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‘By bum in jowrlry h mean! the" ar- mmmmmzmn ot perhaps I single Pen- J: n' m a turstumr. "Do you disliko the weigh! of pend- ant >u‘prndxd n und your ncck ?" asks ' red by women everywhere" m " Pana. plan-I ghoul ths. t-lothe, they wilt Fame jewelry " I phrase to be tat-cg ‘nérmusly m the gal-man.l pt Modern wardrobes. an the Worn-n5 Mome Companion. and.trirtkets--smmtt Nov-w of jewelry~urc brine ransidv_ vrv-d by women twervwher. '" " Built in Jewrlry to the modem Mona-n " In important as built in banish-Iv" to the book lover. Fhvirrteiriiy WOMEN Ornaments to Fit Bub Costa-e Now Caemrw by _ 'rvnttti.ptrtyjiLiiT than improperly adjusted bendGrhts, Wsth brake,, horn and lights work. ing in Rood condition, motoring win he safer and olrasanter pastime. mn- clude, the buirrtin. V _~~ -___. -v." “w an almost indispensable adjunct to} 'safe-ty, n should be maintained in', gum] candmun ani then used I'llh; 'ltrts Ind intelligence. V Pruner "militia.- Correctly foruned lights should be) matrttitrted on any or. Naming} makes night driving more dnnzrrousf than imnrowrlv [Ain't-rd hum--3... , . a m mm The bulletin [on on to any that. while the importarwe or the horn has been minimized by improper an“. properly used. a good clenr horn in Tah- Few Kin-Ia- lt takes but a few minutaa to check over the condition of brain. and rven if adjustments are Wary it is not likely that they will con-w much time. But the importance of this work should not be mean-Ind by the amount of time it take. Brakes} are the most essential safety I'm ' , an automobile; without good brakes. safety is (one and danger is pro-sent. With brakes only partially (mam. ”new still ix far away. Mmonsu should be aatisiUd with nothing In; than 100 per can! eti! mom-y in the operation of their! brnkeu. . watched. the bulletin mi}: GG these an the brakes, the horn sad the Iixhu. brig: onto the roads-ninth "a, eare-bleofgurtetmderiuowi. power, it been. we hm: thanmrlottui-dividnlm to man and: that his a a. in tafteooditimsaeeoediawton-C tin inns-i by thumb.“ gm.“ 4erart-totthrchie-otoreh,t,. Thar- m an. vital pom. which should be most. unfunny thew.” Sud-IAIWUI'I‘U’ “Au-.1...“ .rhiterrtraeo. BtlAKIttg.tMmNANgtuAgmg "my. new a; g. a... ”my“... m Imported Frocks for ”It...“ III Driver" The complete list of works pro- duced. together with the number of times rich was presented. follows: "ta, Tr-viau", 1; “Don Puqunde", t; 'The Jun-ls of the "mount". 3; nun-11105. including Gi,, yr/ri-wi/iii'! “an never heard west " New York;' bewtore-att of which have med "stl bu ' one of the moat hrilliAnt ever) given anywhere. Exercising his and} care" in selecting artists, Ir. Rebuilt; brought to Ravinh I wnxy of world} at." capable of interpreting the) greatest operatic works in superhi-i t ve manner‘ In fut. the Ravinia ma» tor this year we: more extensive than ever before, and the “an ‘hose‘ nun" adorned it, were utilized in l‘ uperloire of such broad scope tint; Izhe mates of all opera patAms have! I been fully satisfied. 3 [ In accordance with the mum's” tirst announcement, the standard“I rem-twin has. of course, been given . full consideration. and this is as it .ahunld be. Not only have the standard I us,rks been presented, but they have {nun given with tlSls of such merit, , and suvh care ha, bun lavished upon '. ash production. that they have been; a let-ted to a plane quite out of the; t ordinary. And in Iddition to these hex e loved works. without which no overt u 1 non would be complete. there have) r lawn some interesting revivnls tnd. . C starting TUESDAY. SEPT. 4 Special rates for duly lessons tu beginner-L JAZZ _ CLAstm'AL ttire-ji-ra/air" "ply m2 at: u if it a.. .a. if“; RESUME oe WA SEASON M' RAVINIA Elizabeth Silber Worth" "‘-â€"‘ "-'e""H feat, but ttter Inn-'1 up!“ it to priees M Rom. Duo-t who nub "VIP-W Minna"- due-thoes-tuit.-. the tr6neral prognm. III-n that i tiriaGa .__w - A itthrs u in}: t4'h'irea1uu'Pitts2ittit -.. P-.eieaiawioutintsr, Mum-mmua-I- PM mu- who.“ a 19‘ tHe “P- into - r-tima. a.» bin-un‘w - iitt"i1l'ii?eLii1tiS12?et1tt. L'M“ t'rprre.r9e luminance: the full term for - fl "liUJ, an“, an: - In»: . (inn thin lines. white the (Communal from pug: t, pm It {ityifou to be em '"etumstorumaucaicow PIANO LESSONS Fm iart-edute “wry tle 623 "in: Avenue Phone H. P. 3tt6 $34.50 stint: twice each. Six works were r brought to performance only once. a! _ Peder-unto (r; Ernest performances are inevitn- i) Me in my man of upern, and for [several rem; Working out the l schedule In such a mnnner that eaetr , artist may be given the number of tl performances during the season tint i‘h’. stipulated In their contrnets, that “they gull sing the proper number “iv! times each week, that rehearsals "‘may be arrangL-d without eonttiction I fall of there factors enter into a " km-tty problem which has been Iskened to a feat in emrineering. Thai public demand must be taken ttttsr mnsidenxinn. and. as happened wnral times this year. when there are a Farm. number of masons an» able to pmeure seats for I first [ w-I‘nrmnre. an early repent of this 12ml): is necessary try arcommodne ‘the -rfurw. This often means a ‘mmpk-te re~nrrnnzrment of a sched- [uk- which has been made out for Ii tumult-rah!» period, and this is some- ithinz that " far more taming than ithv much [nun-d Chinese puzzle. It (rin bu remembered that owing mi cirvurnstances over which no one;' cuuld exercise any mntml. “Pugh- arei" wan unexpectedly presented on! the npc-ninz night of the seasnn. thus 1 alum: it a rbrmanee it would not 1 have had Iltg-ru'iw. The tremendous I popularity of '3herrruf" made foam: Performances of that work impera- 1 tive aid more could have been ziren l hull the was": hum two weeks long- I v? Kink" and "Martha" have both I ben enh-mely popular this yrnr and ( r it Was rwtssiti,. to rirert cast chnngm i r "with " the times nth "a. it; saiiii, them "rre 0"! - opens which were m is an it in [plausible to n- eat: the nun-her of repeat parlor- We, to ttee Piasimum, With the u- RADIO STATION WMAQ DON'T limes A WORD OF THE 1Ntlim'ABLE HUMOR OF THIS GR A GREAT THRILL ls 002mm To YOU THROUGH TIER time BUPBR-DYNAtgtc SPEAKER. nuns-no mums ARE mum“: "Pr"""-"'""-."'- “mammals-9a.; 51'rrteetytagtamatrais-orts he)“ a; Hm a; an W. w. use“. i; 'esiaa," St “Sn-so. I-l m’. w, "ta Duh-0". 3; 'The Love " (h M w. w. P.'Stt l, fi.."? "Herb Rm”. In". " ‘LIhh that», 1; “ll-mt". A; "Tuif, 1; "r-". 8; M. 3; "U M”. I; “h Dilnlo': St '1...- I“ W'. w, "Martha". A; 'LI "im". 2; "n Pee, " ", fi."PerC (M) "TL--'" - "‘5'" lino-P. Kan-w 3; TEFL“ 'NY. I-I- "ii'; 11'1'P"-rastie-svrr-t,a-. EVERY SU.Nl?trY EVENING major- World’s Greatest Blackface Comedians ...,.m nu'lvlix nus! sx-rmz and " Huts found that Hrnri Rabaud's tiotastie opera "Nar,V' was included in it. a stir "f Malawi anticipativn web felt thrnughuul the Hub of the musical tmsVtticeati, New was a Innumv murky: a work wicch in Plum had (ah-n its place among th,. lrmrrt unusuuf hf those which ham “any from the ultra-modern school. Whrr, tyu. wrltulhv npcrlniro was mph known ins: sx-rinz and it Huts found that Hrnri Rabaud's fantas'tic opera ‘Muruuf~ was included in it Were khan“ barn-m.- My in: “.th Mr Po'".:)', in» "The Ln.- Hf nated a5iortet m terpetatirscs of b: and Mm.. Gull l nuuw part " “This Call and wc, M: Jutivt a: “Rt-men _ __ - -- - "‘1 it: rules should be inn-pm As - ell-pk of the Cut dunn- edteeted at Ravi-in this ten- uon it any be poi-Ind out that ‘Pngliuci" had In tenets-Ir. Martirsetti and Mr, Jot-m. while both Mme. Rethberat and Min Mario Immune-i u Neda... Manes in "Aida" urns Interpnud by both Mr. Marunvni and Mr, Johnson. Both Mme. Rubber; m Miss Easton were heard in the name part of "Mme. Buttertty" white Mr, Johnson and Mr Chunk-e awe-Rd as Pink, emu. Mr. Schism and Mr, Chamlee, an": the rule of Des Grieux in Mas“ settet's “Mann-I" while “Andrea! Chenier" had Mme. Rethberg Ind Mis, Eacton ls Maddelvim- and Mini Martimlh and Mr, Johnson "I thc', name part. In ’(‘avallerin Rusti- ram." 31mm Hush-n and Mme. Roth-S both Mr. (1‘18me and Mr. Tokalyan" were bun! an Tum“... Rudolf“ in; "La Ruin-41.0" was can: by Mr. (‘hamlw and Mr, Tukntynn while, Mr. I‘ha‘mlvv and Mr. h'chipa alter; tom! = it: rules 77“ W t't"o?e--oGiitiTi', " 'termit " W hum. otteras is only . linking of the hoods and ninth-s of Rita. and M vary "a didreeeot “Malina. Therefore. " Mtera my one: he liven " eatimtr dtiftee-t mm. tub-aunt.- an. an... “hubby-hymn 'Pei-At-kde-Gaia-,; Mannhtbwnh (I‘M “a 1ere-ed"iuu- -ttto “he he: Huh 1t"1teot-iteLlCiavii'Ti"ai", ”Mia-Inuit” 1"tt,t'.t"-itasmiiL.u"i he_tsrai-riT.rai.i; 1i1P'tiat.eruiiiri'ii7ii'iiC; 'ttN,"i,dttittt,i.e hunt m. “WNW with.“ S.iteetauiAiuAGsit=ii;' oftheo.ee.mlL=Li".7.'.T..rr'y, tOtt-e-tim/iii-s, - it" ofthe way 4. ", __ mu our! ':i'ir,il'ita.,"/ 'ttr"rrrtt doifu in I a "h" vrd. bv Mr. a nww cl ' f N fwrv. am n 'file; Erksnin a alter, , _ The in-J 'our "tu", . _.. Ine the It .nxu ri l whth she appcared opposite Mr. Dan, l tsta who had tho name part. “Dan Pas- _ ttuale" unlit-uni at Ravinia for several wagons, proved to be (me of the most amusing operas of the season and lzarv-Tiln Schipa excellent opportun- '; ity in I purely lyric part. Miss Mac- "'"""""'F"" . artist, m to work building the an." This yen " ' crate sets which this operu demanded.; eluded mush : and under the direction of Peter Don-i many. Franc. - iran. this work continued until tin-l, and Swrurert, _ wily everything TFats in readiness for; that either _ ; the first performance. The rehearsals; been "wires: Chad Mm under the personal tiiriili2Tthi'r" unu: " lion of Louis Hasgelmans. tnnlluctory to ballet mu m"! the French repertoire. and before followed by ithe curtain was lifted on the initial Strawhridee . !terntrrmertrrv. perfection had been divertissment g a his vrd. "Narouf" has served to add term-on (-nni la a"!!! chapter to Ravinia Opera his. numbers pru' '; ivrv. and it is small grander that Mr. I the orchestra ilivkshin f, und n nvrvwm’)’ to 1tivvi, The (With I "v-ur "ttformance-. hi thi, work dur- I each Thursda I in? the sewn! halt of the soasonu son he": dra ‘ Another High Spot , the ihnu~and _ The additiun of Ravcl', "L'Heurei prnzziami hm i Fv ilL'YIIII" to 'he retyrwtoire it“ lilm.l zv-‘r--m»-H»-- -- litre. Call and those. who apnea with her. while this same arli Tum-Id om, of her nine! mmqwnin! m an Tome"? in "Le l‘hvminouu" whieh she appeared "pporite Mr. De n.» ....._r....u . The ndditiun of Ravcl', "L'Heurei program: haw Fv a,urrtrd" ttt 'he repertoire was like-g interesting, w? vw- matter of moment at Ravinia.) whirl: have " Jvi this opera too, marked one of tin-f programs have Fr'h spots of the smwnn‘ It domnndl'df little visitors T at .ial "ir'nery which was built in part of these 1 t'rts Ravinia studios as did "Le Chem. fairs have ab w: 115" whieh tor its rovival wasistructive talk xiv n vn'iroly mm- mountings. as) As usual. U Ibirs “Dun Pasquale.“ "L'ileure Es- _ Orchestra was: m:-:ru)" arm-ml tn M- a triumph for likewise appear Mnw. Call and those. who apprarmlfthus net‘um’ing “an. L... ...|.;-,, WL:, _. A ‘ _ Early in l artist, set to of the part. Mme, Gall, like MLCham- Ire, was eminently successful when the work was brought to perform-. ance. Another member of the Ravinia forces who had had experience in "Mama!" was Leon Rothier, who had hum a menu" of the cast when it was given its American premiere in 19tC Elaborate Sets Early in May the Ravinia Scenic; wont. " in only natural that Mme. Gall shouid be east for the principal sugar-no rote in “Mimi" is it formed 1 part of her repertoire " the Opera (‘omique in Paris, and she wins well versed in all of the Pnrisian traditions " In known at tonne. that Inc. Gatt Iona“ can from France as I W member of the Ravinin toms this also... her pun-n! Amt-mu " Operatic "em-ulna“. Heb-anatomy added a brilliant rote to his _ toew "Firkin. but be has revealed tsimoett in 1 new quist--that M u _ "rr'-"""-""-.. dunmlmi-Ncw York back in It". I.“ Clan-he "dstt-uetodto.iaetaei-si .art_uthitmrore,amiiit-ts 'ettttHutrr-rtoSiu.se tict mllmvork with results which yer having demmiimd her ytePe FE?"- mtty THIS GREAT COMEDY TEAM, hum u Same artists “9w"; roles Gull l As usual. tho Chicago Symphony _ Orchestra was in the pit this year and likewise appeared at all the remit-rm. (thus net‘upying the Fame place it has (occupied for seventeen summers. Ra, ivinia is the only opera house in the C world with a permanent symphony orchestra in its omphty, and this dis- ;tinctinn is spmcthing that warrants i boasting. Whether furnishing the mu- I sisal settings for the operas, or play- Ctr. a cam-or: prngmm. the Chicago , Symphony orchestra has always bovn in vital part of the Ravinia season, The childrun's, lirtPPrts, given on mach Thursday afternoon of the sca- son hwe drawn juvenile autiiturx by the thuusand from near and far. The prnznami haw been instruetive and mar-uniting. while the entertainments which have followed the orchestral programs have filled the hearts of the little visitors with joy. The 4?orteert part of these Thursday afternoon at fairs have always included an in- structive talk by Mr. DeLamarter. _ H, "'9lP"'" -..u.y. Wit, : in place of the concerts which here, I tofore lune occupied this position on i the Ravinia calendar. This was due V for the most part, to the demand of r the public for the repetition of certain works which could not otherwise be made to tlt into the schedule. The eleven Sundny afternoon concerts given during the season were espe- cinlly attractive. and continuing a policy inaugurated three years ago, a series of concerts in which national music was featured, formed a con- siderable part of the Sunday offerings. [ This year the national programs in- fcluded music representative of Ger- l many. France, Italy. Poland, Bohemia ‘, and Sweden‘ This was the first time ithat either Bohemia in: Sweden had diet-n "wrest-med in these concerts, f Another unusual concert was devoted Jto ballet music. this program being followed by Mis, Ruth Page. Edwin Strnwhridxe and associates in ballet divertiscments, The final Sunday af- ternoon cont-or! minister! of solo numbers [inn-ruled by members of Concert Fatwa It is notable that durimr the set son opera perforrmoces were given on every Monday night except one. "s., -h__, - A. but was omit. him vlil. Mr, n.. vinn In the wind”! tn.- "in. The repertoire of thirty” - en: given throughout the ulna. “I. lows: Aida, Andre. Chain. ttt Inch-n, gather of Sevilll. - an, Cud% Maw- iiiit, Faun. Fedora. Fra Dinah. Fi ( Truvutore, The Jewel: of um tu. dorun. La Boheme, Ln Juive, L'Amm dni Tre Re,L'Elisire d'Amon. L'Hem Ego-gum. " Tuning. be Chemineau, Lokengrin. Louise, Lucia, Madame Butterfly, Manon (Manna), Manon Lernut. Marout, Mnnhu, Paglilcci. Rigoletto. Romeo and Juliet, Samson tnd Delill, This. roses. PAGE