[ L ' ' F ; Wnn comme sn omminon; mm mm umt A ! r ‘ | ta , omcs i3 it ifeaetnteninesr e ceritise m nsonnicabtinndaienatotntete tsR c n ind nc detec in Contirooqnntitentets ind nunsnomane t e f bniaioinidithinboenaceree nraeeeniaieoennene en ons on nn otiieet ol oc 00 o ieitinnanirdn oi iieennienemennnimenenie en mm en mm : * 9 t ory: omeine: : mmadta it Apemmeimesceineâ€"mermeds;" nopndgmiitemiminen T Eenc en en on o ie oo e e on o eeaes es on o en t oo en SHIP SHAPE OF NEW YORKâ€"The spires of Manhattan are seen through rigging of ship across river in Brooklyn. King Features Byndicate D * (‘ LOBIA BURTION shows her metile exery time she fires up the Â¥ Qunace at ber Metal) Stuipture Studio in West Los Aungeles. Many of bee coeations adorm lobbics, founteins, terraces and houres, P * _z M $3+ s C o , e us A \ nag ue ce .w & ,.%‘ Â¥ ns i "i % t o § ... 6 .f._ ol C .. P C > "s? tE ' 6. l T é% a ce 5 T " s c bk * * \\\ Pre :. s A k. ... S N 3 hX . _ es 4 C SS ,35, 9 ie jecd . ‘ ¢ t"‘\\‘g’ Pss . +D > Mc x 3 e 93 * T Nesn g «w ; "a" x @ >Â¥ e . @ _ â€" _ ce .. > eA % t‘l . Sulk * amign, $ & A .. > Â¥4 w * i\ % millic # . * ‘PFe 4& B Sm 3 se . 3 & “AQ‘\ R w ‘& mss w 4n _ & '{a . onl s P 4 ~~6u H ’ ‘Q' ‘:& + ?;: uzs o w 8 M . § n . â€" $ _"" ~<" _ o t N f h C 4 igg % & n U oR *A mam~ > .â€" Mye: y b € ~ C ts t " i l % *" i . is 8e is e n [ o ol o y l ,.\‘ï¬,‘, # s ./ % be esb oo 0 _ . Hebains . s 3" ‘ “*'&iv." e t . s3 1. 30â€" .. a "Alv k m h Bs t old © t w . xm hy Pn PR e it s wies 4 Lo it I & ‘ i is wl â€"â€" l w e ; s m * f caa $ Â¥e e ts > A b A es & ®4. s * Â¥ : e lll \ s.*;:: m "*""% @ _ _ 3. @° "~â€"" 3 sit â€" B "~ s $ s ® regugee, c e in nghile t $ % P * / i . _ * x e n # P es o â€"â€" ~~yR 5 y mt 6 & s ' s se Fe She stands amidst a heap of metol bits in her studio. _ A tin can becomes an art object under her tauch