We have been made local agents in this territory for the sale of the New Edison Diamond Amberola ahd records. These phonographs are now on display in our store and You are invited to come and inspect them. You know that the | New Edison was perfected by Thomas A. Edison, who invented the first phonograph and is the only phonograph whose makers guarantee that it will sustain a test of direct comparison with an artist's voice. Four thousand times, before more than four million people, and by forty different artists has the New Edison been submitted to this-test proving that Edison has accomplished the impossible, he can ResCreate an artist’s voice so that no difference can be detected between that voice and Edison’s Re-Creation of it. 0 Tr 4 . Chippendale a . William and Mary This is the official laboratory Model with Soul” ° of the New Edison in the Chippendale a This is the Official Laboratory design. Finished in Mahogany and cig the ites ei in pleco Fumed or Golden Oak. Executed in wee an ary perio esign. uthen- true Chippendales style; of massive tically finished in Walnut and exe- but graceful structure. cuted in the true spirit of the period. > : Sheraton Sheraton i Thomas Sheraton bs : ; Jacobean ‘ ‘lived in the eighteenth Inlaid P century and his work Hepplewhite is much admired. There This inlaid model “ Bs The Jacobean model the New Edi “a of the New Edison is of are two Sheraton mod- mee ~— Hepplewhite was one stump oak cut by the els of the New Edison; very beaatiful instru- of England's greatest Ch ] f Moderne ancient Jacobean meth: one inlaid the other ment. Sheraton was a designets and this cab- ale u without. The one with- master of the use of and carefully se- $ 1 d thi del inet reflects the true =o my ble { t that A fine instrument for the lected to secure an ev- out inlay is shown a- aplay and thig mode Hepplewhite design in portable instrumen 2 d light carries out Sheraton’s can be easily carried from place small home. Finished in Ma- en straight grain, free . It ds ‘slightly its delicate carving and hogany, and Fumed or Golden ‘from champs. This is smaller than the in- ideas of the use of in- graceful curves. $258. to place. S144. ‘ " Oak. » $182, an exceptionally beau- laid model. This model lay perfectly. Executed 4 tiful piece of work. is obtainable in Ma- _ in genuine Mahogany 1: ; hogany: and Fumed or * (semi gloss) $529. Golden Oak. $302. The Edison Diamond Amberola Ps - In The New Playing cylinder records and being The Amberola is made in three ‘i attractive in design the Edison Dia- models as shown below. Edison mond ‘Amberola is always a popular Co © instrument. . ‘. In mparison are no needles to change, the per- as. manent diamond point is everlast- : to other makes of phonographs ing. Edison Re-Creations ee and considering their immense su- ; acre as long a - eon, ne periority the New Edison ts not as DE rene 8. na ae ay high in price. Still we feel that ROSE SELENE MERCRIOE; 2h Ue cal instrument separate and dis- perhaps the price of the model you tinct from talking machines, which prefer may be a trifle high for you ; merely imitate music while the to pay in a lump sum and so«we = =i stesktornt A have arranged a special payment New son Re-Creates music. ori by which anyone can secure a Every Edison cabinet, with the D OROSTEDE without feeling the exception of two smaller models pinch as regards paying for it. is an authentic period model, de- signed after the work of the great- On the New Edison every form est ee of the leet poche cen- turies; -hippendale, eraton, of music and musical cnuteoment is Heppic-white-ail the Be. ironed available. The world’s greatest ous for their beautiful furniture voices in operatic and concert num- are represented in the cabinets of bers, instrumentalists in favorite selections, symphony orchestras THE NEW EDISON and practically every American “The Phonograph With A Soul.” dance Orchestra of note. Story telling, ’ i is = eee selections and MODEL 80 This means that every cabinet cripture readings, famous recita- MODEL 50 ODEL 75 * is @ beautiful piece of work. tions and almost every song that Obtainable in Mahogany end Mi Obtainable in Fumed Oak only. gained popularity—all have been Fumed or Golden Oak. $102. A pleasing cabinet with accom- Slightly smaller than Model 60. Wh b 4 , : modation for eighty four records. at more can be desired in a recorded for the New Edison. Finished in Mahogany and Fumec® phonograph? Music exactly a There is a big list of Edison Re- Over 4000 Records to choose or Golden .Oak. Has powerful duplicate of the artist’s original { . A new list of Amberola Records erformance encased in a perfect Creations issued every month and from. double-spring motor that saves eyery month : mecial lists f i i eontinuous winding. $161 . gem of period furniture, carefully spec sts from time to time. : . finished to the last small detail. “Edison and Music”’ is the title ey of a book that describes the New e Edison in detail. You can obtain _ A BRI O N - t ] a copy of this free at our store. W .A. TT , Listowe SEaaaaaaaahanaanaan pbtaead | while he'll bring the ten-spot.” a peaceful age—or death. He’s been/ old cob begins to change hands, it’ s| he’s done with him. And I'll pledge! the resultant interest for several : TRADING THE OLD HORSE : + aah halide aah? Subd (Lillian Loring Trott in ‘Dum’ Animals”) I know where you can sell Albee and get a good bargain, too,”’ | Moore told his brother-in-law, Alfred Garcelon. “A man up my way asked me if I knew of an old horse he could getcheap. It’s time you had a young- er nag. "Twouldn't pay to winter Atbee agaiz ~* Jet him go now, “Ob, Albee’s quite a horse yet,” Mr. Garcelon put him off. “With the care I give ‘him he'll winter as well aS ever.’ “But he's. growing ‘older all the, time,” persisted the other. ‘“‘And} shorter-winded. If anybody eise’d had} him, he’d been dead long ago, wheez- ed up with the heaves the way he is. Shrewd as you pretend to be, I shoul think you'd see you're losing on hi all the time now.” “That’s not the point,”. Gordon's} father explained. ‘Albee has earned’ a faithful plug. I don’t relish the idea of some soulless shell of a man starving and freezing and beating the life out of a friend as staunch as Al- bee’s been to me.” Gordon's heart gave a bound. Al- bee was safe! “But the fellow I speak of, he'd become responsible for the horse’s good treatment.” Mr. Moore’s tone waxed persuagive. ‘'Have it in writ- ing if you will.” “I always notice,” Mr. Garcelon| met his arguments, “that when an usually for the worse, every time. | A man that’s able and willing to use) @ horse right is usually able and | willing to have a good one “That's so,”” thought Gordon, who mentally enumerated the owners of aged and illkept steeds. ‘‘They weré forever trading and trying to realize a dollar, to the other fellow’s—and the horse’s—two hundred per cent loss.’’ “But I'll get his signed guarantee never to sell Albee—shoot him when myself to see that he’s well cared for. I'll go farther. Swap the horse for ten cartwheels right now, and I'll see to the rest. it's reaily an accom- modation to’me, Alfred. He offered me a fiver to find him a horse I could warrant worth his silver. And I haven't much time—” Put in that way, Mr. Garcelon hesi- tated. Gordon fairly trembled. But he slipped away and came back with his bank book. It credited him with two deposits of five dollars each, and months. “Sell Albee :to 'me, Pa?” he cried, with a break In his voice. ffered the book that represented his ‘entire wealth. “To you?’ asked his father, in amazement. “‘What’ll you do with him?” “Shoot him.” Alfred Garcelon turned away to re- gain composure. Then he spoke: “Trade’s off, Larry. Guess if Gor- don can afford to shoot a noren, I can.’ ~