The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

kind of undenmi r an airing in First Ruling Voice." rant violence tha hoodlumism as pic. us films now gives > and efficiently bus. ons Of the grafters ig Business. ed of copious shoot. c gang leaders and i to â€"make this pic nd powerful Th £ â€"Jack â€"Bannister fting syndicate are refmedâ€"in their craâ€" vides its own over. : of a public appeal Voice," for instead crooks derive their xtortion from food ning in its own way under the thumb of re forced to pay a alliday, Willard Robâ€" ng Davis Scott add of the picture as 4 6:30 TO 7: _drawn> into the ngs. Another out of work is contrib Diggs, while Gilbert f the acting which naking of this picâ€" e hold it is able to 1 audience. Walte lity is once more in role of Jack Banni+ oes some very conâ€" the rich woman who ie surprising action specially in the se g the grafters‘. wat c industry, which not e entertainment but revelation to stay ners as the young e love interest with from the story. once: more prove X, JANUARY 14. 1i9» | \ food, clothing and O0lce© nces Grafters oc' â€"â€"â€"At tust a motion picture on the _ theme of modern youth bursts forth _ upon a blase motion picture public â€" with real youth in it, a powerful feeling of authenticity, a breathless _ _drama and a high degree of sheer entertainment value for theatreâ€" ~â€"goers of all ages. y . s *~~High praige, but "Are These Our Children?" the RKO Radio Pictures‘ â€"â€"deserves every word of it and more. Te ies verdeits a6d high drx s utter veracity and high draâ€" . matic quality is to be credited to Wesley Ruggles, the director, who leaped to new fame a little over a year ago by putting similar qualiâ€" ties into his epic of western empire building, "Cimarron." Much of the â€"sheer power and impression of utter realism borne by the outdoor picâ€" . ture is found in the modern film of youngsters who are at the doorâ€" _ way of life, sampling its sweets and fi can, Adrian Morris, Betty Ross, Sheer Power of _ New Film Sensation of Modern Youth evils. _ Ruggles wrote the original story as well as directed "Are These Our Children?" and Howard Estabrook, scenarist of “Cim_a_;rgn,’_‘_wmte,,vthe scenario and dialogue for the curâ€" rent attraction. To the scenarist, "Ars These Our Children?" are by the principals, youngsters, all beâ€" low 20 years of age. Eric Linden, New York stage sensation, heads the cast and gives an unforgettable performance. â€" Although â€" Rochelle Hudson is the feminine romantic lead and does some fine acting, the part played by the "vamp," Arline Judge, gives opportunities thatâ€" allow Jher to dominate many scenes. Ben Alexander, Roberta Gale and Robert Quirk, also do excellent work. 1 putting _ into the new picture the virility, sweep, dramatic power and eonvincing realism of the utterly unrelated big hit that preceded it. "Are These Our Children?" has a relatively uninvolved plot which deals with the arrival of young Linden at the critical stage of his life at which he must choose a path for right or wrong. His youth leads him into the wrong path, and from there on the story never halts its tense stride toward startling cliâ€" ‘ A "new Billie Dove" will flash Across the screen when the widely heralded Howard Hughes producâ€" tion, "The Age for Love," is screenâ€" In this picture with Miss Dove Billie Dove‘s Return â€"â€"~Boasting a brilliant cast of favorâ€" ites, headed by Elissa Landi, Lionel Barrymore and Laurence Oliver, a tensely gripping and romantic story and some of the most lavish sets that have been flashed upon the screen in many a day, Raoul Walsh‘s Fox romantic drama, "The Yellow ‘Ticket" is everything advance reâ€" ports from Hollywood say it is. â€" â€" ~â€"â€"Theâ€"dramati¢c â€"plot, which was adapted for the screen from Michel man and Guy Bolton, evolves about a young and sensitive Russian girl who through cireumstances beyond her control finds it necessary to match her wits against those of the insidious head of the Czar‘s secret police,â€"with her own romance and the safety of her lover as the stakes of the struggle. In the end she is forced to kill the relentless menace, only to be then {faced with graver problems that lead to a most startâ€" ling denouement. Brilliant Cast in The role of the girl is enacted by Miss Landi and is one that gives full play to her histrionic talents and during her emotional scenes she rises to heightsâ€"of dramatic power screen. ~Lione!l barrymore appears as the cruel and scheming police head and as usual Mr. Barrymore gives a performance that is nothing short of superb. Laurence Olivier, irom the stage is e male lead. Other favorites in the cast who are deserving of much credit are Walter Byron, Rita LaRoy, Sorah Padden, Arnold Korff, Mischa Auer, Edwin Maxwell, and Boris Karloff. New Plot Twist RKO Radio Pictures‘ comedyâ€" drama, "Fanny Foley Herself," starring Edna May Oliver, strikes a new note in talking picture plot material and brings a new author to the screen. Juliet Wilbor Tompkins, author of the original story, which was published in a recent edition of The Ladies Home Journal, is one of America‘s foremost shortâ€"story wriâ€" Since then her work has had a steady market in the leading magâ€" azines of ohe country, including the Baturday Evening Post, â€"â€" . Beenâ€"~writmy ~since 1925, hner enâ€" trance into the field being a literary sensation. She sold 18 stories durâ€" ing that year, which stands as a record for beginners. clu She is a N Romantic Drama "The Yellow Ticket" the London and Broadway is excellent in the romantic in Olivers Show THE PRESS n en ie 5 W America‘s Boys and Telephone 321 ~~ POLK A BROS. FRIDAY â€"SATURDAY _ Huge Double Feature __ JAN. 15â€"16 SsUNDAY AND MONDAY "STREET SCENE" and "RECKLESS LIVING" MdOMNts eature No. eature No. 2 WALTER HUSstTtoXN in "THE RULING VOIKCE" AND MONDAY JANUARY 17â€"18 Double Feature â€" Sunday continuous 2 to 12 _______â€"â€" ># ‘Mary Duncan Charles Starrett Edward E. Horton BILLIE _ sftering Comedy DCOVLr :: mmal N Yellow Ticket No "smart" adjectives are needed when a truly great picture comes _ to the screen. The public always senses an cutstanding hit. That is why'thli_s picg:re is on everyone‘s lips. = more*md‘mil at t%e’fi st, esA ~# The Spirit of ‘Youth =The Anguished Glory of Boy and Girl Love= in Swirling Melodrama Set Agoinst the Secthing, , ~ Surging Inferno of Big City Life. â€" $ COMING Musical Novelties . SUNDAY ADMISSION Children 10¢c~ Adults 40¢câ€"50¢ JAY ONLY ~~ JAN. 17 On the Stage in Person A thunderous warning : to lenge that will strike fire from every heart of every boy and every girl! . WESLEY RUGGLES!* BRILLIANT ~â€"~,~ CABSTP â€" Songs and > with a us