Daily British Whig (1850), 24 Feb 1921, p. 9

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FAN |} 200747 2 PN ! Hort rao Embroidered Filet Fodel of Pink Woo Knitted Slipons That' Re: place Blouses Fad of the Hour-Dropstitch Effects | Just Now the Craze ~The Jenny Lind Neckline Ap-| pears In Sweaters for] Southland Wear--Fringe | a Favored Trimming. | WEATERS grow gayer and gay- | ér--not in color but in style. | Gradually the sweater is 'chang- | ing from a protecting garment, | donned for warmth, to an informal blouse not intended as a wrap at all. |" Probably the sweater, perceiving its ATrenchy Black Silk. Knitted Blouse or pale gray skirts of linen or silk. | 1s lined with white chiffon. long reign threatened by the growing | Very sweet looked a young girl in popularity of tailored sport coats, de- very pale gray shetland sweater, skirt! of pleated crepe de chine in the cided to make a new stand as a blouse ime and in this role it has made a decided | delicate gray shade, and hat of p hit. It most frivolous and fetching affair that could be achieved with worsted or silk, delightful blouse of sheer tex- ture. Silks And Fine Wools In New Sweaters sport Sweater wools have been growing | Pleated black silk. 5 does not look well with colored frocks, unless of palest pastel tint: accompanied by white erably white, finer and finer. There are wools sev- eral degrees lighter than Shetland, | which used to be considered yery} gauzy Indeed. And there are trim- abandoned severe lines and {straw wreathed with purple and wt! athletic suggestion, and became the | violets. with gray slipon pictured is warn and now behold it established high In| ferent' favor in its second incarnation--as a dainty linen, :| collar, front and cuff, accompanies the | the vogue for black }weaters will con- slipon and the straw sailor hat is black | with a white chip facing and band of [body knows what overnight fad will A purple parasol was carried this delectable costume The in a but quite as smart way; a blouse of white handkerchief with crisply pleated frills on The gray sweater it must be or black, pref. ming wools; 'notably the curly worsted | ¢d In hat and parasol. bandiogs which look quite like ostrich feathers of tiny size, and closely massed. Surplice models of white! wool have bands of this ostrich-wool | around the neck and on the short sleeves and are dainty affairs indeed | 8°0WNS, but wo for veranda wear over thin frocks. |!© bodices upheld by shoulder of the | Now she is trying it in s®eaters and [and beheld the pecullar worsted gar- | One is speaking, of course, might to Introd neckline New Jenny Lind Neckline Madam Mode Is trying with all her ice the straight-across tried it in evening clings pe tently -straps. She daif- | And color may be add-| Collar | and cuffs are of white angora and the | dangling ornaments of angora at the | ishoulders are quite a new idea in trim- ming. One could knit such a sweater | --all but the angora trimmings and | the ribbed belt--In a few hours. - But | | the closely knitted, ribbed belt is a| necessary adjunct; it holds the rather sléazy sweater in trim lines and gives it style and grace. i Most women want to know whether | | | tinue through another summer, No- | spring up at Palm Begch and become | | the craze of the ensuing summer sea- | | son, but at present black awe aters | {| seem to be very popular in the South land. Not severe black sweaters but | gay and frivolous little slipons 'of the | | sort pictured. The ribbon lacing of | | the sleeves is a decidedly frivolous | feature--for a sweater---and makes | one wonder whether we are all going | {to return to the ribbon-run, tassel | | trimmed hug-me-tights of other day If you have seen "Way Down Eas' Bouthland, where thin frocks are now | Mobody is quite sure yet how they will | ment that the little country gir! brings | being worn by lucky women who ca Northland knows it. strike feminine fancy. A new model across neckline and turned down col- [wore them hack Tun away from grim January as le dropstitch effect, with the straight- The fine wools, no heavier ~threads; than airy and the lustrous silks or crocheted in diaphanous patterns, some of them so sheer that a lining of thin silk or Georgette must be dropped under the cobwebby fabric. These lace-like sweaters are worn in the morning with sport skirts of sum- mery material---crisp linen or novelty silk. Skirts of thin white serge er flannel are also being worn at Palm Beach this season. Under the sheer sweater-blouse 9ne dons a dainty | camisole or bra plere, but the lining of chiffon or thin silk keeps a sweater of very open pattern from being too revealing a garment. Dropstitch Effects Popular Dropstitch knitting 1s the newest thing for sweaters and is smarter just now than the filet crochet stitch which was so much fancied fis summer, Anybody can do pstitch; it is as easy as casting (on or binding off -- when you get the knack----and the work goes very fast. You can knit a whole slipon in no time at all. Se dropstitch is sure to be popular for the summer girl can make herself any number of morning blouses with lit- ' tle effort. A very pretty dropstitch slipon Is of canary colored silk and wool yarn--a yarn which has beauti- ful luster. The slipon is drawn in at the waist by a cord girdle, run through A row of the dropstitch pattern. Col- lar and narrow e! cuffs are of white angora. Two dropstitch effedts are pictured; one the Jenny Lind slpon with straight-across neckline, and the other the belted slipon worn with a frilled shirtwaist which shows above the front opening of the sweater. This latter mode! is of silk and wool yarn in a pretty shade of gray and the dropped stitches form a striped pat- tern up and down sweater and geeve --not at all a difficult effect to achieve and a very attractive one you'll admit. Gray Sweaters The Rage 3 As gray has been the shade this sea- son In furs, hats, silk stockings and! all costume generally, so it is to be the craze in sweaters for the coming Season--or one assumes as much, Judging from the number of gray Sweaters and, slipons that have ap- peared in Southland resorts where | well dressed people congregate. Pale a lar, is pictured. of | yourself? which sweaters are made, are knitted isn't it? | made of shetland yarn in a rich ma- rine blue shade and though the sleeves are transparent, the body of the slipon | model 1s of crocheted black silk and the turned b jand ever How do you fancy it into, anyhow, is Easy Th to get dropstitch model wi T is the Frenchwoman who ap= oreciates to the full the value of a small wrap with a dress-up cos- tume. "Something about the throat" always lends an effect of for= mality and distinction to the simplest frock, be the something a tiny wrap of fur or feathers, a soarf of soft silk, or only a length of tulle. From France come all these formal little effects in neckwear---or one might more prop- erly say: the Parisienne always about the throat part of her costume and rarely do you See her, In the street or In a restaurant, | without some smart little neck finish { which adds a bit more of formality to | her get up than the decollete line of Shoulderwear. Very neat is blouse or bodice open at the throat would give. These open neck effects are seen mostly in America and in England. The French woman wears her round- ed-out bodice or her V shaped blouse- opening indoors, but when she fares forth in her boulevarde ahd restaurant toilette her neck and shoulders are made smart with some fetching little {affair that adds elegance and formal- ity. finished, not entirely chic, without this little addition woman you meet at an afternoon tea, for instange, has a delightful black satin frock and a stunning hat with ostrich feathers curling down at one | side. ed out and she wears a string of white | pear] beads. She looks very well: let the same woman wear two yards of black tulle, clouded around her throat and shoulders and immediately she ac- | quires something of elegance and dis- tinction. She looks a bit mope formal She considers herself not quite to her costume. A The neck of hes-frock is round- $0 much more chic. About gray sweaters are worn with white, this season of the year, when people LITTLE 'Wr EATHERY {as a gift to her rich city relative, you | | know what a hug-me-tight is They | In grandma's dav { when houses were not so well heated as they are now. The new version of the ancient hug. | me-tight, pictured in the ribbon-laced | black slipon, is rather attractive. This | ---- ae me GIR, begin to anticipate spring and when occasional bright, balmy. days with | melting snow dripping everywhere and | vendors of violets offering thelr purple | wares remind you that spring Is but | Just around the corner, French women are planning what to wear about thelr necks when furs become a bit too heavy. And this year the plan seems to be--feather neckwear! The scarfs, collars and little capelets made of ostrich and marabout are fascinating--so soft and so becoming, and such an addition to a simple street costume. There are the loveliest com- binations of fawn and taupe, and of shades of gray./ Of course, gray hav. ing been so fashionable this winter, gray feather -neckwear is Madam Mode's dearest choice for early spring, but one must be careful about gray feather neckwear--it is not always be coming, as taupe and fawn shades al- most always are. And one cannot Wear gray with other shades, as one can taupe. But with a black or a dark blue frock, a gray ostrich and mar- about scarf or capelet Is stunning and one Of these capelets is pictured. The part that goes over the shoulders and around the neck is of shaded gray ostrich and the long tails that form a fringe on the capejet are of marabout, This little affair is warmer tham it looks--or feels in the hand, for these feathery bits of neckwear are so light you could lose your capelet and never miss {t. The gray ostrich and marabout capelet pletured accompanies a frock of dark blue duvetyn and the mew spring hat of soft, pliadle straw in turban shape is ig mixed bine and gray with a deep blue ornament of straw and beads on the turned back brim. Another capelet pictured is of taupe Ing a new touch for the season. terials too. matched by neck scarfs of the same rich fdbric, a fringe of silk or metal threads Very achieved in dark costumes with these Bay turbans and scarfs. Indeed few women realize How enormously the right kind of neck scarf can. count in the costume. A plain tailored suit and turban may ning by the addition of a smart veil and a tricolette scarf in American (IFUL SWEATERS 24S ACT The denny Lind 18 0 Gauzy that g Chiffon Lining is Required GrEy.3lipo ack collar, making a APS o~-- STUFF marabout with fawn ostrich used as an edge trimming--reversing the idea In the gray capelet which has a center ¢f ostrich and marabout at the edge. The fawn _and taupe capelet accompanies a frock of taupe taffeta with touches cf gold thread embroidery. All these feathery capelets have marabout-tas- seled cord tles, for the fluffy bits of prettiness have a way of slipping off the shoulders unless firmly ancnored. Some women knot the cord ties loosely and pin them tq, the girdle so that the capelet cannot possibly slide off. Marabout scarfs are smart too, and a good model is pictured; with many marabout tails adding fluffy trimming and crisp little rosettes of ribbon mak- The scarf may be worn as it is shown in the picture, or going straight across the front of the neck like a choker collar, with the ends falling at the back. in a rounded line well below the chin, in front, the ends falli Such a scarf, accordin fancy this season, must have its ends at the front or at the back---not one end over the shoulder and the other end at the front as you would wear a knitted scarf or muffler. Sometimes the scarf is dropped at the back. to fashion's Neck scarfs are made of other ma- Turbans of brocade are ing the ends of the scarf. effective color touches are be made extremely stun- S knotted Beauty sha from a small town to visit her city Cousins, Her clothes were good, for she wore standard sizes and orderefl from catalogues of first-class New York shops. But she had absolutely no chic--no dash. In other words she had no style, "Make me smart" she begged when a rather impoptant afternoon occasion was in prospect. The city cousin considered her simple but well made blick satin frock and her small turban of black velvet and goura. She twisted the hat-at a dif- ferent angle giving the goura a dash- ing slant, and added a thin mesh veil dotted with chenille. She hung over the black satin bodice a chain of white pear! and black jet beads strung in alternation, loaned the iady to be smartened up a pair of onyx and pear] ear-rings, and draped about her neck Snoulde: Violet. Wool which Matches aViolet "Canary Colored Filet Sweaters. of' SHIR Worn in Place of Blouse. -8carf of? ilk Sport tat | pretty detail." The black silk slipon |1s worn as a blouse, over a camisole of { Venise lace, which shows in a dainty | vestes in front. It is quite the thing | now, you know to display part of your camisole as & vest or as part of the front of your blouse. * Filet Slipons In New Models Two very engaging new filet stitch slipons are pictured; one of silk and the other of wool. The wool mode! is ornamented with wool embroidery-- the very latest notion and quite the rage. The pictured slipon is of shell pink wocl with all edges finished in a | close stitch that makes an effective | border and also holds the open filet | pattern in good lines on the figure. The enibroidery is done with wool in {inner of French blue, and a Nile | black is introduced to emphasize the ! Mark the extreme length of {the fringe on the sash; this is a new style note in aweater models of the season. The fringed slipon of canary colored | silk, crocheted in fllet pattern, is the | handsomest model on today's page-- in point of expensiveness. And it will | be considered the most graceful and | distinguished model on the page by most women, one imagines. The colof is a rich yet dainty yellow--a tru canary shade and the very deep, knotted fringe makes the slipon par- ticularly graceful. Knotted fringe on the square collar is another graceful feature. This slipon may be worn without a lining, dver a dainty éami- Sole, for the filet stitch is very close. {A new scarf with plain and faney knitting in' stripes is plefured--a model of violet coiored wool, matching a violet sport hat. Rather intricate is the pattern of the stripes, but an ex- pert knitter can puzzie.sut the stitch without a great deal of difficulty. A SET FOR THE BRIDE PECIAL corsets for wear with the S weddnig gown are of white satin brocade in an orange blossom pat- tern. Real point lace trims thé top of the corset and!tiny, flat clusters of orange blossoms, made of chiffofi, are attached to the lace here and there. he garters are of white silk elastic with silver clasps and si!des béaring the bride's Initials. The brassiere that accompanies this beautiful corset is of white satin ribbon and point ldce, with tiny orange blossoms in a cluster at the front, Late trouaseaux include the step-in which has become & very popular lingerie garment, threaténing to displace the envelope-chemise In feminine favor. The step-in is & com- ~ bined camisole and pantalon, the pantalon flaring out in circular cut from the straight little camisole. There is no fastening anywhere; the step-in Is drawn up over the feet and its shoulder-straps are slipped over the shoulders and the brassfere or camlie sole falls In*proper lines. If the gar- ment is Intended for wear over the corset there is a ribbon-run beading at the waistline; but | most step-ing are. worn under the corset llke am envelope chemise." Some of these dainty models are of shéer lineh and filet lace: others are of crepe de chine, And rare is the article of lingerie now A COR that has not fits pretty little hand- made silk flower attached at one place or another. black i tulle. Behold, a distinctive and com- { pelling costume! { It is these little things that®count {enormously and the woman who | makes a study of accessories and how | to wear them (which is the important i | i i | | thing), can get along with very simple frocks and hats. Rarely, In Paris, now do you see A | bare neck. The frock may be cut {down in decollete efr but always | there 'is something about the throat. Jeweled dog-collars are coming in with evening gowns and open blouses are tied together at the throat with ribbon cravats. Bands of tulle are fled | about Beck with a bow at one side. { And if Fliere is nothing else, the border | of the veil is draped around the throat Ee And pinned at the back with an at- tractive brooch. * Apne. REMOVABLE ELASTICS FOR BLOUSES AND UNDERWEAR VEN the best elastic soon goes to pleces in the wash, and if there is a more undesirable job than running ordinary elastic in cas inks, one does not know of it. On the market now are elastics of various widths and lengths for running Into waistbands of blouses, hems of bloom ers and so on; and each elastic hag patent fasteners at the ends. The tener acts as a bodkin, so that it simple matter to run In the elastic snap it fast at the end of the

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