McHenry Public Library District Digital Archives

McHenry Plaindealer (McHenry, IL), 5 Apr 1923, p. 6

The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

Mt/aitaMiAit*'tfMa9niffixc9&^^ SI tAtt*: foWlWSr *. ,^4?^. *>? » William MacHarg WHO ARE YOUf f'l? , Gabriel Warden, Seattle "iptta£ tot. telte his butler he is **P?ci11j5 a oall«r, to be admitted question. He informs his w'*® . danger that threatens »him « n* p u r s u e s a c o u r s e h e c o n s * * onlv honorable one. ^ ar^e" '^ts . the house in his car and meets a man whom he takes '"to_ ' ?. chine When the oar returns hon>e Warden Is found dead, murdereu. and alone. The caller, a young man. has been at Wardenshouse^ but leaves unobserved. ^ C g "0 rery, conductor, reoei\6B orc^rs hold train for a party. I'^e . and a girl Eastern Express P*r}V- - -jn ,ha board the train, ma The father of Tor whom the train was held. Phi'ip D. Eaton, a young man. aiso boa nled the train. Dor"f daughter and his secretarj. Avery. to find out what they can concerning htm. The l*° )a Eaton's acquaintance. D° ' found nearly dead from a niwrder cus assault. A surgeon opiates. Dome is revealed as Basil a great corporation lawjer. Katon is suspected and questioned. /Edwin Balmef • i tf Uctts. Brown sod i cat into the car ahea^, he heard the footsteps of Harriet Santolne aiMf Avery close behind him. i CHAPTER VII--Continued. Baton, leaning against the rail beside her and glancing at her, saw that tier lashes were wet, and his eyes dropped as they caught hert. "They have been Investigating the tttack?" -Yes, Donald -- Mr. Avery, you know--and the gpnductor have been working on It all day. They have been questioning the porter." "The porter?" "Oh, I don't mean that they think porter -had anything to do with g; but the bell rang, you know." •The belir* •f •The bell from Father's berth. I thought you knew. It rang some lime before Father was found--some few minutes before; the porter did not hear It, but the pointer was turned down*.* They have tested it, and It cannot be jarred down or turned In any way except by mean* of the baU." Eaton looked away from her, then tack again rather strangely. , "la that all they have learned?** •No; they have found the weapon." "The weapon with which your fa- /tter was struck?** *Yes; the man who did It seems not to have realized that the train was •topped--or at least that it would be stopped for so long--and he threw It off the train, thinking, I suppose, we should be miles away from there by morning. But the train' didn't move, and the snow didn't cover It Bp, and It was found lying against the snow bank this afternoon. It corresponds, Doctor Sinclair says, with plpither's Injuries." »' " .:**>. ' " "What was it?** • "It seems to have b«(0 * Itr of metal--of steel, thfey said, I think, •jllr. Eaton--wrapped li* innan'a hlaclt Wk.» "A sock!" Eaton's voice sounded Strange to himself; he felt that the blood had left his cheeks, leaving him pale, and that the girl most notice It. "A man's sock !** ' ' \ Then he saw that she had not noticed, for she had not been looking ^ him. • "It could be carried In that way tftrough the sleepers, you know, withtut attracting attention," she obv v terved. H , . Eaton controlled, himself. , ' W>ck!" he said again, reflectively. J ti!" He felt suddenly a rough tap upon Us shoulder, and turning, saw that • M: A- ^. "Step In Here, Sir," He Directid. /•i ' .Donald Avery had come out upon the ^platform and was standing beside .film; abd behind Avery he saw. Con- "•'(due-tor Connery. There was no one "Ijelse on the platform. • "Will you tell me, Mr. Eaton--or whatever else your name may be-- what it Is that you have been asking (Miss t&antolne?" Avery demanded harshly. "Harry, what has this man •ibeen saying to you?" "Mr. Eaton?" Her gate went wonderlngly from Avery to Eaton and back again. "Why--why, Don! He - has only been t-sklag me what we had found out about the, attack on Fa- V ther!" "And you told him?**, Avery swung toward Eaton. "You dog!" he mouth- Ml. "Harriet, he asked you that because he needed to know--he had to know! Harry, this is the man that did «tr Eaton's fists clenched; but sudden- 'i' ly, recollecting, he checked himself. Harriet, not yet comprehending, stood •taring at the two; then Eaton saw the blood rush to her face and dye forehead and cheek and neck as she 'understood. , J" "Not here. Mr. Avery; not here! Conductor Connery pat hla hand on -Eaton's arm. "Come with me, sir, , he commanded. Baton thought anxiously for a moment. He looked to Harriet Santolne aa though about to say something to her, but he did not speak; Instead, he qnletly followed the conductor. As fMar paaaM through tha obaervtttoa /;,#flAi»TKR VIM .» C Question*. Oq(hnery pulled aside the curtain of the washroom at the end of the Santolne car--the end farthest from the drawing room where Snntoine lay. "Step in here, sir," he directed. "Sit down, if you want. We're far enough from the drawing room not to disturb Mr. Santolne." Eaton, seating himself In the corner of the leather seat built against two walls of the room, and looking up, saw that ^very had come into the room with them. The girl followed. With her entrance Into the room came to him a strange sensation which exhausted hl» breath and stopped his pulse for a beat. To bp accused-- even to be suspected--of the crime against Santolne was to have attention brought to him which--with his unsatisfactory account of himself-- threatened ugly complications. Yet, at this moment of realization, that did not till his mind. Whether his long dwelling close to death had nunibed him to his own danger, however much more immediate it had become, he could not know; probably he had prepared himself so thoroughly, had Inured himself so to expect arrest and imminent destruction, that now his finding himself confronted with accusers in itself failed to stir new sensation; but till this day, he had never imagined or been able to .prepare himself for accusation before one like Harriet Santoine; so, for a moment, thought solely of himself was a subcurrent. Of his conscious feelings, the terror that she would be brought to believe with the others that he hart struck the blow against ber father was the Aiost poignant. Avery pulled forward one of the leather chairs for her to seat herself and took another for himself facing Eaton. "Why did you ring the bell In Mr. Santoine'8 berth?" Avery directed the attack upon him suddenly. "To call help," Eaton answered. "You had known, then, that he needed help?*? » "I knew" it---aaw It"then, of course." "When?" "When I found him. When I went forward to look for the conductor to ask him about taking" a walk on the roof of the cars." "You found him then--that way, the way he was?" # "That way? Yea." "How?" • •••• -v---v ' *How?" Eaton Iterated. *Yes; how, Mr. Eaton, or Hiilward. or whatever your name Is? How did you find him? The curtains were Open, perhaps; you saw him as you went by, eh?" Eaton shook his head. "No; the curtains weren't open; they were closed.** "Then why did you look In?? "I saw his band In the aisle," "Go <Ai." "When I came back it didn't look right to me; Its position had not been ; changed at all, and It hadn't looked right to me before. So I stopped and touched It, and I found that it was cold," "Then yon looked into the berth?" -Yes." "And having looked In and seen Mr. Santoine injured and lying aa he was, you did not call anyone, you did not bring help--you merely leaned across him and Bushed the bell and went on quickly out of the car before anyone could see you?" "Yes; but I waited on the platform of the next car to see that help did come; and the conductor passed me, and I knew that he and the porter must find Mr. Santolne, as they did." "Do yoi» expect us to believe that very peculiar action of yours was the act of an Innocent man?" "If I had been guilty of the attack on Mr. Santolne, I'd not have stopped or looked Into the berth at all." "If you are Innocent, you had, of course, some renson for acting as you did. Will you explain what It was?" "No--1 cannot explain." With a look of triumph Avery turned to Harriet Santoine, and Eaton felt his flesh grow warm with gratitude as he saw her meet Avery's look with no appearance of being convinced. Avery made a vexed gesture and turned to Connery. »Tell her the rest of It," he directed. Connery, who had remained standing back of the two chairs, moved slightly forward. "Where shall. I bogin?" he asked of Avery; he was looking not at the girl but at Eatoa. "At the beginning," Avery directed. "Mr. Eaton, when you came to this train, the gateman at Seattle called my attention to you," Connery began. "Old Sammy has recognlred men with criminal records time and again. He's got seven rewards out of It." 1 Eaton ftelt his pulsed close with I shock. "He recogniaed me?" he asked quietly. "No, he didn't; he couldn't blace you," Connery granted. "He couldn't tell whether you were somebody that was 'wanted' or someone well known --someone famous, maybe; but I ought to have kept my eye on ,,ou because of that, from the very start.. Now, this- morning you clfitn a telegram meant for another raah--a man named Hiilward,/on tht* train, who seems to be all right--that is, by hi® answers and his account of himself h£ seems to be exactly what he claims to be." "Did he read the telegram to you?" Eaton asked. "It was in code. If It was meant for him,, ha ought JO be able to read It." ^ - ' "No, he didn't. Will you?" . • Eaton halted whli*. he recalled the exact wording of the message. "No." Connery paused and looked to Avery and the girl. ^'You'll wait a minute, Mr. A'ery; and yon. Miss Santolne. I won't be long."0 He left the washroom, and the sound of the closing of a door which came to Eaton a half-minute .later told that he had gone oat the, front end of the car. As the three sat waiting In the washroom, no one spoke. Eaton understood fully that the manner In which the evidence against him waai being presented to him was not wlthj any expectation that he could defend! himself; Avery and Connery were obviously too certain of their conclusion! for that; rather, as it was being glvoi thus under Avery's direction. It was for the effect upon Harriet Santoine and to convlr.ce her fully. But Eaton had understood this from the first. It was for this reason he had not attempted to deuy having rung Santoine's bell, realizing that If he denied it and it afterward was proved, he would appear in a worse light than by his inability to account for or assign a reason for his act. ^nd he had proveJ right in this; for the girl had not be«n convinced. Su now he comprehended that something far more convincing and more Important was to come; but what that could be, he could not guess. The .•jmduetor appeared in the door of the washroom followed by the Eng-\L lishman from Eaton s car, Henry Standlsli. Connery carried the sheet on which he had written the questions he hau asked Eaton, and Eaton's answers. "What !><.me wers yon using, Mr. Eaton, when you came from A«ia to the United States?" the conductor demanded. Eaton reflected. "Mjr ownVT he said. "Philip D. Baton." "Mr. Standlsh"--Connery faced the Englishman--"you came from Yokohama to Seattle on the Tamba Maru, didn't you? Do you remember this Mr. Eaton among the passengers?' "No." "Do you know ho was not among the passengers?* , "Yes, I do." '* "How do you know?" 'Vi h The Englishman took a folded pa per from his pocket, opened it, and handed it to the conductor. Connery, taking it, held it out to Eaton. "Here, Mr. Eaton," he said, "Is the printed passenger list of the people aboard the Tamba Maru prepared after leavin« Yokohama for distribution am^ng the passengers. It's unquestionably correct. Will you point" out your name on It?" \ Eaton made no move to take the paper; and after holding It long enough to give him full opportunity, Connery handed It back to the Englishman. "That's all, Mr. Standlsh," he said. Eaton sat silent as the Englishman, after staring curiously around at them with his bulging, Interested eyea, left the washroom. "Now, Mr. Eaton." Connery sdid, as the sound of Standlsh's steps became Inaudible, "either you were not on the Tamba Maru or you Wore on It under some other name than Eatotu Which was It?" "I never said I was on the Tamba Maru," Eaton returned steadily. "I said I came from Asia by steamer. You yourself'aupplied the namfe Tamba Maru," "In case 'of questioning like that, Mr. Eaton, it makes no difference whether you said It or I supplied it in your hearing. . If you didn't correct me, It was because you wanted me to get a wrong impression about you. You weren't on thii Tamba Maru, were you?" "No. I was not." "You did come from Asia, though, aa your show?" •Yea." 'From YokonttnaT" •The last port we stopped at before sailing for Seattle - waa Yokohama-- yes." Connery reflected. "You had been In Seattle, then, at least five days; for the last steamer you could have come bn docked five days before the Tflfmba Maru. in fact, Mr Eaton, you had beejj on this side of the water tor as many as eleven days, had you not?" * "Eleven da. a?" Eaton repeated. "Yea; tor It was Jrfit eleven days before tlris train left Seattle that you came to the house of Mr. Gab. lei Warden and waited there for hita till he Was brought home dead J" • Eaton,t sitting forward! I Ilttla, looked up at the conductor; hla glance caught Avery's .an Instant; he gazed then to Harriet Santolne. At the charge, she had started; but Avery had not. The Identiflcatfon, therefore, waa Connery's, or had been agreed upon by Connery cud Avery between them; suggestion of it had not come from the Santolnea. And Connery had made the charge without being certain of It; he was watching the effect, Eaton now realized, to see If whjit he had accused waa correct. "Isn'l that so?" Connery demanded. •Or do yoa want to deny that too ttnd have It proved on you later?" Again for a moment Baton sat alien t. "No," he decided, "I do not denj that." "Then you are the man who was al, Warden's the night he Waa mur dered ?" Yes," said Eaton, "I was there thai evening. I was the one who camf there Ity appointment and waited till after Mr^vWarden was brought homf dead." So you admit that?" Connery gloat ed; but he could not keep from Eaton for Chic Gowns Silver and Gold Trimmings Are in the Fashion Pictu*j|- ^ JI^Prinsk,,, s : J ff,;- Thraada In . Better -Material . Should . Tarnish--Metaliaad Stuffs, . If 1 ,:&of Good Quality, Will . - < ' Long Wear. ' '*• "'-V . The charms of sliver aad; gold aa applied to dress show tto signs of abatement, according to a fashion writer in the New York Times. At first we took the application of metal to our gowns with more or less amusement and not the least show of seriousness. We used it In a spirit of Indulgence, and then we began to see how really distinguished it was making our clothes appear. Now, as we look about at the passing winter styles and the ones for spring, we see .innumerable touches of metal and some frocks and costtumes made solely of this material. Metal stuffs are charming in many more ways than one. TT.ey have a way of touching up a dress whenever so little a quantity is used so that it The Englishman Took a Folded Paper From Hla Pocket, Opened It and Handed It to the Conductor. FULLY WORTHY OF ITS NICKNAME English Parliament Known to Fame Chiefly for t.ie Things It Failed to Accomplish. Addle parliament is » name given to the English parliament which assembled in London on April 5, 1614^- 107 years before the union of the parliaments " England and Scotland. The parliament of King James I. was dissolved on the 6th of the following June. It was called the addle parliament because It remonstrated with the king on -is levying "benevolence" or forced contributions from his subjects, which was illegal, hut It passed no acta. This was due to the circumstances that it was not given time to do so, the king dissolving It and ao getting rid of troublesome and ikissIbly dangerous critics. Addle Is from the Saxon word, "adl." sick, diseased. Addle as an adjective means having lost the power of development by becoming diseased, aa eggs. Hence, producing nothing, unfruitful ,or barren. aa- addle brnlns, to make ..ddle; morbid, aa tc addle eggs. Aa a verb It means to make corrupt or a aeqge that, by Eaton's admlsstoto of the fact, Connery bad been disappointed. "All right, Mr. Eaton!" Connery returned to his charge. "You are that man. So besides whatever else that means, you'd been In Seattle eleven days ana yet you were the last person 'to get aboard this train, which left a full hour after Its usual starting time. Who were you waiting- to see get on the train before you yourself took It?" ' Eaton wet his lips. To what was Connery working up? The probabllthat In addition to the recognition of him as the man wlio had waited at Warden's--which fact anyone at any time might have charged--Connery knew something else which the conductor could not have been expected to know--this dismayed Eaton the more by its lndeflniteneps. And he saw, as his gaze shifted to Avery, that Avery knew this thing also. * "What do you mean by that que» tlon?" he asked. "I mean ti-at--however Innocent or guilty may be the chance of your being at Mr. Warden's the night he was killed--you'll have a hard time proving that you did not wait and watch and take this train because Basil Santoine had taken it; and that you were not following him. Do you deny It?" Eaton was silent. Connery. bringing the paper In hla hand nearer to the window again, glanced down once more at the statement Eaton had made. "I asked you who you knew in Chicago," h| said, "and you answered 'No one.'. That was your reply, waa It not?" ; "Yea." "You know no one In Chicago?" "No one," Eaton' repeated. ^ "And certainly no one there knowa you welt enough to follow your movementa in relation to Mr. Santolne. That's a necessary assumption from the fact that you know no one at all there." The conductor pulled ti telegram from bis pocket and handed It to Avery, who, evidently having already seen It, passed It on to Harriet Santolne. She took it, staring at It mechanically and vacantly; then suddenly Bhe shivered, and the yellow paper which she had read slipped from her hand and fluttered to the, floor. Connery stooped and picked it up and handed it toward Eaton. "This Is yours." he said. Ttio Popular Silver Bodice Worn With Plaited Black Satin Skirt. looks much mere worthy of public attention than It did before the glittering trimming was added. Then, when they are used for Whole garments, they are so distinguished looking that they make their wearers take on that same distinguished air. They need no trimmings. The/ cannot stand extra decorations. They are sufficient in themselves. During the last winter the heatdressed women in New York have worn metal frocks for evening. One was able to pick them out as the most stunning of all the women in any room full of people. And in every Instance the metal gowns v. ere made .so that their own materials were the center and the all of the gown's design. Now that spring styles are being shown at the American designers' places we see these metal mater'als appearing constantly In the collections--sure proof that the style Is not going to lay down Its hands jUst becr.use spring is here. but that It haa decided to f r right aa with Its expression. Not only dresses, but hats and blouses and negligees and accessories, are made from stuffs showing silver and gold, when they are not entirely of the metallzed materials. They take the draplngs and the shapings in most Interesting ways and because they require so little in. the way of trimming, they do not mount up in price as one might expect them to do. ~ The foreign metallzed stuffs are the handsomest. They crush In the hand so that they seem like nothing at all, and this in spite tf their metal threads which are so carefufly attended to that they defy the ravages of time and wear, retaining their glitter unto the bitter end. This Is something to be looked after when buying fabrics containing any silver or gold. If the threads tarnish quickly then the purchase Is not by any means an economical one. If, ou the contrary, they are of that sort which refuses to grow dim, then you can depend upon uslq^ them over and over again. And. if a stuff is Intrinsically beautiful, It wili last on and on through years, allowing Itself to be shaped this way and that, according to the demands of the style of the moment. \ Ribbons, too, are interestingly combined with metals When they are not made entirely from silks. Time and again you will see a strip of- ribbon used whgre It looks for all the world like an insertion of handsome embroidery. These ribbons are a boon to the modern designer, for, with their edges finished with - all fineness and care, they make the finich of a garment so simple a matter that they lure one to incorporate them In dressmaking, even when the natural tendency would be In an opposite direction. Blouse la Different r ""V The blouse of the moment is an Interesting affair If only because It is ao different a thing from the ones that have gone before. For a while, after the shirtwaist died as a general article of dress, the blouse seemed to be nil in the world of dress. Now It Is back again, carrying all before It For, you see, the blouse of today Is something which looks like an Integral part of a dress Instead of an individual element It has succeeded In so harmonizing Itself with the rest of the costume that at first appearance, one would never realise that it could be detached and give up lta place to another bodice effect creating a whole new costume. Certain velvet and duvetyn frocks have shown some *f the most Interesting of bodices done in silver or gold, -and it has been hard, always, to tell whether that blouse were a separate entity or something that was attached permanently to the skirt that went with It. Usually, though, upon examination, it was found to be a little perfect thing by Itself ready to give up its place at any moment to a bodice which its wearer happened to think was better suited lo the occasion in hand. There Is a sllyer material that la brocaded in effet^t without einpioylng any extra coloring. It is all, silver, but tbe pattern Is raised or embossed, while the foundation fabric remains a flat sliver. This is especially lovely for the draped smock to be worn with, the black or colored skirt and to constitute a part of the three-piece costume. These bodices are made with short and tightly fitted 3leeves. They are plalo at the neckline, and, while they drape about the form, they are still left with (heir lower edges plain so that they drape into the folds of the skirt with every semblance of being attached to that lower portloq of tbe costume. f*- iisp* ,y«-j Mm Anal AmirUm awilsirt pdbwlian pleasant action l o i r jM»ar t e a t h , also pcaetratlag the crevlcea aa* rWanalaq thana. Than, too* It all* ^Mtaaftftoa. , Vac WHIG LEY'S altar %v«ry meal--aaa Hack batter jroa will leal. :?t ;r; J •f The Flavor Lasts LOOM nouuuft lioydi Baby Carnages OFurniUav Ask Your Local Dealer Write Now for 32-Page Illustrated Bopklet TIm Lloyd Manufacturing Owifny (Htytaood-Wakf/UU Cm.) rm*. c Menominee, Michigan (16) QBL,DY£& SHINE r- SHOE POLISHES Easiest to use Good for slvoes CHILDREN WHO ARE SICKLY Mothers who value the health of their children, should never be without MOTHEI CRAY'S SWEET POWDERS far CMLBREN, tor use when needed. They tend to Break up Colas, Relieve Feverishnese; Worms, Constipation, Headache, Teethina disorders and Stomach Troubles. Used by Motk> ers for otter thirty yean. everywhere. Ask today* I. Address, Dos'tacMpt HoV&dRAY cO. L^ iiov, N. .V* Better Than Pills -- For Liver Ills hR Ton if* h I _ Tomorrow A l r i g h t Brocade for Evening Wear LOOK OLD? Sometimes these little bodices are made of gold and again they are made of bright broca-'es, but always they are seen to accompany suits of darker tones so that their own brilliance shall take the center of the stage and leave them to be noticed as the entire decoration of the garment. Whole dresses of brocade are usually confined to the evening hours, for they are so very startling In their beauty that they are almost too dressy and gorgeous to be worn at any hour during the day. But it is r. plain fact that when th4y are ma<\e up Into evening frocks their lines are ever so simple and they produce almost the onepiece effect when you come right down to examining the principles upon which they are constructed. Some of the evening golden dresses are draped, as are also the ones made of silver, and they are gathered In folda that follow the dictates of the individual figure, being made with trains and panels that help out most gloriously the sumptuousneas of the effect, i No trimmings are uaed--not even Not Quite What He Meant Many examples of babif English are published from time to time, but an advertisement that appeared In the columns o£ an Indian paper must be among the best. Here it Is, word for word: "Mahomed O'smap, hair-cutter and clean shaver. Gentlemen's throats cut with very sharp razors with great care and skill. No Irritating feeling afterwards. A trial solicited." «|f -you-didnt 40 it, why <fen*t you help ui?" beads or ribbon, hut the quality Of the metal material la left to show for what it is worth and usually it succeeds In being distinctive no matter what obstructions may be puf In its way. You cannot Keep a metal gown from allowing in a crowd. , Hats of silver vana gold are omnipresent, It Is not at all unusual to see a toque made; of rich metal bro-'1 cade and when that is the case the material Is left to do its work unaided unless there ia a Bparkllng ornament of brilliants placed In the direct front. Then the^e are the little evening hats combined with lace and tftallnes when they are not left alone to he simply metal cfyth twisted about the headdress. Tliere ts a "»ew spring evening head arrangement which has a little lurned-batk gold brim that glistens through a single layer of brown malines. Then the mal'ties, still in a single covering, is pulled over the top bf the bead to make the 21m.y crown of the hat and at the shies streamers of the tulle gathered together are left to talto the place of trimming.' ur»r, iUb. HnflV hair makes people look very oI4. a Isn't tieeeeeery-- bottle of Q-Bao Heir Color Beeterer will bring b*ck ortgUel eeler aulcklv -- stop* dandruff. At all good orugSWfc fe. er dine* from UMi-Ok (Wk, fcafUfc Jmm. Agents €an Burn ttlje Commiwion *elUna made-to-measure bloomers, petticoats ana costume slip*. Fox Garment Co.. Lansing. MWB. HANTEl)--MAN WITH AUTO to seH guaranteed TIKES and TUBUS, will arrange salary and expenses with rl«hl Amazon Products Co., I»ept. A. Cleveland. O. DAHl lAS AND CANNAS, the finest mixed. 11 00 per donon. Gladiolus. 50c per doMB. postpaid. M A. MARSH. Valparaiso. I«d. 'Names of Similar Meaning. Margaret. Marguerite and MarJoMo RIP all really the snme, and mean • pearl, being derived from the Greek. The poorest Japanese coolie regarda his evening hath as a sacred duty, and as the greatest luxury of the day. THE 'MP SKIRT IS -1*1 ••• j THEHbATEST Free and Frank Opinion. "Too aak me,M aald the haraaaed editor. "If you ought to write on both sides of the paper. In nay opinion you ought not to write on either side of the paper." Wotnon'a those of hearts hoat faatar jtlMs >" v~,'>; (TO BE CONTINUED.) Depended on the Supply. A man who delights in anecdotes of rustic life and character tells of an old fanner who once took tea with a former duke and duchesa of Buccleoucb at Drumlanrlg castle, hia grace's Dumfriesshire estate. His first cup of tee was swallowed almoat Immediately the duchess gave It to him. Again and HKaln his cup was passed along to th< head of the table. At the tenth cu| the duchess grew uneasy about the supply on hand. "How many cups dc you take, David r* ahe asked. "Ho* man* ** anvi,« , - ^ J ! ,! -' '.A.; / Garment of Low Waistline vTyp# la Wrapped Around Figure Five Inches Below Normal Line. Hip skirts are the latest development of the low waistline movement. They are wrapped' around th£" figure about five Inches below the normal waistline, and one must be careful to get them on at just the fashionable level on one's anatomy, for if you t.'y to lift them to the waistline, they will be too large at the -waist, too small at the hip and five Inches shorter than the fashion law demands. You simply lap the draped side over the outer, clasp It at the hip and let It fly and iiutter as It will to windward. It should be worn over a slip and a long body blouse. These skins are new and exceedingly smart, ami the hest New York shops are showing them In satin crepe, canton cropland printed crepe. For a day rostume the black skirts are usually worn with a long blouse of printed silk. The ilktrta themaelvoa are eaflk-leatly gant to answer for a restaurant-dinner dress with a blouse of white crepe silk embroidered with silver or gold, with white silk and crystal beads, or wltU wax red beads. With the two blouses and the wrup->trouml skirt you have two costumes--ode ^or afternoon and one for evening. The afternoon dress can be worn with a blouse jacket, making a costume suit, the evening dress with a cape. Under a Jacket the blouse can be of a plain-colored crepe, instead of a printed silk. Orange tangerine embroidered in king's blue or silver Is new. .lade Is very smart? The solid colors are frequently nsetl without trimming, but the trimming gives tbe new figured effect .that ta having auch a vogue.--Delineator Vaseline ? *#£•••:. BMUS.MXX. V . CARBOLATED PETROLEUM JELLY No skin break too small for notice. ? very wary of cuts, scratches and skin abrasions, no how slight. "Vaseline Carbolated Petroleum Jelly--applied at once--lesisens the possibility of infection. It comes in bottle*-- at all druggl*t» aad general stores. CHESEBROUGH MFG. COMPANY ^Consolidated) State St. New York "Vatlin*" ArodMCt Is rccva* menjed rveryivhere became of in MM> lute purity and fftttwnnil. . Velvet Coat Velvet coatees are to be popular for spring wear. They come in gorgeous tones of orange, blue and green, am sometimes hove lace frills alaiyt thi collar and extending beyond the wi alwmM* GREEN MOUNTAIN ASTHMA COMPOUND quickly n)twM tbs dls fag paroxjrans. U«d fat 65 T«sri and rsaalt of looa experience in treatment ol throat and tunc dlneasts bj BOX, Treatise on Asthma, its causes, treatment, etc., aenl upon request. S5e. and It.OC •» dr««ftata. i. H. OtriLD OO., HUPKRT. VX mi, M. U- CHICAGO. NO. U-1M* tirf*

Powered by / Alimenté par VITA Toolkit
Privacy Policy