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â€"fitm the girl, of course, is played by Miss Gaynor, and she and Farrell give an interpretation of these draâ€" matic roles that will astound their many friends. Kenneth MacKenna and â€"William‘ Forbes are also in the ~Farrell, as the ne‘erâ€"doâ€"well"son ‘of Nwmimflmfimmm grace. Improperly trained to face the world, he sinks, step by step until he finally reaches the lowest dive in Shanghai, _ There, drawn b ynatural forces, he is attracted to a girl one rung above himself in degradation. Together, hand in hand, impelied by their new found faith, their courage is ‘reâ€"born in misery.© Clinging to each other, they climb to a seventh heaven thru _ "The Man Who Came_Back," one of theâ€"most powerful romantic dramas éver written, presents Miss Gaynor and Farrell in the greatest roles of their coâ€"starring careers. " Ove Janetâ€"Gaynor and Charles Farrell, the screen‘s most popular sweethearts, are reâ€"united in Raoul Walsh‘s Fox Movietone production of "The Man Who Came Back." >3 â€" Gaynorâ€"Farrell in . "Man Who Came Back" whic.h "The Pain Desert" was Higgin. William Farnum, who plays the part of Bill Boyd‘s foster father in Desert,"â€"starring â€" Bill ~Boyd, made "Riders of the Purple Sage" ten years ago in the vicinity of Tuba esc on o ce nc uty mss m nneneneoene ioh ar William Farnum in â€" "The Painted Desert" tacular drama_ofâ€"the west, "The _ â€"â€"â€" Painted Desert" _ & The Thursday, March } Cinmfiâ€"finffi direc 26 ted by Howard 1931 cecmecmassd nd ons it Constance Bennett, star of Mâ€"Gâ€"M‘s "The Easiest Way," comes from one of the most famous of American theâ€" atrical families. Her father is Richâ€" ard . Bennett, the stage star. _ Her sisters, Bartbara and Joan, are both snecessful in the talkies. 4 "Mother‘s Cry" features an |ll-stufl cast which includes Dorothy Peterson, David Manners, Helen Chandler, Ev-' elyn Knapp and Edward Woods. Henley, incidentaly, has directed two of the most sensational pictures of the year, "The Lady Lies," with Walter Huston, and "The Big Pond" with Maurice Chevalier. C ~~~â€"% Good Start _‘ â€" Hobert Henley, who directed ‘Mothâ€" ers Cry,‘ First National adaptation from Helen Grace Carlisle‘s novel, madeâ€"hisâ€"startâ€"in pictures eighteen years ago when he worked as an exâ€" tra for D. W. Griffith. But in spite of her obvious peril, the vivacious. little heroine escapes from the misdirected clutches of the law and gets her man â€" all in a sparkling, engaging finale. Excellent sumport is supplied by Erwin, Foster, and Harry Green who portrays aâ€"dialectic theatre manager. ___ Janscunced in the iuxury and finâ€" ery of wealth the two girls discover thatâ€"they are the tenants of a notorâ€" jous "highâ€"hat" ‘gambling â€"hangout. It is too late to withdraw and they are caught up in the mad whirl of gay night life. â€" The romance with Foster develops until the point when a robbery is committed in the theaâ€" tre where Clara was once employed, and suspicion is cast upon her. e the scene for parts unknown. â€"Inâ€"theâ€"course â€"ofâ€"herâ€"job as aâ€"uniâ€" formed guide for theatre patrons,. Miss Bow finds a cigarette case in the house and thereby meets its ownâ€" er, Norman Foster, ia short time latâ€" er. _ She i unaware that he is a smoothâ€"working . thief. â€" Meanwhile Clara and her litâ€" fortune of the loan of his .luxnrious! Park avenue apartment and â€" Rolls Royce from Stuart Erwin, blond and | original by George Marion, Jr., is the taleâ€"of‘anâ€"ambitiousâ€"littleâ€"usherette in a big movie palace in New York who encounters plenty of â€"theâ€" thrillâ€" ing experitences for which the metropâ€" olis on the Hudson is universally reâ€" »FHOYELHE,... ce natatiealittre eniainiavin eourenitie ivaeainoosreaastanatcianttle The tale, written by Viola Brothâ€" The hit of the show is the "It" of Miss Bow in the Brooklyn Bonfire‘s latest picture, "No Limit," for audiâ€" ences that wish for a good fastâ€"movâ€" ing cinemaâ€"yarn.:â€" â€" "No Limit" is deliciously pretendâ€" shows off the personalityâ€"wares of the new and slimmer Clara to the best advantage. . â€" "No Limit" Provides The â€"Film â€" Patrons T H F STUART ERWIN â€" NORMAN FOSTER fs@: HARRY GREEN TUESDAY â€" WEDNESDAY * gounday Continuousâ€"2:00â€"to 11 :0( ~â€"oIf â€"KAROUEâ€"WRESWBâ€"â€"ag * z____â€"â€"___â€"_â€"â€" f ATf* ~ $ , ‘.’v' & :':;‘. g d 7 .‘ P 5 i P }.’ < ' s' â€" JY e < ‘f ,f: m ?>c P .«:§ R y $ L 50{5 *+ â€" Je P wl 3 oo E J § #% ; T ; k â€" 5 es A4 ?‘ f 4 f * Â¥& h f M e n n enE Y + E l 4# : is u22 s e P o .9 // & ie . ‘bokk > T<â€"=â€"â€"wmitko z.. o * f s o ,@ t ~>4%iy m _ The SUNDAY â€" MONDAY TELEPHONE 321 ‘RIDAY â€" SATURDA Y best C!ara Bow Picitftev to dateâ€"iria-s-more than "It" eerpath Ebratre CLARA BOW "NQ â€" LIMIT®" POLKA BROS8 in punday Continuous 2:00 to & m‘ pitted ogdinst' a woman‘s love in a feverish sfrugg‘le,â€" with the body and soul of a weak young wastre!l as the stake. MAR. 31 â€"â€"APR. 1 MARCH 29 . MARCH 27â€"28 DIXIE LEE LAKE FOREST 30 :00 41