The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

"CALADA® s T except to an € ker the scene Glencoe? An gallant and ta he called her "blind‘; and t he heard that house, and w touching the Gordon, the h Sple T house, and would have left without touching the outstretched hand, and Gordon, the harshâ€"mannered minister, took it and kissed it, and the blind woâ€" man cried, ‘O Clan (‘/am%boll. I‘ll never call ye downâ€"ye may have the guile Wi claim for ye, but ye have the way with a woman‘s heart,‘ and poor John Splendid went out covered with shame." o _ Jean‘s eyes were shining, and she had forgotten to be awkward and tongueâ€"tied. j % "I remember," said Lord Bidborâ€" ough. "And the wonderful descripâ€" tionsâ€"‘I know corries in Argyle that whisper silken‘ . . . do you remember that? And the last scene of all when John Splendid rides away?" _ _ _ _ "Do you cry over books, Jean?" Pamela asked. She was sitting on the end of the sofa, her embroidery frame in her hand and her cloak on, ready to go when her brother had finished looking at Jean‘s treasures. . C _ Jean shook her head. "Not often. Freatâ€"aunt Allison said it was the sign F or Flavor FÂ¥eel the pc-rfecr balance and the hand comfort of the Smart made axc.â€"}lardcm:d. toughened and pered b{)men who know how to build double life and double t'value Into every axe they make Asx your naroware man ror A 444" Single Bitâ€"Double Bit Any Shaopeâ€"Any Weight C A.. nsso Always fresh and pure. â€" Sold only in sealed aluminum packets. Bhopman eolored." _ Solemn 8 the money." Just Swing a JAMES SMART PLANT CANADA FOUNDRIES & FORGINGS LIMiTEO A41‘ ) PENNY PLAIN 188VUE No. 43â€"‘24. BROCKVILLE ONT. @mall Boyâ€""Penny plain, please. It‘s better value for â€""You may bhave your cholcoâ€"penny plain or twoâ€"pence Copyright by George H. Doran Ce. BY O. DOUGLAS insist on snid0U P ige Nee sns s is« hi BC Piy, nc .. mA t PCR > of a feeble mind to waste tears over fiction, but I have cried. Do f'ou remâ€" ember the end of ‘The Mill on the Floss‘? Tom and Maggie have been estranged, and the flood comes, and Tom goes to save Maggie. He is rowâ€" ing when he sees the great mill maâ€" chinery sweeping down on them, and he takes Maggle‘s hand, and calls her the name ho%ad used when thef were happy children togetherâ€"‘Magsle!‘" Pamela nodded. "Nothing appeals to you so much as family affection, Jean girl. What have you got now, Biddy? ‘Nelly‘s Teachers? " “Oi, that," said Jean, gettlng pink â€""that‘s a book I had when I was a child, and I still like it so much that 1 read it through every year." Jean looked at him gnhelul]y‘ and thought to herself that he wasn‘t goâ€" Ing to be a terrifying person after all. For his ageâ€"Jean knew that he was thirtyâ€"five, and had expected someâ€" thing much more matureâ€"he seemed oddly boyish. He had an expectant young look in his eyes, as if he were always waiting for some chance of adâ€" venture to turn up, and there were humorous lines about his mouth which gseemed to say that he found the world a very funny place, and was exceedâ€" ingly well amused. _ [ When Pamela derarted with her brother to gnrtake of a dinner cooked by Miss Bathgate (a somewhat doubtâ€" ful pleasure), Mhor went off to bed, and Jock curled himself up on the sofa with Peter, for his Friday night‘s extra hour with a storyâ€"book, while Jean resumed her darning of stockâ€" ings. Her thoughts were full of the sisber‘; and brother who had just left. "Queer they are!" she thought to herself. "If Davie came back to me after a year in | India, I wouldn‘t have liked to meet . him in somebody else‘s house. But they seemed quite happy to look at books, and talk about just anything, and play with Jock and Mhor and tease Peter. Now 1 expect they‘ll be talking about their own affairs, but I would have rushed at the pleasure of hearing a"l about everythingâ€"I souldn‘t have waited. Pamela has such a leisuredl air about everything she does. It‘s nice} and sort of aloof and q'uiet-â€"but 1| could never attain to it. I‘m little and| bustling and Marthaâ€"like" % _ Here Jean sighed, and put her finâ€" gers through a large hole in the toe of a stocking. _ P T onl "I‘m only fit to keep house and darn and worry the boys about washing their ears. . . . Anyway, I‘m glad I had on my Chinese coat." Jock and Mhor looked back time Lord Bidborough spent in ford as one long, rosy dream. It is true they had to go to school as usual, and learn their home lessons, ggt their lack of attention in schoolâ€" urs must have sorely tried their teachers, and‘ their home lessons were crushed into the smallest space of time so as not to interfere with the crowded hours of glorious living that Lord Bidâ€" borough managed to make for them A CHAPTER XV on the Priorsâ€" _ It turned out that Lord Bidborough also delighted in trains, and he not only stood patiently on the bridge watching goodsâ€"trains shunting up and down, but he made friends with the porters, and too‘!: Mhor into prohibited Areas such as signalâ€"boxes and goods sheds, and showed him how signals iwere worked, and ran him up and down on trolleys. _ [ One neverâ€"toâ€"beâ€"forgotten day a sympathetic engineâ€"driver lifted Mhor into the engine and, holdinlg him up high above the furnace, told him to pull a chain, whereupon the engine gave an anguished hoot. Mhor has no words to express his pleasure, but in ecstasy of gratitude he seized the enâ€" wineâ€"driver‘s grimy hand and kissed it, leaving that honest man, who was not accustemed to such onâ€"goings, conâ€" s:derably confused. 3 Jock did not share Mhor‘s interest in "base mechanic happenings"; his passior was for the world at large, his motto, "For to admire and for to see." He hid long made up his mind that he must follow some profession that would take him to far places. Mrs. Hope suggested the Indian Army, while Mr. Jowett ioyally recammended the indian Civil service, though he f)t bound in duty to warna Jock that it wasn‘t what it was in his young days, and was irndeei hardly it now for a white mar. _ __ Jock felt that Mrs. Hope and Mr. Jowett were wise and experienced, but they were old. In Lord Bidborough he found one who had come hot foo! from the ends of the earth. He had seen with his own eyes, and he could tell Jock tales that made the coveted far lands live before him; and Jock fell down and worshim)ed. Through the day, while the two boys were interned in school, Pamela took her brother the longl walks over the hills that had delighted her days in Priorsford. Jean sometimes went with them, but more often she stayed at home. It was her mission in life, she said, to stay at home and have meals ready for people when they returned, and it was much better that the broâ€" ther and sister should have their walks alone, she told herself. Excessive selfâ€"confidence was not one of Jean‘s faults. She was much afraid of borâ€" ing people by her presence, and shrank from the third that constitutes "a «â€"â€"AND THE WORST IS YET TO COME. crowd." Every thought entirely filling our mind becomes true for us and tends to transform itself into an action.â€"Emile Coue. ie Atie t oreracet.. Minard‘s Liniment Heals Cuts. In connection with the breeding of sponges, six of the larvae which form the different kinds have been identiâ€" fied â€"oMbkâ€"welling+0 3 fli@ wed +3 hh ena e «s ’ «mmstoik ::;b (To be continued.) ONTARIO ARCHIVES TORONTO | Fashions a22." hi 4653. Here is Fashion‘s latest eX pression in blouses. It may be finished with square neck outline, or with the little band collar at high neck line. The sleeve is smart in wrist length, and popular and very comfortable in the short length of the small view. This Pattern is cut in 6 Sizes: 84, 86, 38, 40, 42 and 44 inches bust meaâ€" sure. _A medium size requires 2% yards of 40â€"inch material. Pattern mailed to any address on receipt of 20¢ in silver, by the Wilson Publishing Co., 78 West Adelaide st., Toronto. ӎ;;;lwlfic in silver for our upâ€"toâ€"date Fall and Winter 1924â€"1925 Book of All of my friends admire my little daughter‘s new middy ties, quite unâ€" suspicious of their humble origin. When 1 decided that fifty cents each Woman‘s Sphere A STYLISH BLOUSE MIDDY TIES PA v:v.ais”more'than I could afl_'ord to pay C Alwgether I felt my rummage in the rag bag had been well worth while, ue uf _1 [ " Ihe gam of Muslard forheallh . bhal E_fllfii’!fi Don‘t refuse tne TRORU * passed to y9Uâ€" Cultivate â€" taking it with meat, especia It stimulates the digestion assimilating yOUr food. a<ll This lovely doll is fourtecn inches tall. She has beautiful soft curly hair, and eyes that open and shut. She wears a lovely dress trimmed with lace, and has real shoes and stockings and bhat. Mér arms, legs and head all move and she is a real h&) We will give you this lovely doll free of cha If you will sell just 30 packages of lovely embossed Xmas postcards, booklets, seals and tags at teD cents a package. Send us your name and we will send you the cards to sell. When they are sold you send us our money and we send you the lovely Doll by mail, with all charges prepaid. We guarantee the sale of every package, and take back any not sold. _THIS LOVELY BIG DOLL FREE TO GIRLS in Except for millions of bats the great Carlsbad cave in New Mexico shelters wa animal or vegetable life. What th« country needs is not a Job for every man, but a real man for every job. w TeR wstard when it c tivate the habit of especially fat mest aastion and aids in Poultry, . _Butter, and Eggs MONTREAL, Please write Beans and Peas Bend 8amplesâ€"State Quantities Morrow ‘. Co.. 89 Front St, E. Phone: Main 1788, Toronto, Ont We GUARANTEE them for a week ADCAT P. POULIN & CO, LIMITED 36â€"39 Bonsecours Market, Telephone Main 7107 HOUSK established 80 years Keen‘s for our price list on will send you the sold you send us the lovely Doll by We guarantee the auEBEC 233 There is an old saying that the clothes make the man ; even more true is it that the pictures make the room. Anyone who wishes to have an atâ€" tractive room should give the most careful attention to the plctures; the subjects, the frames and how the picâ€" tures are hunk. ‘ si.ciue thiet Ihnar. Slhe should choose monize with the ro0] out the virtues in U selves. A sepia PT" may be framed clos flat moulding, tinted t _ In choosing a frame for a picture in {full colore remember that the color of the frame must either harmonize with the colors in the picture or be directly complimentary to them. Complemenâ€" tary colors are effective if the colors of the picture are vigorous, but the first plan is the easier to follow. _ For most water colors and color prints of any kind use simple gilt \frames and fairly wide white or creamâ€" dolored matk. But if the pictures are strong in color, as most reproductions from oil paintings are, gold mats or close, fiat, gold frames are pleasing. For the gold frames use plain oak finâ€" ished in dull gold or bronze; or, if you : prefer, choose a design that has a | simple, slightly raised border or mouldâ€" \ing round the outer edge. In very case | avold heavy ornamentation. | An oil painting in rich, heavy colors usually looks best in a deep gold frame of rich design. The sharp glitter of the gold should be mellowed, so that the tone of the frame will harmonize | with that of the painting. Such picâ€" | tures and frames should be bung on walls that are subdued in tone and colâ€" or. Oil paintings done in a high key | â€"â€"a treatment characteristic of much | modern landscape workâ€"must . be | simply framed. Use wide, flat mouldâ€" |lnu or narrow onesâ€"ornamented or notâ€"and hang the pictures on light ‘toned walls in a room that is brightly furnished. Above all no frame should draw the eye away from the picture. It should supplement, not command. Proper Spacing Important. When you hang pictures remember that much depends on proper «pacink. Each picture should be large enough for the space allotted to it, but not so large as to appear crowded. If both large and small pictures are to be hung on the same wall, it is a good plan to place a large one in the centre of each clear space and then group the smaller works on either side of it. A large upright composition looks well between two smaller oblong subjects, or vice versa, if the frames and colors of all of them harmonize. It is bard to arrange small pictures with unity of effect; the best way is to select those that in color and framing look ‘well together and then hang them in m group, with only a little space beâ€" tween every two. In that way you can use your taste in arranging in an inâ€" teresting manner the pictures of variâ€" ous sizes and proportions. . A symâ€" l metrical balance of the groups is more effective than a formal arrangement. Unless there is some reason for doâ€" ing otherwiseâ€"as, for example, there is in hanging pictures along a stairâ€" wayâ€"keep either the top or the botâ€" tom edges of all the frames on a line. In a single row line up the lower edges; in a double row line up the upâ€" per edges and put the larger pictures in the top row. Do not hang blackâ€"andâ€"white picâ€" tures on the same wall with colored pictures; you will get the best results if you hang certain kinds of pictures in different rooms, placing each colâ€" }lection in the room that is best suited to it in tone, color and furnishing. Do not let the frames tilt far forâ€" ward, or the pictures will lose in efâ€" fect. Unless the work is small enough to suspend by a pin hook or a single lwlre. use separate wires and two picâ€" \ture hooks. That gives a better apâ€" !purmce, and there is less chance of I the pictures being tilted sidewise. Picâ€" tures that are hung low should lie perâ€" ! fectly flat against the wall. All diseases are really one, and scientists should aim at a general antidote that would cure every ailâ€" ment. This theory, put forward by a we‘ll known doctor, is being wideiy disâ€" rnssed in the medical world. of ould choose frames that D&ALâ€" rith the room, and that bring virtues in the pictures themâ€" A sepia print, for example, framed close up i8 4 wide, Frame in Harmony. Efficient th th To [} ta} we he