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ssw. ft: g|f 'V^V.' •%• "' v' M T«tt THE WAAAWY MAINDEALER THOSE WERE THE DAYS THOSE "tt£REi THE 2AYS- /> 0 3 • [fit fcEMAN j I br Snulh i«rvnc« rVOUR EXCEPTIONAL RECORD IS A SUPERB EXAMPLE OF CONSUMMATE SCHOLASTIC, INDULGENCE } IN THE OLD DWS A STUDENT WAS PRAISED FOR USING HIS HEAP \ (^MA6!NG-1-2 DIVE; RIGHT THRU THE CENTER --7 OP THE Boy- WHAT A SOUP HEAD} IT'S WINNING THE „ 6AME FOR US,// \ -/VO ChAMQB/ HE STILL IS! mm By ART BEE NOTHING BUT THE TRUTH fcy Russ Arnold HOSSFACE HANK /LOOK.'-HOSSFACE GOIN' INTO THE BARBER'S1 hi The low angle of the camera makes the subject and the occasion stand oat in importance in this appealing shot. Angling for Importance viewed satisfactorily from any angle. However, that's not always the case. Sometiires a change in camera angle can transform the background completely -- turning it from a cluttered, distracting one into a neutral or complimentary setting for a lovely subject. For example, in an indoor picture, a low, angle may give you plain wall-space for a background, from a straightforward shot would reveal furniture to call some attention from the subject Outdoors, the low angle shot can often make use of the sky as a background-- and yod won't find a better one. No matter what your subject, don't be afraid to view it from more than one angle. The extra seconds spent looking through the view finder can pay big dividends in picture satisfaction. --John Van Guilder It's amazing how different one subject can look when pictured from various angles. That's why we so often remind you to think twice before shooting from the customary straight-on point of view. Looking up, or looking down, on a subject through the viewfinder of the camera can change the whole feeling of the,picturev Looking up at your subject tends £o emphasize its importahce, to give it stature. The illustration we selected for today's column proves this point quite definitely. A straight-on shot of the young miss in her party dress would have made a very nice picture. But the picture taken fr'om'thfe low angle dramatizes the importance of the .occasion and calls attention to her dress' part' in this importance. In this particular picture, the background is haturblly charming and appropriate and could be WE'LL WAIT P YEH..." FER HIM TO X THIS VME| CONAEOUT'. J GOTTA (f HULLO, FELLAS' By FRANK THOMAS I GO IN THERE TIST .TO BEAD THE MAGAZINES! SONNY SOUTH WF JUST WHUT ) ^ E! AH NEED J LATER. | - <3? * P'/LCAMTom£j 8 By ALCOURTSON ©°0°O g°O ° 00O O o UQO0°0 DELIVERY By AL SMITH „ GOOD MORNING! IT IS NOW SIX A.M.--WE WILL START THE DAILV EXERCISES PY GOING "TO THE WINDOW AND THROWING OUT OUR CHESTS JUL, YOU TOLD ME 1/ r DO/ V YOU SET UP AT 51* YETOOKA EV/ERy MORNING AND /gRiSK WALK TAKE A BRISK Jl -fc> THE WALK/ WINDOW AND $A(?Kj I'M TAKING A COLD ARE \SHOWER/ 0 . ^ WHERE YOi I TAKE A COLD s MOWER, EVERV MORNING.' DONT Vou FREEZE? NAW, I TURN ON THE HOT WATER TO KEEP WARM.' iiar You can't beat deep mud and road travel! Thi will take you there1 for a demonstratio Powered by the sensational Meh-comprewion NUtRICANB ,6HHM for power with economy. The Wfllys is built for long service, 118-in. wHeelbas «, 5300 lbs. GVW. n URANIUM / McHENRY 600 Front fit. MUCH URMIUM FA MD makes RABBIT BUSH, WILLYS SALFC^ SCRUBOAKsSmsCALE, vnovrffflLKVBTCH passes and TURN COLOR. / >K FOR THEM If MAUNA LOA.on iho, island of Hawaii/ is the Bl(5<3E6T VOLCANO on Earth/ (During it's ewption in I9So, it poumd smoufderinq Java Into tlw sea for 24 miles around it j) 1w ike days of . early AMERICA, the pioneers ate an average of 300 LBS. of MEAT a v/ea»* apiece I 'i GROWS FASTER SY DAY THAN SY NicSMT // ME AND MV SHADOW N THE MACABRE MEDIEVAL CUSTOM OF SEALlNGMflVlffTD THE COOHtKSTONBS OF NEVJ BU1LPIN5S WAS DISCARDED. A BRISK BUSINESS IM 6ELLIN6 SMAPOWS FOK THE SAI\AE PURPOSE WAS PEVEI.OPED M SOME PACTS OF EUROPE. By KERN PEDERSON LITTLE FARMER f IMPORT QT WftSTHE CRUSADrnttf WHO MWreMXCARPAiMW ONE OF THE FRUITS OF THEU? INVASION OF ISLAM. THEV PICKED UP THE CUSTOM FROM THEIR ENEMIES, THE SARACENS. By JOE DENNETT OFF MAIN STREET --7H"-OM I MOM \ AMN DAD ARE L SAY/ MOM,IVE BEEN THE NEXT v LIST6NINI' AND IT SEEMS TO ME TH AT POPS IW THE RI6HT BECAUSE HE SAVS TMATUif D/l ^ O"' 0 O *' TIME I TAKE JTW1I AND ARGUING AGAIN/ SIDES, IT WILL BE WITH MV MOTHER/ UMBRELLA ? • SAVNSS ARENT JUST FOR RAINY VMS! US. SAVINGS BONDS WILL MAKE THE FUTUSiE DAVS SUNNy AMP BRISHT-- BECAUSE THEV Bf?IN<5 THE SECURITY THAT MEANS FKttPCm F&V\ FINANCIAL P8CBLMMS NOTHING BUT THE TRUTH by Russ Arnold BY TOM OKA fA0ST HURRICANES OCCUR. IM THE WBST iNDtss FROW AOAGJUST to OCTOBER I 215 icv GRANDPA'S BOY By BRAD ANDERSON WHOAf ' SLOW VOW, I5 AY/ WHAT2? VITAMIA/5 GOTMTO !OU t i r t ssss£' 6» AH DON'T THINK YO' QUITE GOT TH' HAN(5 Of THAT THING YET, TOM TOM/ fUUued hr Sqiith Srrvtet CoMPfod Detnaroc. N. I Uncle Sometimes a feller who always plays safe misses a lot of fun. • o o These days it takes a tot of dollars to find good quarters, e • • Our Parson is cute; He said that hens lay more eggs with music and cows give more milk with music. We'll now hear the organ while we take up the collection. • • • When they quit holdin* hands and start clinchin* fists the honymoon is over. * • • Most women talk 25% faster thfcn men ahd say 40% less. Epiftrins* When one gal has a rich voice and the other a rich dad. guess which one lands a hubby first. • • • The honeymoon is over when he takes her off a pedestal and puts her on a budget. • • e Jr. Hinch says that he don't mind school, it s just the principle of the thing. • • • Grandpa Hedges got new glasses, now he says the milky way looks curdled. e e e The cream of the crop today w ill be the big cheese of to* morrow; we hope. --REV. CHARLEY GRANT. L-l-55 CimsswoM ACROSS Aver Foenu A shoal Mineral rock An outlet Shield bearinc £e eick Amuse More waa Begion Either Metal fastener Nefct Swear solemnly Companion - Torment Part of to be Shy Public vehicle French article Wooden shoe Measure of weight Allow Woody plant Weep Act Stir up Wall recess Tranquil A low {aland Sea eagle Killed Before Dry Warm up Spread to dry DOWN Cleahainf agent Melody A color Above Lair Leave upon a (accessor Austere Revolves Period of tine High priest A marsh Musical note Comparative jttffix Remunerate 25. Small island 26. Encounter 27. Large 28. Tent maker 29. Cooking vessel 80. Large cafclc 82. Compelled 33. Lad 36. To exist 37. Triple 38. Kind of necklace 40. Collide 41. Prefix* two ». 43. That is (abbr.) 44. A salamander 45. In this place 46. Scrutinized 47. Vegetable 48. Make a mistake 49. Blackbird 50. Meadow ajntDB E IS Solution