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    Nineteenth in a 62 part series, Norton’s War Dance describes John Norton’s participation in a traditional native war dance.

    Twentieth in a 62 part series, Realities and Stereotypes describes the negative racial stereotypes of natives which existed in American and British political cartoon of the early 19th century

    Twenty-First in a 62 part series, Scalping and Torture describes the use of scalp mutilation in the War of 1812. Employed primarily as a tool of intimidation and psychological warfare by all sides in

    Twenty-Second in a 62 part series, Financial Incentives describes the system British officials had instituted to financially reimburse native warriors and the widows of deceased warriors for losses t

    Twenty-Third in a 62 part series, Peace Council at Amherstburg excerpts the speech given by British Lt. Col. Reginald James in front of the Council of Western Nations on September 14, 1815. The speec

    Twenty-Fourth in a 62 part series, Great Merit is Due Excerpts quotes from letters by British military leaders acknowledging the enormous role Native Warriors had in ensuring a victory over American

    Fiftieth in a 62 part series, Cleansing the War Belt describes the blue coloured Wampum Belt which was being used in Native ceremonies in 1815 to celebrate peace

    Fifty-Second in a 62 part series, Tehcumtheh’s Betrayal describes the circumstances leading up to Tecumseh death on the battlefield on October 5, 1813

    Image of the Great Britain Haudenosaunee Covenant Chain Belt (Alliance Belt). This belt uses the symbolism commonly used in Haudenosaunee belt making. Nations are usually symbolized with squares. Her

    Lithograph -- Hand-colored depicting Oneida Chief Skenando. "Skenando's person was tall, well made, and robust. His countenance was intelligent, and displayed all the peculiar dignity of an Indian ch

    Watercolour painting depicting Laura Secord Overhearing U.S. [United States] Officers Discussing Plans For The Attack On The British Forces At Beaverdams

    Painting by E.H. de Holmfield after an 1884 Lithograph by Henri Julien in Le Journal de Dimanche. Located in the Chàteau Ramezay Museum. Montreal, Quebec.

    Pen and Ink Drawing on paper. The portrayal of the battle shown here emphasizes the desperate nature of the fight. It compresses the events of the 5 hours into a single image of the struggle for the

    Illustration from Pen and Ink depicting the charge for the guns by the 8th King's Regiment at the Battle of Stoney Creek on 6 June 1813. Appeared as an illustration for an Article entitled "The Night

    Niagara Falls Public Library

Two Row Times (Six Nations of the Grand River, ON: Two Row Times), 24 Jun 2015     Memorial recognizes Six Nations sacrifices during War of 1812 By TRT Staff NIAGARA ON THE LAKE - A working group of the Town of Niagara-on-the-Lake War of 1812 Bicentennial Committee has raised sligh

    Remarks by Tim Johnson, Woodland Cultural Centre, October 29, 2012 On behalf of the Smithsonian Institution's National Museum of the American Indian I extend congratu1ations to Executive Director Jan

    If you would like to view this slideshow or would like a copy, please contact the SNPL in regards to item SNPL004212v00d

Turtle Island News, 1 May 2013, p.5     "Over 7,000 people participated in the commemorative ceremonies held inside the walls of Fort York National Historic Site marking the anniversary of the Battle of York."

    Twenty-Ninth in a 62 part series, Teyoninhokarawen - Hero or Instigator is a discourse on John Norton’s role in the War of 1812