Daily British Whig (1850), 8 Nov 1922, p. 9

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TR Ta SE Mo REE 5s Ama Foe, designers have a time wit ' -- silhouettes. Yet they achieve, somehow, o real fascination in line. Women have grown weary of the straight line model. And Paris took the cue this season and has given them something distinctly new in line and fabrics, Bilhoustte is the outline of a gown. Care must be token in selecting any of the new models, for not every woman 'can wear the lines offered, Study your own lines, then select your new \ gowns from the Rost of sil. houettes offered. There is a creation for every figure this season, ARIS finds the silhouette an in- teresting plaything. This femi- nine city takes the lines of her 80Wns seriously ong moment, then seems to fling them from her in mockery the next.: : What is Paris now doing to the silhouettte? Any namber of crazy things that women adore and abhor in the same sigh, French designers offer as their excuse for the new silhouette the demand for something néw. The straight-line, one-piece frock has grown to be a weary mode. ng new adorn- ment from scason to season during the past few years, it-has made a brave attempt to achieve va. riety. But how comes a new and varied silhouette to take us completely from the monotony of the straight line. The draped model reveals the tendency that will accent the new pilhouctte this year. All gowns extra swirl of the chiffon is folded abdht the feure to give the effect of a panel. And with the informal lines of the accompunying chapeau, one could scarcely find a more attractive mode for afternoon wear. Tite charming evening frock pictured is fash. ioned of chiffon with an all-over design .of tinsel embroidery. Long crystal fringe falls artfully from the panniers which fashion has revived and adds a piquant contrast to the 'slim bodice and the wide, 'Japanese sleeves. The. two other 'models. pictured follow the fash- distinetio, . ion tendency, each with its own an illdsive creation of swirling folds of ehi itself devoid of sl es

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