 16516--Spring Sou (Cello) r Sorlin Melody In F (Oellp) Bourdon Minere Vatore" (Cornet and Trombone) - 3 Pyron-Keneke Victor Strong Quartette Pryor's Band Morgan Chas, IAlmanine Chas. D'Almatine Frank Haffort Guido Sindint (Hawafian Guitars) wailan Guitars) Scotch 0. 2 17080--Over the Waves Waltz (Accordion) Siven's Waltz (Accordion) blem Maren: Louise-Ferera 1r57--Nutionsl Emblem A py 15015--Evening Chimes Wiotin, "Cella, Harp, Bella) Garden (Bell Solo 1R003tn the Filenming (Vioiin, Supplieation (Meditation) = SET ith han) ai "of irk eas ¥ 3 ITI Whistler and is Dox : Warbler's 174548 lo, Plano, Ce we ( Violin, 'Cell Rereeuso (Violin, ad a alts tation Millicent--Waltz Hesitation 17756---Annie Laurie (Violin) . My Old Kentucky Home bt Ni ul Air Warno- ana Hai Harp)" ); | (BN MAJOR STUDY ON THE HIGH Pryor's Band Baker'and Wheeler. lstudy. 1 il instrumental music as an essential Hayaen Quapistte Miller A SY Louise-Ferera #4 diffuse the xnouledge of music of {about the middie of the nineteenth fi century that = music ' be WAY. USI SHOULD BE SCHOOL CURRICULUM. 11 It Allows Students to Continue Their Music Without Leaving School-- Province of Saskatchewan Has Alreaily, Taken a Step. : The growing agitation for the al- lowance of "credits" in the schools for music study pursued with an ae ¢rédited private teacher in the place of some other eqially or less im- portant subject on the curriculum 'makes me think a dream of mine is coming true, is the essence of a re- mark made in a recent after dinner speech by A. D. Jordan, director of the Musical Art Society of London. Many of his pupils, Mr. Jordan said, jl were from 14 to 18 who wanted to go on with both music and 'high school work, but cannot do justice to both, the result being that they invariably dropped their school work, some of them having resorted' to most pathetic means to obtain the necessary education. One girl is attending high school in order to <¢ake her pharmacy ma- triculation, that being the easiest matriculation possible, so sthat she can attend university for what work she will need in addition to 'her musical studies. These remarks recall a recent statement by Dr. A. 8. Vogt which boiled down is as follows: The dverage high school student has neither the time nor strength to carry on the study of music out- side of the school, and at the same time pursue the regular high school course. The result is that the ma- jority of those who are studying music for an avocation must drop this study just at the time when it is of most value to them. Those who are to make music their life work must give up their high school course and' thus sacrifice their general education. Applied music 3 therefore in many centres, being placed on the school curriculum and granted the same amount of time. . Students piay then elect it ag a part of their high school course. In 1917 in a bulletin issued by the United States Bureau of BEdu- cation it was recommended---'That study of voice, piano, organ, violin or any orchestral instrument, un der special teachers outside of school, when seriously undertaken and properly examined . and certis fied, shall receive regular credit to- ward graduation." 1t iis ¢he belief of many who have been able to intelligently study and assess the matter, that music }ishould be taught in every high school on exactly the same basis as is language or 'science, and the same "credits" given in recognition of successful achievement as in other branches of study. Compre- hensive developments along these lines have resulted, in a systematic Hi applicatidn of "credits" for musie Histudy in a number of important American cities where pupils may Hl enter upon courses of instrumental i music along lines announced and endorsed by the school authorities, anitapay © elect. music ag a major The Prévince of Saskatchewan has already taken steps to recognize factor in the general educational scheme of that province, In the re gulations of courses of study Issued by the Department of Education in Saskatchewan, in 1918, for high schools and collegiate institutes, covering the first and second year's courses, applied music js named as jan optional study with ant, house (hold seience, manual training, com- {mercial work. In the third year's {course this announcement is made: "Candidates who submit official | evidence of holding certificates in music In( plano and theory) satis- factory to the Department of Edu- cation, may be exempted : from an examination in either algebra or in one of - agriculture, household science, Latin, French German or Greek." In the fourth course. Candidates who submit si. milar evidence in music may be ex- empted from examination in @ither algebra or trigonometry, at the choice of the candidate. in the amendments to the high school regulations issued in the 'past year. One section is amended date to obtain a second-class diplo- ma by substituting an intermediate plano certificate, or its equivalent, for any one of the following: Alge- bra, agriculture, household science, Latin, Greek, French or German. Another section fis "amended by fl making it possible for a candidate lito obtain a first-class diploma by substituting a semlor plano certifi- cate, or its equivalent, for albebra ji or trigonometry. . hes The Modern Conservatory. The ¢onservatory has for many i} years played an important part in ithe propagation of music, Music, though very real one sense, is in another senfe intangible and de- nds for on teachérs Targely, 'Concerts, church services, loperas, recitals and other "functions perform- Tt was yvéar's| by making ft possible for a candi-|j been more than twice ag rapid as be fore. Their teaching systems have been. greatly improved and they have, many of them, establish- ed important affiliations with in- stitutions of general cnitore like universities, 'The early conservatories were 1o- cated in Naples, Venice, Palermo, Paris, ' Bologne, Prague, Brussels, London, The Hague, Liege, Genoa, Madrid, Vienna and Berlin, hy Side Thoughts on Church Music. Encourage your sons and daugh- ters to join the church choir. wid A children's hymn should fina place on the onder of service every Sunday morning, -- There Is nothing that gives a stranger a bétter impression of the church than hearty congregational singing. Choirs are in special need of men singers. Men should help in the choir {f they are able even to the] extent of sacrificing something else. Some choir practices are open to eriticism because they are too long, but never. because they start * on the minute." ' The first musical instrument mentioned in the Bible is the "Kin- nor," translated harp in our ver- sion. "hn 2 = Don't expect yonr. choir to pro- vide good music Sunday atter Sun- day, to sing plenty of new anthems on an investment of $25 or $60 a year for music. The most ancient bells yet dis covered are not cast Mike those rich, mellow-toned bells of Helland and Belgium. They consist of a plate of metal, bent round, and riveted where the edges meet, bo -- } . It isn't too much to ask, is it, that each member of the congréga- tion possess himself or herself with a hymn-book containing the music. Have the times as well ag the words. Do not expect the choir leader to excuse you for irregular attendance either at practice or Sunday services because you know him pretty well A choir cannot run on friendship. It is a satisfaction for the organ- ist to know that business men, who come to church with their minds filled with thoughts of competition, dishonest employees, notes coming due, customers' complaints and Red on are transported by the organ music to a world of comfort, re- laxation, and forgetfulness of down- town troubles. Until this is done the business man's mind is hot in a position to worship. The organist does do good. 1 4 { Brief Hints For: . Choir Members Tr Don't grind 'too long at one piece, Never sing if you have a cold, + A choirmaster's 'clilef. troubles are not musical ones, Some choirs show a splendid at. tack but a slovenly release, Beating time with perfect. regul- arity is really am act of the mind. The majority of singers do not open their mouths wide 'enough. It is one thing to play an organ, quite another to train a choir, ° The first duty of choir members is regular attendance at practices and church services. 5 ~~ The purpose of. conducting is {o 'acquire the greatest results with the least visible effort. A common fault among chotr sing- ers is not giving the full time to notes, ' A well graduated diminuendo and 'crescendo are among the hardest yet finest accomplishments in sing- ing. The conductor's baton should be of white wood, about fifteen inches long) and as light as possible: . ° Ww with ven, like given, eben heaven, should if practicable be treated as if one syllable with the e silent, Don't feel "too advanced' to _ go over the hymms at practice. In ymn-singing congregations need in- teffisem nthem oy 1 HH an antl , Its beauties will not all be found on the surface. Therefore its study can be made interesting. : An authority says 'the best teach ers and singers recommend 'that voices be trained by extend ng the registers downward... forcing u is very harmful . : not take breath in the middle of a word or phrase. Take it at punctuation J Be THAT IS APPROPRIATE TO THE OOCASION. Stores of Two Organists--One Re fused to Play a Simple Hymn As a Voluntary, Following the resignation of a cers tain organist and choirmaster it was said that ome of the differences of opinion he bad with the church offi- cials was they were having a series of services at which the sermons were of a special evingelical char- acter, and he refused to play a simple hymn as a voluntary because it was beneath his digpity, That may be true. It may bea rare case But if so, the organist had not the 'same good reason for mot complying with «a reasonable request that the great Camille Saint-Saens once had. Saint. Saens himself tells of an oc currence when he was organist in Paris. J "One of the vicars of the parish sent a request that J should visit him, 1 called upon him as desired and after a lengthy discourse he fin- ally came to the point: "do not mis- undepstand me. The parishoners are for the most part persons of wealth who frequently 0 to the theatre or the Opera-Comique, where they have become accustomed to a style of music to. which you are expected to. conform." a "Monsieur, l'abbe," I replied, "whenever I shall hear the dialogue of the Opera-Comique spoken in the pulpit 1 will play music appropriate to it; until then I shaM continue as hitherto." ) The Advantages Of Class Work In Music Study. > Because of certain economic Mmi- tations a large percentage of chdl- dren are: enabled to 'attend school until their fifteenth yéar. This is one of thie reasons why music should be seriously taught in our public schools. It is often a case of musical Instruction then or never. The pub He school has a peculiar advantage in being able to give musical instruc tion to ithe children in clastes. The nefits of this form of teaching bwere brought before a recent conven- tion of music teachers hy a teacher of wide experience who emphasized these several aspects of ithe subject. "The greatest mistake made in the past: dealing with the elluezmtions of the child in musié," he said, "has been the absence of class work. It is true we have the pupils' recitals, but these do not promote sth p, but tend to encourage the very ith we should endeavor to get away' from--- that of laying so much stress on the importance of keyboard display. Children love a life of competition 'and desire to make a better grade than other in the class. This is partly the success of our piblie and high school systems. The fact that aur music work is entirely limited to private teaching makes it so umin- teresting to the young pupil, - The loneliness of it all, and the lack of rivalry, makes it distasteful to all but. the: talented. The Whild ind is. wa nto wiring tno . Dut -dlsthres : Sic us five finger exercises #ndl nighthiare scales taught by rote; "In the realm of rudiments of music, simple harmony, history of masie, ear training, analysis of the - simpler forms, | even counter- point, there Is an abundance of intér- esting Waterial, 'which could be taught in class, and which 18; #0 mogt of our pupils, a closed book after three or four years of our pres. ent methods of study. . . i ly effective is this work if the teacher has access to a black board. Of course, great care must be taken that the work Is stated sim- ply and concisely, with as little work as possible for 'the pupils between c . The material should be so arranged that all the subjects men- stoned above. be mast 'mot later 3 ith such a g pupil wil be' able to work much more will not be appro with that feeling of reluctance as is so often the case at present. ¢ ns sm -- A Practical In these days of thoug! omy, choirs may kill two bi with one stone by having 'a social evening at the home of one of the members » PA ge i SNR